作品介紹
藝術家

Bumpy and uneven blind self portrait chewing a blue corn taco at Elena Álvarez-Buylla Roces's house,...and against State's terrorism as much as possible

Bumpy and uneven blind self portrait chewing a blue corn taco at Elena Álvarez-Buylla Roces's house, discussing how to involve young peers in a more elaborate participation in art and science projects at C3 in the university, listening to "Love Ain't Nothing (but a monkey on your back)", with the soft velvety voice of Johnny Nash, still pretending to understand what happened -and why- to the 43 missing students in Guerrero after watching 'Ayotzinapa: el paso de la tortuga', an event that feels like a blank page to be written urgently, so to uncover vices and obstacles for justice and against State's terrorism as much as possible

Abraham Cruzvillegas

2018
Acrylic paint on paper, 140 elements
Variable dimensions
Winsing Arts Collection

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Sebastiano Pellion di Persano

Bumpy and uneven blind self portrait chewing a blue corn taco at Elena Álvarez-Buylla Roces's house,...and against State's terrorism as much as possible

Bumpy and uneven blind self portrait chewing a blue corn taco at Elena Álvarez-Buylla Roces's house, discussing how to involve young peers in a more elaborate participation in art and science projects at C3 in the university, listening to "Love Ain't Nothing (but a monkey on your back)", with the soft velvety voice of Johnny Nash, still pretending to understand what happened -and why- to the 43 missing students in Guerrero after watching 'Ayotzinapa: el paso de la tortuga', an event that feels like a blank page to be written urgently, so to uncover vices and obstacles for justice and against State's terrorism as much as possible

Abraham Cruzvillegas

2018
Acrylic paint on paper, 140 elements
Variable dimensions
Winsing Arts Collection

此系列作品通常以網格狀方格排列,代表著混亂的生長模式,類似於城市的俯視圖或工業化農田的拼湊,它們是由克魯茲威利戈斯在特定地點收集的紙質物件組成:餐巾紙、信封、圖像、報紙與雜誌的文章、收據等等。本系列標題中的「肖像」一詞代表的是藝術家的自身經歷,描繪他在某段時間的生活;藝術家曾說:「對我來說,最重要的是讓作品獨立於我的自傳;即使它的主要內容是我的生活經歷、思想和實踐。它必須是獨立存在且自由的。」,即代表了「遮蔽」的概念,作品經常會被塗成單色或兩種顏色交替呈現。

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Exhibition view at Winsing Art Place / Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Artist Biography
Abraham Cruzvillegas
亞伯拉罕 · 克魯茲威利戈近期在法國 Les Tanneries 當代藝術中心、邁阿密海灘巴斯美術館、阿斯彭美術館、蘇黎世美術館舉辦個展,2015 年為倫敦泰特美術館委託,於首屆Hyundai Commission 展出《Empty Lot》。其作品曾在許多知名大型藝術機構展出,包含巴黎現代美術館、國立二十一世紀當代美術館、洛杉磯郡立美術館和紐約猶太博物館等;曾參與威尼斯雙年展、聖保羅雙年展、卡塞爾文件展、雪梨雙年展、沙迦雙年展、光州雙年展和哈瓦那雙年展。克魯茲威利戈斯的作品也為諸多知名藝術機構所收藏,包含紐約現代美術館、香港 M+、倫敦泰特美術館、沃克藝術中心等。2012 年獲第五屆韓國洋賢藝術獎。目前工作、生活於法國巴黎。
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