1963
Ink on paper
35 x 100 cm
Winsing Arts Collection

1963
Ink on paper
35 x 100 cm
Winsing Arts Collection
By the early 1960s, Li Yuan-chia had shaped a highly minimal abstract language, often leaving only tiny specks—like stains or seeds—on vast white paper. These ‘points’ were both traces of action and abstract concepts, carrying the philosophy of ‘all and nothing.’ He experimented with folding-book formats, integrating the picture frame into geometric composition, and used black, red, gold, and white as his primary palette, symbolizing ‘beginning and end, blood and life, nobility, and purity.’ In 1961, Li moved to Italy, becoming a founding member of the European avant-garde movement Punto. After a brief stay in Milan, he settled in Bologna, living in a space offered by designer Dino Gavina’s furniture factory. The change of environment led him to create shallow reliefs with industrial materials.
