2024
Single channel video projection
Duration: 16:04 min
Dimensions variable
Winsing Arts Collection

2024
Single channel video projection
Duration: 16:04 min
Dimensions variable
Winsing Arts Collection
In recent years, Yi has explored how her work might be able to continue after her lifetime. Following the death of her sister in 2018, she began to think about how emergent machine intelligence might allow her to think differently about her artistic legacy. As she put it, “I don’t really want to stop making art after my biological body ceases to function.”
Working with her studio and some software engineers, Yi has developed a project she calls“Emptiness,” inspired partially by Buddhist teachings, that is centered around an algorithm for a post-death studio practice. She has trained the software on the studio’s processes and methods, as well as her entire catalog of works and preparatory research, with the goal that it might eventually generate complete artworks. Yi intends for the Emptiness software to acts as a digital collaborator, archivist, and storyteller.
Each Branch of Coral Holds Up the Light of the Moon (2024) is the first piece created using the software, and acts as a mini-survey of Yi’s art. Extant artworks of hers—including most in this exhibition—have been translated into generative characters who commingle in a virtual ecosystem of Yi’s design. Yi assigned each of these avatars eleven behavioral, sensory, and emotional attributes that govern their interactions, as well as a specified cycle of mutation. The video documents a sequence of their relations and transformations, borrowing from the
aesthetics of nature documentaries.
“There is an impulse for us as a civilization to want to preserve a memory or an idea through these new emergent technologies,” Yi has remarked. “It’s a motivation I understand. Will I or my studio be haunting the world in the future? We will be creating our own.”
