Artwork
Artist

Maintainers

Nairy Baghramian

2019
Cast aluminum, painted aluminum, cork, styrofoam, paraffin wax
175 x 220 x 190 cm
Winsing Arts Collection

Photo © Cathy Carver

Maintainers

Nairy Baghramian

2019
Cast aluminum, painted aluminum, cork, styrofoam, paraffin wax
175 x 220 x 190 cm
Winsing Arts Collection

Baghramian often challenges the limits of sculpture and moulds, object and signification, strength and fragility, organic and mechanical. These works could be exemplary for some discussion around inseparable sculptural and social issues such as instability, hierarchies, dependencies, privileged positions and production processes.

The work consists of three interdependent elements – raw aluminum casts, colored wax forms, and lacquer painted braces. The very different materials of wax and aluminum balance each other and hold each other up, so there's a reciprocal relationship, which exemplifies this inextricable link between idea and form. While presented in a disparate composition within the gallery space, all of the elements connect and resonate together, similar to the human body. Without one another the overall system will, literally, collapse.

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Exhibition view at Winsing Art Place / Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Exhibition view at Winsing Art Place / Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Exhibition view at Winsing Art Place / Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Exhibition view at Winsing Art Place / Courtesy Winsing Arts Foundation Photo © ANPIS FOTO
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Artist Biography
Nairy Baghramian
Nairy Baghramian was born in Isfahan, Iran, in 1971 and is a member of the Armenian minority. In 1984, she moved with her family to Berlin, Germany, due to political and social circumstances. She once said, "I knew exactly what it means to live in a culture or in a society that culture is almost not existence, my desire was wherever whenever I can be confronted related to art I will take that opportunity." Her upbringing and fluidity of identity is also reflected in her work. For her, sculpture is intimately linked to time, architectural site, body, gender and social context. It is not just an individual entity, but encompasses the experience of the body that is inevitably constrained by its surroundings, a work that speaks of precariousness, aided by external forces to achieve a state of equilibrium, and a metaphor for a relationship of dependence with society.
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