Artwork
Artist

Still Life

Mona Hatoum

2008-2009
Glazed ceramics, wood and steel
87.5x 180 x 90 cm
Winsing Arts Collection

Courtesy of the artist and Galerie Chantal Crousel, Paris. @Sebastiano Pellion di Persano

Still Life

Mona Hatoum

2008-2009
Glazed ceramics, wood and steel
87.5x 180 x 90 cm
Winsing Arts Collection

Hatoum often employs the language of Minimalism to reflect on the hidden violence in society, and the contradictory impulse of attraction and repulsion is a common thread throughout her work. Still Life is a collection of ceramic objects presented in a scattered fashion on the surface of a table. These small objects, which are glazed in vivid, sugar-like colors, are actually formed in the shape of hand grenades: lethal tools of destruction and dismemberment. The work was produced in collaboration with a ceramic workshop in Iraq al Amir Craft Village, Jordan, where a collective of women make reproductions of the Hellenistic & Byzantine urns and artifacts that have been unearthed in nearby archaeological sites. Seductive and tactile and disguised as alluring decorative objects, Hatoum here subverts the conventional associations of hand grenades with violence, war and death. The title of the work, an inversion of the Dutch still life or 'nature morte', further highlights themes of transience and mortality.

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Courtesy Winsing Arts Foundation. Photo © OS Studio_Rex Chu
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Courtesy Winsing Arts Foundation. Photo © OS Studio_Rex Chu
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Courtesy Winsing Arts Foundation. Photo © OS Studio_Rex Chu
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Artist Biography
Mona Hatoum
Hatoum was born in 1952 to a Palestinian family in Beirut. During a visit to London in 1975, The Lebanese Civil War broke out, preventing her from returning and resulting in her living and working for the most part in the UK from that period onwards. Experiencing the cultural shock of a new, foreign country, Hatoum began to feel out of place, and was compelled to re-examine her position as an "outsider". Hatoum's works often draw on her personal experience, while alluding to broader issues of rootlessness, alienation and social unrest. Hatoum's artworks are currently housed in several internationally renowned institutions and have been on display at many major museums and galleries including the Museum of Modern Art, New York; the Hiroshima City Museum of Contemporary Art; the Joan Miró Foundation, and the Ullens Center for Contemporary Art, Beijing. In 2015, her solo exhibition at the Centre Pompidou toured to Tate Modern, London and the Kiasma Museum of Contemporary Art, Helsinki. Her works have also been showcased at Documenta Kassel, the Moscow Biennale of Contemporary Art, the Istanbul Biennial, the Biennale of Sydney, and the Venice Biennale.
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