
Yang Jia-han, Associate Professor/Writer, Department of Chinese Literature, National Tsinghua University
Zhan Wai Hung Cultural Sociologist
Wang Daishui Shuxuan (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
$100 (discount on purchase of books or drinks)
Wang Daizhi, the first generation of Taiwanese architect after the war, presented Wilde's classic novel “The Portrait of Gray” with ten years of light (The Picture of Dorian Gray) The scene is moved from Victorian London to Taipei in the 1970s and translated into Dulienqui, which belongs to his era. Through the transformation of time, Wang Daei not only allows us to see a common fable about humanity, but also buried its aesthetic thoughts and observations of Taipei in the plot of the novel. In 2021, a new production was produced by the Wen Shin Art Foundation, curated by the Wen Shin Art Foundation, in collaboration with the Wang Daishi Architectural Research and Preservation Society.
The series of lectures in the book opens with a conversation between Yang Jia-han (Associate Professor/Writer, Department of Chinese Literature, National Tsinghua University) and Zhan Wai-Hung (Cultural Sociologist). Analyzed from the perspective of literary observation by Teacher Yang Jia-han, introduces Du Lianqui to present-day Taiwan, and discusses reading classic works for modern reading The meaning of the author; at the same time, through the work of Mr. Wang Daei's thoughts on the times, and Mr. Zhan Wai Hung's personal experience with his interviews in the 1990s, brings everyone “closer to Wang Dai Yin” from a perspective beyond architecture.
From classical literature one can read into another world and reflect on the present through an understanding of what is in it. In Taiwan's society, where individualized feelings are valued, I hope that readers will be able to gain a different sense of life after reading Dulienqui, and learn to open up their senses and perceive the world with their bodies.
Architect Wang Da-Hong (1918–2018) and writer Oscar Wilde (1854–1900), though separated by time and culture, shared a profound dedication to the art of living. Both drew inspiration from the sensory world, shaping their identities through lifelong acts of self-fashioning. As creative figures of their respective eras, they pushed the boundaries of existence in pursuit of uncompromising self-will.
In comparing Wang Da-Hong’s novel Du Lian Kui with its source material, Oscar Wilde’s The Picture of Dorian Gray, both works brim with allegorical depth and cultural resonance. Each emphasizes the presence of the soul and reimagines “pleasure” as an art form—one rooted in detail, taste, and the cultivation of living fully within life’s ephemeral moments. Their aristocratic protagonists heighten their senses, pursue authentic emotion, and embrace intensity as a means of affirming their own existence.
The novels suggest a path for self-fashioning: understand oneself, explore the world through one's own methods, recognize one's origins, and gradually clarify one's destination through self-cultivation. Through his writing, Wang Da-Hong reveals a candid perspective, a fierce curiosity about life, and thoughtful reflections that inspire readers to boldly engage their senses with the world—to live for themselves rather than follow paths predetermined by others.