Philippe Parreno
2010–2015
Paint, marble powder and diamond powder on cast aluminum, stainless steel
Height 250 cm, Ø 215 cm
Winsing Arts Collection

Philippe Parreno
2010–2015
Paint, marble powder and diamond powder on cast aluminum, stainless steel
Height 250 cm, Ø 215 cm
Winsing Arts Collection
The work is made from cast aluminum and brass. From a central pole metal branches extent in all directions. They appear like snow-covered tree branches, although no actual organic material is visible. While seven of the other trees in the series show individual green needles and have a more naturalistic appearance, March is one of four overtly unrealistic trees. 44 differently sized and colored baubles are suspended from the branches. A characteristic star-shaped top completes the tree’s decoration.
The series Fraught Times: For Eleven Months of the Year it’s an Artwork and in December it’s Christmas (2008–16) consists of eleven unique works. Each tree has a distinct character—some are larger than life, others are somewhat miniaturized. The change in scale also extends to the trees’ decorations: especially the snow-covered works with their sometimes disproportionally large baubles give trees such as (March) a cinematographic, even cartoonish quality. In addition, all trees have different kinds and amounts of decorations; they always look freshly decorated—always anticipating a celebration.
Parreno’s trees are not religious objects but markers of time, objects that traditionally (perhaps because of their association with childhood) have been granted a near universal license for opulence and kitsch. Outside their traditional context—both temporal frame and domestic setting—the aesthetics can seem out of place. It is this temporal displacement to which the title refers.
