
KWANG-TING, WANG JUNHSIUNG, WANG TSEN-WING RESEARCH PLANNING TEAM “MODERN LIFE: TAIWANESE ARCHITECTURE 1949—1983”
Chun-Ming Huang, President, Taiwan Society of Modern Architecture
Wang Daishui Shuxuan (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
$150 (Paid upon arrival, drinks and snacks are available on site)
“Modern Life: Taiwan Architecture 1949—1983” examines the issues and cultural factors that influenced the context of architectural development in Taiwan between 1949 and 1983. The exhibition reveals the new transformations that Taiwan faced after the end of World War II. From the migration of the national government to Taiwan, the era of beauty and dignity, and the modern era, Taiwan's culture of life gradually moved out of the shadow of political ideology and into the modern era of freedom of living, while opening a door to the imagination of “freedom”.。 WHILE EXPLORING AND LONGING FOR MODERNITY, ARCHITECTURE BECOMES A WINDOW INTO THE CULTURAL CHANGES OF POST-WAR LIFE IN TAIWAN. The existence of the building entity also imprints the authenticity of the life cultural event, and thus the building becomes a tangible cultural form of interaction with the life cultural event.
A “new factor” was added at each stage of postwar development, not completely overturning the old rules, but instead closely aligned with the old ones. The first Salon will provide a more comprehensive discussion of the prelude to the exhibition: inviting Huang Junming, Director of the Taiwan Institute of Modern Architecture, from the point of view of architecture and art history, to look at the period in which there was not much ink in the exhibition, to discuss the architectural talent, technology, techniques, architectural knowledge, regulations, etc. Concatenate the two pre-war and post-war eras to lead the audience to understand the continuity of all kinds of building factors.
Architecture is closely intertwined with the everyday lives of the public. To understand the essence of a particular era, one can begin by observing the spaces that people commonly interact with—such as industrial buildings and residential structures. These buildings encapsulate the daily realities of food, clothing, housing, and transportation, allowing future generations to grasp the lifestyles of the time and uncover the historical context behind them.
Taking Jen-Ho Chen’s meat market in Fengshan District, Kaohsiung as an example, every stage—from design and planning to construction—reflects technical and material choices profoundly shaped by contemporary economic and industrial development. From the postwar period to the present, architecture and cities have constantly evolved in response to society’s ongoing pursuit of modernity. This process has given rise to dynamic and vividly diverse scenes of “modern life.”
Such vitality represents a city that can accommodate a mix of cultures, values, incomes, and tastes. This kind of eclectic and heterogeneous condition often proves more livable than idealized urban planning. The uneven spaces formed by the convergence of different individualities are, in fact, a reflection of Taiwan’s current reality.
As we examine architecture, we explore the characteristics and meanings of a given era, meanwhile, by tracing architectural contexts, we gain insight into the public’s vision of everyday life at the time.