
KWANG-TING, WANG JUNHSIUNG, WANG TSEN-WING RESEARCH PLANNING TEAM “MODERN LIFE: TAIWANESE ARCHITECTURE 1949—1983”
JIANG YA-JUN, ASSOCIATE PROFESSOR, DEPARTMENT OF ARCHITECTURE, ZHONGYUAN UNIVERSITY
Architect Huang Mao-chun
Wang Daishui Shuxuan (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
$150 (Paid upon arrival, drinks and snacks are available on site)
“Modern Life: Taiwan Architecture 1949—1983” examines the issues and cultural factors that influenced the context of architectural development in Taiwan between 1949 and 1983. The exhibition reveals the new transformations that Taiwan faced after the end of World War II. From the migration of the national government to Taiwan, the era of beauty and dignity, and the modern era, Taiwan's culture of life gradually moved out of the shadow of political ideology and into the modern era of freedom of living, while opening a door to the imagination of “freedom”.。 WHILE EXPLORING AND LONGING FOR MODERNITY, ARCHITECTURE BECOMES A WINDOW INTO THE CULTURAL CHANGES OF POST-WAR LIFE IN TAIWAN. The existence of the building entity also imprints the authenticity of the life cultural event, and thus the building becomes a tangible cultural form of interaction with the life cultural event.
The second salon responds to the theme of the exhibition and explores the changes made to life after the war. Mr. Jiang Yajun, Associate Professor of Architecture at Chung Yuan University, was invited to discuss architectural scenarios related to “New Life” through his research, including the new way of life revealed by Wang Dazhi's home, the Gospel Village designed by Hammond Architects, the South Airport Apartments, etc. AT THE SAME TIME, ARCHITECT HUANG MAO-CHUN WILL ALSO COME TO THE SITE TO SHARE THE HISTORY OF POST-WAR ARCHITECTURE.
Through the trials and developments of the postwar period, architecture in Taiwan has gradually forged its own identity. By the time of the third generation of architects, external influences—particularly from the West—had begun to loosen their grip, allowing a distinct local character to emerge. Architects expressed their ideas through design, and their hand-drawn construction drawings revealed their individual definitions of architecture and how they chose to engage with it.
In 1979, Architect Magazine published a special issue titled "A Retrospective of Taiwanese Architecture Since Retrocession (1945-1978)", marking a pioneering moment in Taiwan's architectural scholarship and exerting lasting influence on subsequent researchers. Revisiting this special issue, along with later essays by architect Pao-Teh Han and publications by National Cheng Kung University, we observe how the roles of architecture and architects have transformed over time. Architects are no longer viewed merely as technical practitioners, but have gradually emerged as advocates for what we now recognize as "forms of living space."
In recent years, architecture represents more than just a machinism for living—it has become a means of cultural understanding. Through architecture, everyday life has drawn closer to culture.