
KWANG-TING, WANG JUNHSIUNG, WANG TSEN-WING RESEARCH PLANNING TEAM “MODERN LIFE: TAIWANESE ARCHITECTURE 1949—1983”
Acting Professor of Master of Arts Management, Tainan University of the Arts Huang
Ms. Wu, Senior Lecturer, Department of Architectural Design, Yiu Ting University
Artist Guo Yu Ping
Wang Daishui Shuxuan (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
$150 (Paid upon arrival, drinks and snacks are available on site)
The final lecture of the series, “Modern Meaning: Traditional, Chinese and Indigenous”, invited two exhibitors and special guests of this exhibition to discuss: Wu Yiu Ting, Senior Lecturer in the Department of Architectural Design at the University of Practice, Yu-ping, artist Guo Yu-ping, and Professor of Social Anthropology Huang.
Wu Yiu Ting discusses the development and transformation of Taiwanese architecture from the perspective of architectural history through models, photography and writing in collaboration with students in the exhibition. Inspired by the furniture of Zhongxing New Village, artist Guo Yu-ping's exhibition, Delays and Hollows, tells the history and story of Nantou Zhongxing New Village. These works bring a different perspective to the exhibition, allowing the audience to feel the interweaving of architecture and living culture. As an exhibitor, Professor Wong looks back at the meaning and relationship between architecture and life from the point of view of sociology and anthropology. Through her perspective, viewers are expected to understand more fully how architecture reflects and influences social culture.
Though the Modern Life exhibition examines Taiwan’s architectural evolution through a historical lens, its presentation of social and cultural relationships engages the audience to reconsider architecture through the perspectives of daily life, art, and even anthropology. Amidst the stimuli of modern living, exposure to diverse cultures transforms historical understanding, gradually loosening the constraints of tradition and inspiring individuals to navigate their own identity and place in the world.
Architecture, woven into the fabric of everyday life, serves practical needs and fosters deep emotional bonds with its inhabitants. The rise of architectural magazines and publications during this period became a gateway for people to perceive their environment.
Space is more than a machine for living—it preserves vital memories, layering rationality and emotion to project the full spectrum of human experience. This embodies what anthropology defines as culture: the dynamic system of knowledge and practices that sustains a community and evolves over time. The exhibition explores the relationship between social trends, lifestyles, and architecture across different eras, using buildings as storytellers to articulate the formation of modern culture. Under diverse contexts, when modern architecture is discussed through this cultural definition, it opens up opportunities for people to integrate and reconstruct elements from different historical periods, thereby creating architecture that resonates with the present. It is through this process that the meaning of “modern” can truly be revealed.