
Kwan-Ting Wu, Chun-Hsiung Wang, Tseng-Yung Wang/ Curatorial Team of Modern Life: Taiwan Architecture 1949-1983
Julia Huang Professor, Insttitute of Anthronpology, National Tsing Hua University
Yao-Ting Wu Lecturer, Department of Architecture, Shih Chien University
Yu-Ping Kuo Artist
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
$150 (Paid upon arrival, drinks and snacks are available at the venue)
Modern Life: Taiwan Architecture 1949-1983 explores the issues, events, and cultural factors that shaped the development of Taiwanese architecture from 1949 to 1983, revealing how Taiwan faced new transformations after World War II. From the KMT government’s relocation to Taiwan, through the period of American aid and the lifting of martial law, to the modern era, Taiwan’s lifestyle culture gradually emerged from the shadow of political ideologies and moved toward a modern, free era. This also opened a door to the imagination of “freedom.” While seeking and yearning for modernity, architecture became a window into the postwar cultural shifts in Taiwanese life. The physical presence of architecture also attests to the authenticity of cultural events, making it a tangible cultural form that interacts with these events.
The final lecture in this series, “Regarding Modernity: Tradition, China and Locality,” features a dialogue among two participating artists and a special guest: Yao-Ting Wu, a full-time lecturer in Shih Chien University’s Department of Architecture; Yu-Ping Kuo, an artist; and Julia Huang, a professor of social anthropology.
Through models, photographs, and writings collaboratively created with students in the exhibition space, Wu discusses the development and transformation of Taiwanese architecture from an architectural history perspective. Meanwhile, Kuo’s exhibited work, Delay and Pit, draws inspiration from furniture in her childhood home in Zhongxing New Village. Combining archival materials, drawings, and video, it tells the history and stories of Zhongxing New Village in Nantou. These works bring diverse perspectives to the exhibition, inviting viewers to experience how architecture and living culture become interwoven. As an observer, Huang reflects on the meanings and relationshipsbetween architecture and life from sociological and anthropological viewpoints. Through her insights, the exhibition aims to help audiences gain a more comprehensive understanding of how architecture reflects and influences social culture.
Though the Modern Life exhibition examines Taiwan’s architectural evolution through a historical lens, its presentation of social and cultural relationships engages the audience to reconsider architecture through the perspectives of daily life, art, and even anthropology. Amidst the stimuli of modern living, exposure to diverse cultures transforms historical understanding, gradually loosening the constraints of tradition and inspiring individuals to navigate their own identity and place in the world.
Architecture, woven into the fabric of everyday life, serves practical needs and fosters deep emotional bonds with its inhabitants. The rise of architectural magazines and publications during this period became a gateway for people to perceive their environment.
Space is more than a machine for living—it preserves vital memories, layering rationality and emotion to project the full spectrum of human experience. This embodies what anthropology defines as culture: the dynamic system of knowledge and practices that sustains a community and evolves over time. The exhibition explores the relationship between social trends, lifestyles, and architecture across different eras, using buildings as storytellers to articulate the formation of modern culture. Under diverse contexts, when modern architecture is discussed through this cultural definition, it opens up opportunities for people to integrate and reconstruct elements from different historical periods, thereby creating architecture that resonates with the present. It is through this process that the meaning of “modern” can truly be revealed.