
Westley Wong Author of Ink & The City: Applied Calligraphy Of Hong Kong
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
Free Admission (Advance registration required/ $150 on-site bookshop admission fee, discounts on books and drinks)
Hong Kong’s unique landscape of densely packed signage is renowned worldwide. From the 1930s to the 1980s, several prominent calligraphers in Hong Kong—Kin Kung Au, Hsi Hsieh, Shiu Hang Cheuk, and Yat Ming Lai, collectively shaped Hong Kong’s distinctive urban landscape over half a century through their commercial and charitable works. Their creations—including signage for Sun Hung Kai Properties, Eu Yan Sang, Chow Sang Sang Jewellery, Federal Restaurant, and Ho To Tai Noodle Shop—are widely recognized by the public. Westley Wong, author of Ink & The City: Applied Calligraphy Of Hong Kong, and his team spent over four years compiling and researching the works of these four calligraphers, gathering over a thousand precious images, ranging from signage and cards to couplets, and paper-based works. In this lecture, Wong will recount the stories about the journey and how these signs collectively shaped Hong Kong’s urban character.
Winsing Art Place and Joint Publishing HK jointly present two book-sharing lectures, featuring Westley Wong, author of Ink & The City: Applied Calligraphy of Hong Kong, and Hei Shing Chan, author of Alchemist: Exploring the Beauty of Books. Through their respective works, they will guide readers in discovering the calligraphic culture embodied by Hong Kong’s signage and the experiences of contemporary Hong Kong book design. The lectures will be held consecutively on the afternoon of February 8th. We invite you to join us at the bookstore for discussion and exchange.
When it comes to Hong Kong’s cityscape, many people first envision bustling streets adorned with dazzling signage. These signs, crafted in calligraphic styles, carry the historical narratives of Hong Kong. To older generations of academic calligraphy masters, such signage calligraphy might be dismissed as mere “street-level” art. Yet, every form of calligraphy holds lessons worth learning. Guided by this belief, Westley Wong launched his research project “Ink & The City: Calligraphers Who Shaped Hong Kong.” Through archival research and fieldwork, he meticulously traces the past and present of these signage masterpieces.
Calligraphy masters emerging during this era—such as Kin Kung Au and Hsi Hsieh—shaped Hong Kong’s urban landscape from the 1930s to the 1980s through their signage creations. Notably, Au, renowned for his monumental calligraphy, held a solo exhibition in Taiwan in 1936, making him the first Lingnan-style calligrapher to exhibit there. He also left significant works in Taiwan: the exquisitely carved wooden plaque “Benefiting My People”(惠我黎民) at Taipei’s Dalongdong Baoan Temple, and the largest-scale “Wanbang”(萬邦) signboard crafted by Chen’s Wood in Taichung.
From Hong Kong to Taiwan, calligraphy permeates every facet of our lives. Yet in Hong Kong, once hailed as a modern stele forest, traditional calligraphic signs have gradually vanished in recent years due to policy and regulatory changes. Before their complete disappearance, numerous organizations have been diligently conducting research and preservation efforts to prevent them from being lost to history. Wong believes every object holds intrinsic value—ancient tombstone inscriptions and modern signage alike warrant scholarly study. Through lectures and exhibitions across regions, he shares the discipline of signboard calligraphy with wider audiences. With the publication of Ink & The City: Applied Calligraphy Of Hong Kong, these studies now reach calligraphy enthusiasts worldwide through meticulously designed volumes.