
Chao-Lee Kuo Founder, Taiwan Alliance for Arch Modernity
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
One lecture for $500, including special snacks (sandwiches, desserts, drinks), and 10% discount on event book purchases.
Wang was fond of the arts, and in the past, he often invited the arts and crafts community at the time when he built his home in Nanchou and Honglujia. Like Bauhaus, he organized a small society called “Chimera” (named after a lion and lamb-tailed hybrid monster from mythology). Those who frequented the time included Hui Changhui (music), Guo Lianghui (literature), Yang Yingfeng (sculpture), Lang Jingshan (photography), Sidi Dejin (painting), and others. Wang, who initially founded the association, described his efforts with the subtitle “A Bauhaus Organization in Free China”, and can be seen to be deeply influenced by the likes of Grobetz and Mises.
This year marks the centenary of Bauhaus 1919-2019, a special theme, “Chimera and Bauhaus,” will introduce the relationship between the two as the beginning of this series of literary activities. This talk is “Postwar American Boahos+Memory Chimera”.
In the United States, Mies continued to advocate for a universal idealism of modernist architecture through standardization and industrialization. Between 1951 and 1952 at IIT, he developed the Core House concept: a square glass box supported by four external columns, topped with a continuous flat roof. The interior was entirely free-form—spaces defined not by walls but by furniture, curtains, or lightweight partitions placed around a fixed service core. Using a 3-foot modular grid on the site with minimal structural constraints, the layout could adapt to the varied needs of families.
Wang Da-Hong’s residence on Jianguo South Road in 1953, based on a 2-foot modular system, appears to be influenced by Mies’s Core House principles. In the concluding session of a lecture series, his daughter Wang Yi-Ren and son Wang Shou-Cheng—who spent their childhood in the house—are invited to share personal reflections on Bauhaus education and memories of their father and the residence.
Though both the Bauhaus and Wang Da-Hong now belong to history, the intellectual dialogues unfolding at the restored residence and bookshop continue the spirit of Wang Da-Hong—just as his work once carried forward the legacy of Bauhaus.