
Tseng-Yung Wang Founder of Bigger W Atelier
Chun-Hsiung Wang Director, Department of Architecture, Shih Chien University
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
One lecture for $500, including special snacks (sandwiches, desserts, drinks), and 10% discount on event book purchases.
Post-World War II architecture in Taiwan underwent profound transformations whose effects persist to this day. First, the historicism that characterized pre-war architecture was almost replaced overnight by modernist architecture. Second, the architectural profession, previously dominated by Japanese practitioners, faced a vacuum following the departure of Japanese nationals after the war. Following the Nationalist government's relocation to Taiwan, this void was largely filled by professionals who had migrated from mainland China. Furthermore, the professional certification system for architects, non-existent before the war, was implemented in Taiwan following the arrival of the Nationalist government. Finally, university-level architectural education, previously absent, emerged in Taiwan. This lecture series uses these historical shifts as its horizontal axis, while exploring four thematic verticals—Modernism, Christian architecture, Brutalism, and Chinese modern architecture—to initiate discussion on this often-overlooked chapter of architectural history. This session is “Theme 1: Rustic & Poetic—Architecture in Postwar Taiwan: Christian Churches and Modern Architecture in Taiwan."
During the 1950s and 1960s, various Christian and Catholic denominations established missionary and educational outposts across Taiwan, leaving behind five notable architectural landmarks: the campus of Tunghai University (Taichung), St. Christopher’s Catholic Church (Taipei), the Chapel of the Holy Cross (Jingliao, Tainan), St. Joseph Technical High School (Taitung), and Sacred Heart Girls’ High School (Bali, Taipei).
The Tunghai University campus—designed by a young I.M. Pei in collaboration with landscape-savvy Chi-Kuan Chen and rigorous structuralist Chao-Kang Chang—embodied a fascinating paradox: traditional aesthetics cloaking modernist bones. St. Christopher’s Church, originally built for U.S. military personnel in Taiwan, exemplified functionalist expression. The Chapel of the Holy Cross, remotely designed by Gottfried Böhm (1920–2021), merged European architectural visions with local Taiwanese craftsmanship. At St. Joseph Technical High School, Swiss architect Justus Dahinden (1925–2020) channeled Le Corbusier’s influence while experimenting with spatial forms. Meanwhile, Sacred Heart Girls’ High School at the foot of Guanyinshan realized Kenzo Tange’s (1913–2005) idealism of interactive campus spaces, demonstrating a dynamic dialogue between Modernism and Japanese Metabolism.
Though not designed by Taiwanese architects, these religious buildings took root in Taiwan, directly engaging with the land and its people. They reveal contemporaneous construction methods, social conditions, and how architects of the era interpreted modernist principles.