
Tseng-Yung Wang Director of Bigda Studio
Chun-Hsiung Wang Director, Department of Architectural Design, Shih Chien University
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
One lecture for $500, including special snacks (sandwiches, desserts, drinks), and 10% discount on event book purchases.
After World War II, Taiwan's architecture underwent profound changes, with an impact that has not been closed to date. First, the historicism of the prewar architectural mainstream was replaced almost overnight by modernist architecture. Secondly, the construction professionals were mainly occupied by Japanese people before the war, and the vacuum left behind by Japanese people after the war, was mostly occupied by people from mainland Taiwan after the relocation of the National People's Government. Moreover, there was no professional system of architects before the war, and with the advent of post-war rule by the People's Government, it was imposed in Taiwan. Finally, university architecture education, which was unheard of before the war, also emerged in Taiwan. This series of lectures uses this historical change as a scripture, covering four themes of Modernism, Christian Architecture, Roughism, and Chinese Modern Architecture, and attempts to open up a discussion of this little-noticed history of architecture. The theme is “Theme 1: Rude and Poetic Post-War Taiwan Architecture - Modern Architecture in Post-World War II Taiwan”.
The lecture series "Brutalism and Poetry" comprised four sessions. Speakers Tseng-Yung Wang and Chun-Hsiung Wang begin by unequivocally stating: the architectural development from the postwar period to today remains contemporary history in the making—we who are part of it can neither presume nor pretend to interpret it from any so-called "comprehensive perspective." Yet we can still attempt to understand and reflect.
During that era, Taiwan saw the emergence of vocationally trained architects shaped by the Japanese education system, together with those who had pursued higher studies in mainland China. Representatives of American aid programs called for construction documents aligned with Western standards, meanwhile Christian churches established roots across the island, contributing distinctive architectural styles to the evolving landscape. On this island that had just shed its colonial identity yet hadn't developed its own modernity, these groups continuously experimented and clashed, leaving behind numerous profoundly influential works.
This lecture series takes these historical transformations as its warp, and four thematic wefts—Modernism, Christian architecture, Brutalism, and Chinese modern architecture—to unravel discussions about this often-overlooked chapter of architectural history.