
Tseng-Yung Wang Founder of Bigger W Atelier
Chun-Hsiung Wang Director, Department of Architecture, Shih Chien University
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
One lecture for $500, including special snacks (sandwiches, desserts, drinks), and 10% discount on event book purchases.
Post-World War II architecture in Taiwan underwent profound transformations whose effects persist to this day. First, the historicism that characterized pre-war architecture was almost replaced overnight by modernist architecture. Second, the architectural profession, previously dominated by Japanese practitioners, faced a vacuum following the departure of Japanese nationals after the war. Following the Nationalist government's relocation to Taiwan, this void was largely filled by professionals who had migrated from mainland China. Furthermore, the professional certification system for architects, non-existent before the war, was implemented in Taiwan following the arrival of the Nationalist government. Finally, university-level architectural education, previously absent, emerged in Taiwan. This lecture series uses these historical shifts as its horizontal axis, while exploring four thematic verticals—Modernism, Christian architecture, Brutalism, and Chinese modern architecture—to initiate discussion on this often-overlooked chapter of architectural history. This session is “Theme 1: Rustic & Poetic—Architecture in Postwar Taiwan: Modern Architecture in Taiwan after WWII."
The lecture series "Brutalism and Poetry" comprised four sessions. Speakers Tseng-Yung Wang and Chun-Hsiung Wang begin by unequivocally stating: the architectural development from the postwar period to today remains contemporary history in the making—we who are part of it can neither presume nor pretend to interpret it from any so-called "comprehensive perspective." Yet we can still attempt to understand and reflect.
During that era, Taiwan saw the emergence of vocationally trained architects shaped by the Japanese education system, together with those who had pursued higher studies in mainland China. Representatives of American aid programs called for construction documents aligned with Western standards, meanwhile Christian churches established roots across the island, contributing distinctive architectural styles to the evolving landscape. On this island that had just shed its colonial identity yet hadn't developed its own modernity, these groups continuously experimented and clashed, leaving behind numerous profoundly influential works.
This lecture series takes these historical transformations as its warp, and four thematic wefts—Modernism, Christian architecture, Brutalism, and Chinese modern architecture—to unravel discussions about this often-overlooked chapter of architectural history.