
Tseng-Yung Wang Founder of Bigger W Atelier
Chun-Hsiung Wang Director, Department of Architecture, Shih Chien University
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
One lecture for $500, including special snacks (sandwiches, desserts, drinks), and 10% discount on event book purchases.
Post-World War II architecture in Taiwan underwent profound transformations whose effects persist to this day. First, the historicism that characterized pre-war architecture was almost replaced overnight by modernist architecture. Second, the architectural profession, previously dominated by Japanese practitioners, faced a vacuum following the departure of Japanese nationals after the war. Following the Nationalist government's relocation to Taiwan, this void was largely filled by professionals who had migrated from mainland China. Furthermore, the professional certification system for architects, non-existent before the war, was implemented in Taiwan following the arrival of the Nationalist government. Finally, university-level architectural education, previously absent, emerged in Taiwan. This lecture series uses these historical shifts as its horizontal axis, while exploring four thematic verticals—Modernism, Christian architecture, Brutalism, and Chinese modern architecture—to initiate discussion on this often-overlooked chapter of architectural history. This session is “Theme 1: Rustic & Poetic—Architecture in Postwar Taiwan: Brutalist Architecture in Taiwan."
In the 1970s, Brutalism—or the béton brut movement—emerged as a global architectural revolt. Less a codified “ism” than a reaction against Modernism’s ethos and formal constraints, Brutalism championed raw materiality and unapologetic structural expression. Taiwan's Brutalist examples are remarkably diverse: the aforementioned chapel at St. Joseph Technical High School, Taipei Medical College’s Laboratory Building, Penghu’s Golden Dragon Cave Youth Center, Tainan’s Tsengwen Youth Activity Center, Luoshao Villa, Yilan’s Sijie Presbyterian Church, the old Weidao High School Chapel, and Academia Sinica’s Library of American Studies.
These structures transcended mere functionality, embedding emotional resonance for both designers and users. As an offshoot of Modernism’s evolution, Taiwan’s "Brutalist wave" waned post-1970s—but never truly ended. The movement persists wherever architects resurrect its dynamic, proving its enduring vitality.