
Wai-Tong Liu Poet
Bo-Yen Chen Novelist
Chia-Hsien Yang Associate Professor, Department of Chinese Literature, National Tsing Hua University
DH Café (No. 153, Section 3, Zhongshan North Road, Zhongshan District, Taipei City)
$150 (discount on purchase of books)
Da-Hong Wang, Taiwan’s first-generation postwar architect, spent a decade transposing Oscar Wilde’s classic novel The Picture of Dorian Gray from Victorian London to Taipei in the 1960s and 1970s, rewriting it as Du Lian-Kui for his own era. Through this temporal displacement, Wang not only presents a universal allegory of human nature but also embeds his aesthetic reflections and observations of Taipei within the novel’s narrative. In 2021, this work was published through a collaborative effort between the Winsing Arts Foundation and the Society for Research and Preservation of Wang Da-hong's Architecture.
For this lecture series, the Foundation specially invited Chia-Hsien Yang (writer and Associate Professor, Department of Chinese Literature, National Tsing Hua University) to curate the program. Analyzing from a literary perspective, she introduces Du Lian-Kui to contemporary Taiwan and discusses the significance of reading classic works for modern readers. Simultaneously, by examining Wang’s reflections on his era revealed in the work, she guides participants to “approach Da-Hong Wang” from perspectives beyond architecture.
Following the opening session, the second lecture features poet Wai-Tong Liu and novelist Bo-Yen Chen, who will share their insights. Drawing on their writing experiences and reflections after reading Du Lian-Kui, they will discuss how they use words to convey their observations of Taipei’s streets and cityscape.
Literary portrayals of cities often encapsulate spatial experiences shaped by the passage of time, allowing readers to undergo complex spatiotemporal transformations. In adapting The Picture of Dorian Gray into Du Lian-Kui, Wang Da-Hong meticulously transposed the story's setting from Victorian London to 1960s-70s Taipei through nuanced alteration of details. Taipei has been explored through different chapters, with Wang Da-Hong embedding temporal contexts, environments, architecture, and his urban visions into the text – not merely rewriting but nearly reimagining the entire narrative. It is precisely this distinctive adaptive approach that imbues the work with a unique poetic quality.
When reading alongside other literary portrayals of Taipei from different eras – such as Pai Hsien-Yung's Taipei People, Wai-Tong Liu's poems "Wanhua/Monga" and "Bitan", or Bo-Yen Chen's novel What's on Wenzhou Street? – readers can revisit the city through literature, observing how urban spaces become labyrinths of interwoven texts. In our rapidly changing world, only by uncovering strands of unfamiliarity through reinterpretations of familiar objects can we continually renew our understanding of the cities we live in.