
Museum of Contemporary Art, Chicago, 2003

Museum of Contemporary Art, Chicago, 2003
“To give the twice as infinity focal point, it brings back the most ideal state of the shape of the architecture. That’s very ironic. It can be a statement and it might be even more beautiful than the finished building—that was my concept.” - Hiroshi Sugimoto
In 2003, the Museum of Contemporary Art in Chicago presented Hiroshi Sugimoto’s exhibition, Architecture, in which this series debuted.
In 1997, Sugimoto was commissioned by the Los Angeles Museum of Modern Art. At first, the museum planned to present the 20th-century architectural exhibition At the End of the Century: One Hundred Years of Architecture, and Sugimoto was originally commissioned to photograph the architecture of Ludwig Mies van der Rohe as part of the exhibition. Later, he continued to expand the project to include works by celebrated architects, such as Tadao Ando, Frank Gehry, Le Corbusier, and Frank Lloyd Wright.
Composed of blurred, out-of-focus images of representative Modernist architecture, the series was Sugimoto’s first commissioned series. He proposed the concept of “twice as big” and selected shots of famous Modernist architecture, such as the Eiffel Tower, the Empire State Building, the Chapelle Notre Dame du Haut, the Guggenheim Museum Bilbao, and more. He blurred the details of the buildings, capturing their “essence” and “traces of time.” Over the decades, Sugimoto has shot many long exposures and named the series Time Exposed, highlighting the “exposure of time” — treating photography as a time capsule and usings long exposure, out-of-focus effects, and more, he reveals traces of light and time in the images.
The exhibition space of Architecture was designed by Sugimoto himself. The photographswere presented in black and white, measured almost two meters high, and mounted on sculptural partitions. Viewers needed to move around the space to create a quiet viewing experience, almost like in a catacomb. This time, Sugimoto’s solo exhibition at Winsing Art Place also showcases the Past Existence series. Like the Architecture series, it presents a hazy sense of loss of focus, continuing Sugimoto’s focus on “existence” and “time.”