
Wei-Hsiung Chan Cultural Sociologist
Chun-Hsiung Wang Director, Department of Architecture, Shih Chien University
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
Free admission, prior registration is required
Through their exhibition "Space in Time", Hsu-Yuan Kuo and Effie Huang conduct a profound exploration of contemporary Taiwanese urban architectural design methodologies, refocusing on the user experience within architecture. The exhibition showcases their architectural creations spanning 25 years. They find opportunities where none seem possible, awakening from the daily cycle of mundane existence. In urban crevices, they conjure small yet dazzling spatial visions, reviving time’s infinite potential within space and enriching everyday life.
Kuo and Huang are ardent seekers of this “temporal space” and bold experimenters. Through their mutual dialectics, arguments, even cold wars—yet also mutual support, encouragement, and love—they create this temporal space and forge connections between viewers and themselves.
The final lecture in the exhibition series, “Architecture Desires Dwelling,” features a special dialogue between Wei-Hsiung Chan (cultural sociologist) and Chun-Hsiung Wang (Head of the Department of Architecture, Shih Chien University). From historical perspectives, contemporary viewpoints, site-specific characteristics, and even observations beyond culture, they will explore the existential meaning of dwelling within architecture together with the audience.
The term “dwelling” does not merely refer to living or existing in a place, but rather, it is the moment in a certain space when an individual perceives a connection with everything around, forming relationships with the external environment, such as light, wind, and other living beings, and to be aware of the rise and fall of the sun; it is a rebirth-like epiphany. This is the speaker Wei-Hsiung Chan's interpretation of dwelling. The exhibition "The Space of Time" does not discuss buildings themselves but the experiences of individuals as conscious beings in a space. Whether this experience is active or passive, it stems from a longing for dwelling. Although the earliest experience of living in caves has been lost in modern life, it remains our deepest pursuit and yearning.
Over 70% of KHAA's works are residences, directly related to dwelling. Their method of expressing architecture in this exhibition seems to convey a perpetual dream of dwelling. Despite working in an extremely capitalistic market, they contain elements of romance in the rationality of their tools for conscious dwellers. Architectural professionals constantly navigate between buildings, clients, and users, but in reality, a city yearns for various kinds of spiritual explosions. Humans are creatures of time; when we enter a building and experience the contrasts and tensions of different spaces, the cumulative experiences may evoke poetic impact or specific emotions. In terms of architecture or dwelling, finding a place to settle is to capture the manifestation of time. This subtle creativity, achieving much with little, is where the power of the architect demonstrates.