
Hélène Binet Architectural photographer
Jr-Gang Chi Assistant Professor of the Department of Architecture, Shih Chien University Curator of “Housing the Friendship”
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
$300 (one drink included)
Hélène Binet, a renowned architectural photographer, has been commissioned to capture the signature works of many prominent architects, including Peter Zumthor, Daniel Libeskind, and Zaha Hadid, among others. She has also held a solo exhibition at the Power Station of Art in Shanghai. In this lecture, Binet will recount how her early career was shaped by Alvin Boyarsky’s introduction to photographing John Hejduk’s architecture and Dimitri Pikionis’s work, Path, in Greece. Through her lens, she will explore: How did these photographic experiences profoundly shape her artistic career? How did the emotional impact of those moments become the burning creative spark that continues to drive her pursuit to this day?
Hélène Binet recalls the early influence of family friend and designer Jean Petit1, from whom she learned to appreciate the beauty of architecture through images and publications. In 1986, due to her husband Raoul Bunschoten's involvement in the construction of John Hejduk's work The Collapse of Time while working at the AA School of Architecture in London, she was invited to photograph the project. This opportunity led her to meet Dean Alvin Boyarsky and John Hejduk. Through John Hejduk's writings, she realized the difference between architecture and photography2. John Hejduk often used the term "osmosis" to summarize the subtle influence of his education, helping Hélène Binet discover the power of her creative essence. Hélène Binet's attention to detail and preference for black-and-white abstract images are reflected in her photographic records of John Hejduk's works in Oslo, New York, and Prague.
Just as John Hejduk used "squares" filled with poetry, knowledge, and art as exercises for his students, she believes that within the frame, "every photograph has to be a complete world." Besides John Hejduk's profound influence, the architectural works she photographed at the invitation of Alvin Boyarsky also marked a significant encounter with architecture for her, leading to long-term collaborations with Peter Zumthor (1943-) and photographing construction sites for Daniel Libeskind (1946-) and Zaha Hadid (1950-2016). Hélène Binet also shares the creative journey of her new book during the pandemic with graphic designer and publisher Lars Müller (1955-)3, and for the first time, unveils church photos she took for the Gottfried Böhm (1920-2021) memorial exhibition4. In response to the questions raised by the audience, Hélène Binet uses the analogy of a performer and a composer to explain the relationship between photography and architecture, hoping that people can feel the imaginative space in her works, creating their own worlds just like reading a book.