Atelier Talk | Encountering the Everyday — Exploring Gabriel Orozco’s Creative Philosophy

2024-06-29

Sat

15:00

16:30

Speakers

Yi-Chiu Chen, Co-founder of Ponding bookstore

Locations

Winsing Art Place (1/F. 6, Lane 10, Lane 180, Section 6, Minquan East Road, Neihu District, Taipei City)

Fees

$350 (including bookstore entrance fee, one drink)

Ages

Unrestricted

Introduction

“I don’t like going very far from my home with the purpose of making a work of art. I hate the exotic in this sense. I want my art to be close to me and I want to be close to what surrounds me.” — Gabriel Orozco

“I don’t like going very far from my home with the purpose of making a work of art. I hate the exotic in this sense. I want my art to be close to me, and I want to be close to what surrounds me.” Mexican artist Gabriel Orozco once said that he does not have a permanent, fixed studio. Letting his works face the street, reality, and what is happening in the present is the way he develops his art. Orozco travels frequently, and his nomadic life deeply influences his creations. Whether in ready-mades, photography, painting, sculpture, or installation, his works contain traces of childhood and everyday life. Orozco excels at viewing familiar things in new ways, creating insightful works that explore the relationships between people, objects, and space.

This time, the Winsing Arts Foundation will invite Yi-Chiu Chen, co-founder of PonDing Bookstore, to be the keynote speaker at the first lecture of Gabriel Orozco’s solo exhibition. Chen will focus on Orozco’s early works, including photography and ready-mades, and extend to the artist’s large-scale sculptures and installations, to discussthe everydayness and ordinariness in his works, as well as his creative philosophy, unraveling the artist’s intentions and the plain yet captivating qualities within his works. Chen will also share with the audience about Orozco’s large-scale retrospective at Tate Modern in London in 2011, reflecting on the poetic and philosophical aspects of the works, as well as the exhibition space, to consider the relationship between the works and the viewers.

Event Recap

“For Orozco, the medium is not simply the message; rather, it functionsmore like the action itself. In doing these things, they pursue a release from the work, and through that release, they can deepen the meaning of their work.” - Yi-Chiu Chen

When speaking of “philosophy,” Yi-Chiu Chen, director of Pon Ding Bookstore, drew on the experience of meditation to discuss Orozco’s creation, and used the book Gabriel Orozco: Written Matter as the thread of the lecture. This book, through extensive writing, presents the artist’s self-questioning and the teasing out of his inner world. Through this process, the works are purified and simplified.

Orozco’s artistic practice spans sculpture, installation, painting, and photography. Chen opened the lecture with two photographic works, Cats and Watermelons and Five Problems, discussing his early practices and the sculptural qualities within his photography. She also shared many interesting stories from the artist’s creative process, recorded in the book, and extended from photography to sculpture. For example, since Orozco was a racing fan from childhood, he visualized a car on the road being cut in half, which led to the creation of his iconic sculpture La DS. Yielding Stonewas made by rolling a lump of clay everywhere he went for three to four months, leaving behind the traces of its movement. As for Yogurt Caps, his first work shown in a commercial gallery, Orozco once said: “I want to disappoint those who are waiting for a surprise. When you make a decision, some people are disappointed, because they think they know you. Only then can poetry happen.” This work created a strong sense of shock in the exhibition space at the time. Chen also mentioned that in Black Kites, the skull serves as a vessel bearing the appearance of the soul.

The lecture also moved from early concepts of sculptural circularity and motion to the topic of play, mentioning works like the elliptical billiard table and ping- pong pieces, as well as creations featuring evolving circular motion. By setting rules, a system is sequentially formed, making flat paintings appear to rotate and extend endlessly. At the end of the lecture, Chen shared several of Orozco’s notes, responding to his initial photographic intentions or creative concepts: “I feel that although he is not a photographer, he thinks about the meaning of photography in a very pure way.” Chen continued: “Orozco’s writings are like poetry, yet they seem to have no rules or reasoning. The sentence he says most often is ‘Art is a verb.’”He tries to open himself up and maintains an intimate relationship with everything, believing in the things surrounding him to discuss his relationship with the world.

Exhibition view: Untitled, 2022. Photo © Gerardo Landa & Eduardo Lopez - GLR Estudio

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Artist Biography

Gabriel Orozco

Born in 1962 in Jalapa, Mexico, Orozco hails from an artistic lineage that profoundly shaped his upbringing. After completing studies at the Circulo de Bellas Artes in Madrid, Spain, in 1987, he embarked on a nomadic lifestyle, which greatly impacted his artistic practice. Orozco once presided over the Taller de los Viernes (Friday Workshop) from 1987 to 1992, which served as a central hub for artists to discuss art and creativity. He held his first solo exhibition in 1983 and has since showcased his works in prestigious venues such as the Museum of Contemporary Art in Los Angeles, the Serpentine Galleries in London, the Palacio de Bellas Artes in Mexico City, and the Solomon R. Guggenheim Museum in New York. From 2009 to 2011, Orozco was the focal point of major retrospective exhibitions held at prominent institutions such as the Museum of Modern Art in New York, the Kunstmuseum Basel in Basel, the Centre Pompidou in Paris, and the Tate Modern in London. His contributions to the art world have been recognized with numerous awards, and he has been a frequent participant in prestigious international exhibitions such as the Venice Biennale and Documenta in Kassel.

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