
You-Cheng Luo Assistant Professor, Department of Architecture and Urban Design, Chinese Culture University
Hui-Fang Liu Assistant Professor, Department of Urban Development, University of Taipei
Meng-Tsung Su Assistant Professor, Department of Architecture, Tunghai University
Hsin-Ko Yu Ph.D. Candidate in Urbanism, College of Architecture, TU Delft
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
Free admission, advance registration is required ($150 is available at the on-site bookstore with discounts on books and drinks)
“The People vs. The World of Tomorrow” lecture series is extended from a late-night reading session for selected books at Winsing Art Place. Launched by the Winsing Arts Foundation, Hui-Fang Liu, Assistant Professor from the Department of Urban Development at the University of Taipei, invited experts in architecture to submit, share, and talk about their favorite theoretical works in the fields of landscape, cities, architecture, and more. Unlike previous discussions of pure architecture, we look at cities, buildings, and public spaces from a more diverse perspective, discussing concepts such as “urbanism,” “commonality,” “publicness,” and “future cities” in the books. The second session will feature an introduction to How Buildings Learn: What Happens After They’re Built by Professor You-Cheng Luo.
Since the publication of The Death and Life of Great American Cities in the early 1960s, the architectural community has consistently engaged in critiques and debates regarding the “practice” and value of traditional architecture and planning professions. How Buildings Learn: What Happens After They’re Built may be seen as a later entry in this discourse: What happens after a building is “built”? This prompts us to reflect and reconsider certain matters, even feeding back into our rethinking of architectural planning, design, and construction. For instance: What is “architecture”? What is the “should” or “most appropriate” state of existence for architecture? How does it interact with users, communities, society, and even the broader historical context? Taking the architectural lifecycle timeline as its narrative framework, each chapter of How Buildings Learn: What Happens After They’re Built analyzes the lifecycle and journey of a building from multiple perspectives—before, during, and after its construction. It critically examines and challenges many established, mainstream, and even widely accepted values within the architectural profession.
This is a book whose title might cause some confusion: How do buildings, as inorganic structures, "learn"? To address this, the guide You-Cheng Luo first introduces us to the author's background. Stewart Brand (1938-) grew up post-World War II, studied biology, design, and photography. He founded the Whole Earth Catalog, a hippie bible akin to a paper version of Google, encompassing various scientific knowledge in the format of a phone book. Not really in the profession of architecture, Stewart Brand’s campaign for environmental protection and anti-war movements led us to understand that this is not a typical architecture book, at least not from a designer's perspective.
The book views architecture from a temporal dimension—while buildings are not created to adapt to change, their existence is a dynamic process. From completion to use and adjustments based on functional changes, different types of buildings have their own life cycles. Even within the same building, different parts have different time scales. Among these, low-end "Low Road" buildings, which are cheap and free of unnecessary decoration, inspire and stimulate people. Conversely, some meticulously designed buildings by famous architects, which resemble works of art, are deemed "No Road" by the author due to their impracticality.
The author emphasizes that buildings which can easily adapt to users' needs over time through keywords like preservation, sustainability, and open systems are the ones that will gradually adapt and survive over time. Therefore, traditional and regional architecture must also be learned from. As stated in the book: “What is called for is the slow moral plastic of the ‘many ways’ diverging, exploring, insidiously improving. Instead of discounting time, we can embrace and exploit time’s depth.”