
Ching-Yueh Roan Architect and Novelist
Tseng-Yung Wang Architectural critic
Chun-Hsiung Wang Director, Department of Architecture, Shih Chien University
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
Free admission, prior registration is required
Through their exhibition "Space in Time", Hsu-Yuan Kuo and Effie Huang conduct a profound exploration of contemporary Taiwanese urban architectural design methodologies, refocusing on the user experience within architecture. The exhibition showcases their architectural creations spanning 25 years. They find opportunities where none seem possible, awakening from the daily cycle of mundane existence. In urban crevices, they conjure small yet dazzling spatial visions, reviving time’s infinite potential within space and enriching everyday life.
Kuo and Huang are ardent seekers of this “temporal space” and bold experimenters. Through their mutual dialectics, arguments, even cold wars—yet also mutual support, encouragement, and love—they create this temporal space and forge connections between viewers and themselves.
The fifth lecture in the exhibition series, “How to Be Modern? What Is Architecture?”, features a special dialogue between two of our frequent speakers: Ching-Yueh Roan (architect and novelist) and Tseng-Yung Wang (architecture critic). The lecture examines the relationship between the architecture of Hsu-Yuan Kuo and Effie Huang and modern urban life. It begins with an overview of global modernity’s development and then gradually explores its transformation toward localization.
Since the Industrial Revolution, human life has gradually developed a sense of "modernity." But what is modernity? As a term born in contrast to the classical, the meaning of "modern" has continuously transformed over time, evolving from a lifestyle grounded in scientific rationality to gradually incorporating democratic and local thoughts. Presently, the modern life in each place is different, and consequently, the definition of modernity varies. So, what is Taiwan's modernity? Despite adopting Western-derived rational thinking that is universal and easy to communicate, as non-Westerners, we often find ourselves in conflict with so-called modernity due to traditional values.
Some Taiwanese architects incorporate historical vocabulary or sentimental elements into their designs, questioning the absolute rationality of modernity. Some break away from traditional regionality, using their architectural innovation to reflect internal conditions and the current time and space. Others excel at grasping universal thinking and aesthetics but are not absorbed by universal modernity. Instead, they cultivate their own way of metropolis life. Large-scale architecture belongs to this category: a "localized modernity" that coexists with globalism. Architecture is not something one person can complete, nor is modernity. Each winding path is unique, with no singular answer. Nevertheless, the different footprints left by generations can form an architectural trend.