
Shu-Chang Kung Professor, NYCU Graduate Institute of Architecture
Jr-Gang Chi Assistant Professor of the Department of Architecture, Shih Chien University Curator of “Housing the Friendship”
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
$300 (one drink included)
Your footsteps follow not what is outside the eyes, but what is within, buried, erased.—Italo Calvino, Invisible Cities
Imagination and desire, concealed within rituals, history, and daily life, appear intangible yet manifest through words and architecture. From Italo Calvino’s Invisible Cities to architect John Hejduk’s Mask of Medusa, how do they maintain lightness and concealment? It is by avoiding Medusa’s gaze, preventing petrification through sight, that the myriad details of reality and the fragments of memory within the heart can wander between licentiousness and wisdom, between pleasure and sacrifice. Through layers of reflective narrative, they find another place.
On July 26, the Winsing Arts Foundation invited Shu-Chang Kung to discuss “On Lightness—Calvino and Hejduk’s Medusa” at Winsing Art Place. He shared stories about Hejduk’s architecture and engaged in a conversation with Jr-Gang Chi, curator of the exhibition Housing the Friendship, as well as young architectural creators Nien-Ying Lin, Yi-Jun Chen, Yuan-Fu Chiu.
John Hejduk's creations encompass diverse elements of psychology, philosophy, and mythology, making his architectural topics intriguing, complex and challenging. Speaker Shu-Chang Kung leads the audience to re-examine the seemingly endless references and metaphors in John Hejduk's works through Italo Calvino's discussion on "lightness" in Six Memos for the Next Millennium (1988). The first volume of John Hejduk's trilogy, Mask of Medusa (1985), derives its title from the Greek myth of the Gorgon whose gaze could petrify. It describes how, when facing the temptation of beauty and one's desires, one can avoid confronting the subject that results in rigidity, and instead reflect the true essence through reality, just as Perseus relied on the reflection in a bronze shield to triumph. In Calvino's other work, Invisible Cities (1972), Marco Polo assembles 55 imaginary cities to create a spiritual wholeness of Venice's spatial memory. Reading John Hejduk's works is akin to unveiling the "masks" scattered in his books and architecture worldwide, embarking on a journey into the creator's inner thoughts. Shu-Chang Kung also introduces an iconic “character” in John Hejduk's architecture—the Bell Tower, and the unique "reading theater" in the paper work Lancaster/Hanover Masque (1980-82), highlighting the shared imagination of space behind his symbolic architectural drawings.