
Architect Kung Shuzheng, Professor, Institute of Architecture, National Yang Ming Chiao Tung University
Associate Professor, Department of Architectural Design, Chak Chi Kong University, Curator of “The Friendship of Architecture and Books”
Wen Shin Art Center (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
$300 (one drink included)
Time follows in your footsteps not what you see with your eyes, but what is inside, that has been buried, that has been erased. - Calvino “The Invisible City”
Imagination and desire, hidden in ritual, history, life, seem intangible, but visible in text and architecture. From the novelist Calvino's The Invisible City to the architect Shaddock's The Mask of Medusa, how they stay light and hidden, don't look at Medusa's eyes, avoid being petrified by watching, allowing the details of reality to exist, leaving fragmentary memories in their hearts, wandering and intellect. Wander between serendipity and sacrifice, finding the other side through layers of mapped narrative.
On July 26, the Japanese Heart Art Foundation invited Professor Gong Shuzheng to talk about the story of Black Duck's architecture at the Cultural Center with the theme “Lightness — Calvino and the Medusa of Black Duck”, and with the curator of “The Friendship of Architecture and Books”, and the architectural creator of the younger generation Lin Nian Ying, Chen Yijun, and Yuanfu Chiu talk after teacher Gong Shuzheng's speech.
John Black Duck's work overlays elements such as psychology, philosophy, and myth, making it an engaging yet deeply intractable architectural subject, and the speaker, Gong Scheung, tries to draw upon Calvino in Memos to the Next Round of Peace.Six Memos for the Next Millennium, 1988) The discussion of “lightness” led everyone to revisit the seemingly endless references and metaphors in Black Duck's work. The first series of the Dark Duke trilogy - “The Mask of Medusa” (Masque de Medusa, 1985) The story of a petrified snake-haired goddess from Greek mythology, describes how she avoids direct subject shaping when faced with the temptations of beauty and self-desire, but casts a real body through a reflection on reality, as reflected on the bronze shield of Perseus And win. And in another work in Calvino, “The Invisible City” (Invisible CitiesIn 1972, Marco Polo combined a whole spirit about Venetian spatial memory with 55 non-existent cities; reading Dark Duck's work is more like revealing his paintings and architecture scattered like “faces” in books and paintings and buildings around the world, thus immersing himself in the creator's inner thoughts.。 Gong's book also introduces Black Duck's iconic architectural “role” — the Clock Tower, and his work on paper, The Lancaster/Hannover Masquerade Ball (Lancaster/Hanover Masque, 1980-82) The distinctive “Reading Theatre” highlights the shared imagination of people and space behind its symbolic architectural drawings.