
Architect Kung Shuzheng, Professor, Institute of Architecture, National Yang Ming Chiao Tung University
Associate Professor, Department of Architectural Design, Chak Chi Kong University, Curator of “The Friendship of Architecture and Books”
Wen Shin Art Center (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
$300 (one drink included)
Time follows in your footsteps not what you see with your eyes, but what is inside, that has been buried, that has been erased. - Calvino “The Invisible City”
Imagination and desire, hidden in ritual, history, life, seem intangible, but visible in text and architecture. From the novelist Calvino's The Invisible City to the architect Shaddock's The Mask of Medusa, how they stay light and hidden, don't look at Medusa's eyes, avoid being petrified by watching, allowing the details of reality to exist, leaving fragmentary memories in their hearts, wandering and intellect. Wander between serendipity and sacrifice, finding the other side through layers of mapped narrative.
On July 26, the Japanese Heart Art Foundation invited Professor Gong Shuzheng to talk about the story of Black Duck's architecture at the Cultural Center with the theme “Lightness — Calvino and the Medusa of Black Duck”, and with the curator of “The Friendship of Architecture and Books”, and the architectural creator of the younger generation Lin Nian Ying, Chen Yijun, and Yuanfu Chiu talk after teacher Gong Shuzheng's speech.
John Hejduk's creations encompass diverse elements of psychology, philosophy, and mythology, making his architectural topics intriguing, complex and challenging. Speaker Shu-Chang Kung leads the audience to re-examine the seemingly endless references and metaphors in John Hejduk's works through Italo Calvino's discussion on "lightness" in Six Memos for the Next Millennium (1988). The first volume of John Hejduk's trilogy, Mask of Medusa (1985), derives its title from the Greek myth of the Gorgon whose gaze could petrify. It describes how, when facing the temptation of beauty and one's desires, one can avoid confronting the subject that results in rigidity, and instead reflect the true essence through reality, just as Perseus relied on the reflection in a bronze shield to triumph. In Calvino's other work, Invisible Cities (1972), Marco Polo assembles 55 imaginary cities to create a spiritual wholeness of Venice's spatial memory. Reading John Hejduk's works is akin to unveiling the "masks" scattered in his books and architecture worldwide, embarking on a journey into the creator's inner thoughts. Shu-Chang Kung also introduces an iconic “character” in John Hejduk's architecture—the Bell Tower, and the unique "reading theater" in the paper work Lancaster/Hanover Masque (1980-82), highlighting the shared imagination of space behind his symbolic architectural drawings.