
Chia-En Jao, Lecturer, Department of Art, National Taipei University of the Arts
Winsing Art Place (1/F. 6, Lane 10, Lane 180, Section 6, Minquan East Road, Neihu District, Taipei City)
$350 (including bookstore entrance fee)
Unrestricted
In the solo exhibition of Roni Horn, curated by the Winsing Arts Foundation, a series of important sculptures and photographs are presented at Winsing Art Place, including glass and columnar sculptures from the foundation’s collection. Since 1975, Horn has made regular visits to Iceland, where her experiences with the island’s nature and daily life have become one of the sources of inspiration for her work. Through her art, Horn explores the fluid, water-like nature of identity and uses visual elements, language-based documentation, and duality to guide viewers into a poetic dialogue with the works.
The Foundation is honored to invite Chia-En Jao, a full-time lecturer at the Department of Fine Arts, Taipei National University of the Arts, as the keynote speaker for this expert lecture. The lecture begins with Marcel Duchamp. Horn once mentioned on The Art Newspaper podcast, “I think that within Duchamp’s conceptual framework, he dealt with a way of experiencing that was deeply meaningful, which also involved analytical and logical dimensions... I also appreciate his interpretation of androgyny and his freedom in relation to gender, and everything about all of that.” Duchamp’s works and writings have influenced Horn’s conception of sculpture as well as her depiction of androgyny and gender issues. From Horn’s early works of the 1970s to her most recent creations, the lecture will offer a comprehensive discussion on the metaphors of identity in her art, the refined visual language of her works, and the subtle shifts between sculpture and photography—exploring the deeper meanings encoded in color, texture, light and shadow, as well as text. This lecture aims to guide the audience in experiencing the sensibility of Horn’s works, while gaining deeper insight into the themes that extend beyond the material and visual frameworks.
“Duchamp’s influence on Roni is how to allow the time of a work to be extended to equal her life.”— Chia-En Jao
Roni Horn once mentioned on The Art Newspaper podcast, “I think that within Duchamp’s conceptual framework, he dealt with a way of experiencing that was deeply meaningful, which also involved analytical and logical dimensions... I also appreciate his interpretation of androgyny and his freedom in relation to gender, and everything about all of that.”
Chia-En Jao, a full-time lecturer and artist in the Department of Fine Arts, Taipei National University of the Arts, discussed the artists who influenced Horn in her youth in this lecture: Marcel Duchamp, including the era in which he grew up, his artistic concepts, and his development. Jao analyzed the deeper meanings of Horn’s works from the outside in, layer by layer. He summarized many keywords about Duchamp: infra-mince (extremely subtle), readymades, and the 4th dimension. Duchamp was skilled at addressing issues of ambiguity and difference in his works, and Horn’s creations also contain similar concepts or principles. He noted many correspondences between Duchamp’s and Horn’s works, such as the subtle similarities and differences expressed in the photography series, You Are the Weather, the emotional feelings projected by the works, and the clever relationship between the Rings of Lispector (Agua Viva) series and Duchamp’s 1926 kinetic sculpture Anémic Cinéma. Jao also mentioned that Horn’s works speak more about the space outside the picture, not just what the retina sees, and that viewers should return to a primal state to understand them.
