
Hideki Hirahara Principal Architect, H2R Architects
Po-Yu Chao Principal, Studio Tngtetshiu
Jr-Gang Chi Assistant Professor of the Department of Architecture, Shih Chien University Curator of “Winsing Art Place Book Selections 2019-2020”
Winsing Art Place (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
$300 (The event fee can be used as a $150 discount on book purchases at the bookstore on the day, upon presentation of the receipt.)
On Saturday afternoon, February 20th, the bookstore will host the Winsing Art Place Book Selections 2019-2020 series event—“Architecture Salon. (III): Two Talks on Kazuo Shinohara.” The curatorial team has specially invited Japanese architect Hideki Hirahara, Principal Architect of H2R architects, and Professor Po-Yu Chao from Studio Tngtetshiu to discuss the creative trajectory of Japanese architect Kazuo Shinohara and his profound architectural philosophy.
Kazuo Shinohara (1925–2006) originally studied mathematics before switching to architecture. After graduating from the Department of Architecture at Tokyo Institute of Technology in 1953, he returned to teach at his alma mater. Shinohara’s work influenced Japanese architects such as Kazunari Sakamoto, Itsuko Hasegawa, Toyo Ito, Kazuyo Sejima, Yoshiharu Tsukamoto, and Go Hasegawa, and his impact extended globally. Swiss architect Valerio Olgiati, featured in this Architectural Salon Series (Part 2), has referenced images of Shinohara’s work to illustrate his spatial concepts. Harvard University’s Graduate School of Design (GSD) also dedicated the 2019 exhibition Shinohara Kazuo: ModernNext to his legacy.
In this salon, Hirahara will explore Shinohara’s architectural philosophy, tracing its origins in residential spaces through his seminal work Jutaku-Ron (Essays on Residential Housings). Chao will examine the evolution of Shinohara’s practice across four distinct stylistic phases, contextualizing his oeuvre while sharing spatial observations from field visits to his buildings.
The ongoing exhibition Winsing Art Place Book Selections 2019-2020 features rare Japanese architectural magazines from the 1960s and 1970s that document Shinohara’s work, alongside Kazuo Shinohara: View from This Side—the architect’s 2019 photography album, edited by the young Swiss architectural duo Dehli Grolimund, which sold out shortly after its release. The enduring popularity of Shinohara’s architectural publications spanning over five decades clearly demonstrates his cross-generational influence.
In the 1960s and 70s, while the Japanese architectural community mainly focused on mass production, the implementation of modernism and the minimization of residential spaces, Kazuo Shinohara dedicated himself to exploring the potential for liberating residential design. Through writing and building alternatingly, he investigated the connection between spatial forms and inner spirit. From the perspective of a Japanese architect, Hirahara Hideki elucidates the method of integrating theory and practice through Shinohara's Essays on Residential Housings (1970).
Shinohara not only inspired his students, such as Toyo Ito and Kazunari Sakamoto, during his tenure at the Tokyo Institute of Technology, but also resonated widely with the younger generation of creators by focusing on small houses, in contrast to the grand proposals of the Metabolism movement that was flourishing at the time. This focus created a significant and far-reaching lineage that greatly influenced Japanese architecture.1 Taiwanese researcher Po-Yu Chao introduces the four "patterns" in Shinohara's career and the three key works that marked hidden transitions: from reflections on traditional Japanese houses, gradually moving into symbolic spaces filled with abstract, fragmented meanings; attempting to create "zero-degree machines" that allow users to connect spatial objects on their own; and being attracted by chaotic urban scenes, piecing together volumes in a continuously evolving and speculative design process. Po-Yu Chao also shares precious footage recorded during visits to two of Shinohara's classic residential works, where he was invited by the homeowners to enter. He also shares the inspirations and attempts in his own creations and teaching. For architects of the "Shinohara School," architectural writing and practice are equally important, not only as records of completed works but also as explorations and reflections for future steps.