
Su Mengzong, Assistant Professor, Department of Architecture, Donghai University
HUI-FANG LIU ASSISTANT PROFESSOR, DEPARTMENT OF URBAN DEVELOPMENT, TAIPEI CITY UNIVERSITY
CHAN XUAN SHENG ASSOCIATE PROFESSOR, DEPARTMENT OF ARCHITECTURE, CHUNG YUAN UNIVERSITY
Luo Yat-Ching Assistant Professor, Department of Architecture and Urban Design, Chinese Culture University
Yu Hsinko, PhD Candidate in Urban Studies, TU Delft School of Architecture
Wen Shin Art Center (No. 6, Lane 10, Lane 180, Section 6, Section 6, Minquan East Road, Neihu District, Taipei City)
Free admission, advance registration is required ($150 is available at the on-site bookstore and discounts on books and drinks are available)
“Prov. The public. The Decisive Tomorrow World series of lectures extends to a late-night reading session for selected books in the arts of literature. Launched by the Wen Shin Arts Foundation, Liu Huifang, Assistant Professor of the Department of Architecture and Urban Design, Culture University, invited experts in digital architecture to submit their favorite theoretical works in the fields of landscape, cities, architecture, and more. Unlike previous discussions of pure architecture, we look at cities, buildings, and public spaces from a more diverse perspective, discussing concepts such as Urbanism, Commonality, Publicity, and Future Cities in the book. The first episode was brought by Professor Su Mengzong, “Wilderness and the City: Landscape Architecture Towards Dark Green Urbanism” (Wild and the City. Landscape Architecture for Lush Urbanism)'s introductory reading.
Wilderness and the City: Landscape Architecture Towards Dark Green Urbanism is co-edited by Italian scholars Annalisa Metta and Maria Livia Olivetti. The wildness in the city appears for a variety of reasons, sometimes due to lack of attention and sometimes deliberate. We gradually developed a mutually beneficial relationship with the so-called “nature” of the post-industrial society. Undisturbed ecosystems and wildlife are becoming increasingly common in contemporary European cities. Untamed land is expanding, inhabited by animals and insects that threaten us, and invasive species that disturb local plants, while dense jungle occupies the roofs and exterior walls of parks and the most fashionable buildings. IN THIS CASE, WILDERNESS CAN BE EXPLOITED BY DESIGNERS TO RESPOND TO DIFFERENT ISSUES: REGENERATING ABANDONED AREAS, BUILDING SUSTAINABLE INFRASTRUCTURE, REVITALIZING VALUABLE PUBLIC SPACES, IMPROVING THE ECOLOGICAL FOOTPRINT OF NEWLY POPULATED SETTLEMENTS, PROPOSING NEW PRACTICES AND SOCIAL RITUALS, RESPONDING TO CLIMATE CHANGE, MEETING PEOPLE'S NEEDS AND HOMES People's “lust for nature” and so on.
From a critical perspective, the book interprets clues to the current relationship between “wilderness” and “city”. On the one hand, exploring the positive value of wild landscapes in improving urban quality from the point of view of beauty, health, and livability, on the other hand, questions the risk of wilderness as a popular term, which will contribute to an anti-urban stance or cheap green policies. Its purpose is to explain the various interpretations generated by urban wilderness, which continue to find their differentiating elements in the unstable relationship between cities and nature.
"The people" refers to the populace and is also a play on words combining "pro" (professional) and the masses1. "The World of Tomorrow" often represents the evil empire in movies or books, or a dystopia where ideals have crumbled. The term "vs." implies a decisive battle from a contemplative attitude. Regardless of one's professional background, setting out from the thoughts on the future, the first book brings us into the discussion of urban landscapes. Wilderness (or wildness) and cities correspond to nature and humanity; urban nature can either be a deliberate aesthetic arrangement by planners or a spontaneously developed presence in the metropolis. Over the past twenty years, there have been many attempts to let wilderness and cities coexist, such as Gilles Clément's 2004 publication Manifeste du Tiers Paysage (The Third Landscape Manifesto)2, which advocates for "designing without designing" and emulating nature's self-regulation.
The book also points out that our belief in controlling nature is a serious misconception. Designers should “learn to do nothing," refrain from solving all problems with rationality, and allow users to define the space themselves. It is also important to convince the public that "useless things are actually useful," because when a space is entirely filled with functions, there is no flexible open space left. Thus a question arises: to what extent can we (or people) accept "wilderness"? Commentator Meng-Tsung Su responds, "Our many imaginations of wilderness are, in fact, romanticizing nature by modern industrial civilization. In the 21st century, all languages and values are being replaced. When old language categories are replaced, we might slowly begin to accept what wilderness will look like."