
WINSING ART PLACE
“Photography is a system of saving memories. It’s a time machine, in a way, to preserve the memory, to preserve time.” — Hiroshi Sugimoto
For humanity, the camera lens is like our eyes. It is not only a tool for observing the world, but also capturing and presenting reality, transforming our visual experiences into tangible images. The instant the shutter activates, time is captured and transformed into an image, allowing fleeting memories to linger. In Hiroshi Sugimoto’s work, photography is more than freezing a moment—it's a method of recording and preserving the flow of time, even becoming a medium that transcends time itself. Through his work, Sugimoto prolongs time in the images, blurring the boundary between reality and imagination, prompting philosophical reflections on memory and perception.
Hiroshi Sugimoto’s practice revolves around the nature of time, memory, and existence, employing large-format techniques to explore diverse themes. After studying economics in Japan, Sugimoto moved to the United States in 1970 to pursue studies in art. A multidisciplinary artist, he encompasses photography, sculpture, writing, performance, and installation art in his creative output, and has extended into the field of architecture. In 2017, he founded the Enoura Observatory, a tangible realization of the dialogue between time and space, reflecting his profound contemplation on the relationship between art, history, and nature.
This exhibition, co-curated by the Winsing Arts Foundation and Hiroshi Sugimoto Studio, features four series: “Past Presence,” “Theaters and Opera House,” “Seascapes,” and “Polarized Colours.” In “Past Presence,” Sugimoto captures iconic sculptures and paintings from Western art history, intentionally rendering the images blurred and out of focus. The existing details dissolve into a hazy impression, leaving only contours and gestures discernible, evoking a sense of familiarity mingled with distant ambiguity. Through this approach, Sugimoto prompts viewers to reflect upon whether images are precise representations of memory or merely an essence evoked by the passage of time.
