
Wiley, 1994

Wiley, 1994
“They found the Transcripts by accident… a lifetime’s worth of urban pleasures-pleasures that they had no intention of giving up. So when she threatened to run and tell the authorities, they had no alternative but to stop her. And that’s when the second accident occurred… the accident of murder…”
The Manhattan Transcripts is a series of theoretical drawings created between 1976 and 1981 by Swiss-French architect and educator Bernard Tschumi (1944–). Through architectural drawings,it transcribes imagined events occurring at real locations in New York City,exploring the intermingled, dialogic, and contradictory overlaps among three dimensions: architectural space, human movement, and events. This forms the basis of notation as a creative methodology. This collector’s edition is a revised and expanded reprint accompanying the 1994 MoMA architectural exhibition Thresholds/Bernard Tschumi: Architecture and Event. It includes excerpts from Tschumi’s lecture series based on this series at the Architectural Association (AA) in London along with color plates.
Swiss-French architect and architectural educator Bernard Tschumi (1944–) created the exhibition series The Manhattan Transcripts between 1976 and 1981. Through architectural drawings, he transcribed imagined events occurring at real locations in New York City, exploring the intermingled, dialogic, and contradictory overlaps among architectural space, human movement, and events. This formed the basis of Tschumi’s creative method using notation.
The book’s narrative begins with an accidental murder and is divided into four scenes that constitute its four main chapters: “Park”—the murder in Central Park; “Street” —an encounter with sex and violence while crossing boundaries on 42nd Street; “Tower”—a fall from a Manhattan skyscraper; and “Block”—events unfolding within various courtyards of an urban block. Through settings of varying scales and functions,Tschumi further incorporates diverse architectural spaces, high-speed motion studies of the human body, and fragmented footage of news events onto the drawings. These elements unfold along a temporal axis, offering a unique and multidimensional “architectural experience.”
As noted in the preface: “Architectural books, unlike publications about architecture, develop their own existence and logic. Their purpose is not merely to depict buildings and cities, but to uncover the ideas behind them.” In his The Manhattan Transcripts series, Tschumi drew upon the “montage” theory proposed by Soviet director Sergei Eisenstein and the stage designs of László Moholy-Nagy, a seminal figure of the Bauhaus movement. Through individual drawings, he examines the architecture and the intricate events unfolding within its spaces frame by frame, like a film reel. This reveals information overlooked by traditional architectural graphics, offering a brilliant reinterpretation of 20th-century urban space.
The Manhattan Transcripts series was first exhibited publicly at Artists Space in New York in 1978 and first published in the UK in 1981. The edition held by Winsing Art Place Bookstore is the expanded edition reprinted for the 1994 MoMA exhibition Thresholds/Bernard Tschumi: Architecture and Event. It includes excerpts from Tschumi’s lecture series on this series at the Architectural Association (AA) in London, accompanied by color plates.