
Mendrisio Academy Press / Silvana Editoriale, 2018 / Hardcover

Mendrisio Academy Press / Silvana Editoriale, 2018 / Hardcover
“Venice is architecture of joy. I like a place as a whole where each building contributes to the other. An architect building in Venice must think in terms of sympathy: working on my project I was constantly thinking as if I was asking each building I love so much in Venice, whether they would accept me in their company.”- Louis Kahn
Louis Kahn and Venice: The Project for the Palazzo dei Congressi and the Biennale Building, published to accompany the 2018 exhibition of the same name at the Accademia di architettura diMendrisio, Swiss University of Lugano (USI), brings together previously unpublished architectural drawings, manuscripts, and archival documents from the University of Pennsylvania Architecture Archives in Philadelphia, the Fondazione Querini Stampalia in Venice, and the Canadia nCentre for Architecture (CCA). It traces Kahn’s visits to the lagoon city between 1968 and 1972, revealing his profound engagement with Venice’s architectural heritage and his vision for its future through the meticulously designed urban projects.
Louis I.Kahn (1901–1974) stands as one of the most iconic architects of the 20th century. This Estonian-born American architect left an indelible mark with his impressive works across the East Coast of the United States, La Jolla,California, and Dhaka, Bangladesh. Louis Kahn and Venice: The Project for the Palazzo dei Congressi and the Biennale Building focuses on the story between the architect and this legendary historic city. Beginning with Kahn’'s first visit to Europe in 1928, it traces his participation in the Biennale, his design of the Palazzo dei Congressi, his involvement in exhibitions and public lectures in Venice, and his friendship with the renowned Italian architect Carlo Scarpa.
The boo brings together previously unpublished architectural drawings, manuscripts, and archival documents from several institutions, including the University of Pennsylvania Architecture Archives in Philadelphia, the Fondazione Querini Stampalia, and the Canadian Centre for Architecture (CCA). It offers readers a glimpse into Kahn’s travels to the lagoon city between 1968 and 1972, and his vision for a new urban landscape that blended Venice’s rich architectural heritage with aspirations for the future. Though Kahn’s proposed Parliament Building, like many masters before him—Palladio, Le Corbusier, and Wright—who proposed innovative architectural visions for Venice, was never realized due to political and economic constraints, his drafts for this colossal, suspension- bridge-like proposal remain captivating and constitute an indelible chapter in contemporary architectural history.
This book accompanies the eponymous inaugural exhibition held at the Teatro dell’architettura, newly inaugurated in October 2018 at the Accademia di architettura diMendrisio, Swiss University of Lugano (USI). Interestingly, the architect of the Teatro dell’Architettura, Pritzker Prize laureate Mario Botta, was one of Kahn’s assistants during his visit to Venice in the late 1960s. As a university student at the time, Botta contributed an essay to this book recounting anecdotes from his travels with Kahn across Venice. For readers eager to delve deeply into the allure of Kahn's architectural design or simply appreciate the architecture of Venice, this book is highly recommended.