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This exhibition, co-curated by the Winsing Arts Foundation and Hiroshi Sugimoto Studio, features four series: “Past Presence,” “Theaters and Opera House,” “Seascapes,” and “Polarized Colours.” In “Past Presence,” Sugimoto captures iconic sculptures and paintings from Western art history, intentionally rendering the images blurred and out of focus. The existing details dissolve into a hazy impression, leaving only contours and gestures discernible, evoking a sense of familiarity mingled with distant ambiguity. Through this approach, Sugimoto prompts viewers to reflect upon whether images are precise representations of memory or merely an essence evoked by the passage of time.

Five blind Mexican tetras swim at ease among the artificial caves in an aquarium, coexisting harmoniously as enduring inhabitants of Winsing Art Place since its founding in 2019. Five years have passed and the sculpted rocks in the tank have gone from bare to being covered in red algae, so the fish no longer need additional feeding. This work has transformed into a self-sustaining ecosystem capable of maintaining its own balance after synchronizing with Taiwan’s natural day-night rhythmicity. Would the fish evolve under these different circadian rhythms? By posing this question, French artist Pierre Huyghe investigates the dynamic relationship between organisms and their environments, inviting us to reflect on our own ways of life.

Gabriel Orozco, a Mexican artist, focuses his creative endeavors on the nuances of everyday life and the events that unfold within it. His extensive travels across different countries have endowed him with a rich tapestry of cultural experiences, serving as vital wellsprings of inspiration and exploration. These encounters with diverse cultures are integral to shaping his artistic vision. Orozco's oeuvre reflects a deep engagement with materials, ranging from the traditional craftsmanship of Mexico to the visual culture of Japan and the stone carving techniques of Indonesia. Orozco has articulated his adeptness at reimagining familiar objects in innovative ways. He employs a variety of everyday mediums to explore the relationships between individuals and the ready-made objects and spaces that surround them. Moreover, the motif of the circle recurs prominently throughout his artistic output. Rooted in the artist's childhood memories, this motif draws influence from diverse sources such as Indian art, Buddhism, and the natural world. Whether manifested in sculpture, installation, painting, or photography, Orozco's creations dissolve the boundaries between art and everyday life, providing viewers with a platform to reconsider their perceptions of reality.

This exhibition features the Ballad of Sexual Dependency series of photographs, in which Cookie Laughing, NYC chronicles the intimate friendship between Godin and his best friend, Cookie Muller. Godin once described her: “I used to think that as long as I shot enough, I wouldn't lose anyone. In my thirteen years of knowing Koch, I took hundreds of pictures for her, and I put this series together so that she would stay with me, but in fact, it made me know how much I had lost.” , from their acquaintance in 1976 until Mullen's death from AIDS in 1989, Godin continued to document the time spent with Muller, making visible the deep relationship between the two; Cupid with His Wings on Fire, Le Louvre is Godin's Scopophilia series beginning in 2010, where she shoots sculptures and paintings exhibited at Louvre Palace, or These images are juxtaposed with her own photography, depicting the connection between desire, body and sex from the past to the present; the exhibition also includes In 2022, Godin participated for the first time in his video work Sirens at the Venice Biennale, which communicates the senses and states of the body and mind through the metaphor of the Greek mythological character Celine, in homage to the black model Danyel Luna. Photography is Godin's medium of proving everything she's been through. Her work about turbulent and fascinating times, her family, her past, also reveals Godin's desire to preserve the meaning of people's lives, giving her the beauty and power she sees in it.

This exhibition at the Winsing Art Place showcases a series of sculptural installations and paintings by Cruzvillegas. The sculptures, which are reconstituted and stacked from a collection of ready-made objects, reflect the artist's self-constructed concepts accumulated from his upbringing, and the seemingly unfinished state of the works echoes the history and footprint of Mexico's development. The mesh-like Blind self portrait series is a documentary record of Cruzvillegas' life; underneath the colorful paints are the build-up of his life, and the artist has made these objects independent of his own experience, highlighting their individual existence, their independence and freedom. Cruzvillegas' research into paintings is embodied in the Otras rutas series and the mural "Primantropofilia 5," which draw extensive connections to art history, politics and history, using his artworks as a model and the mop as a tool to create a space for the whole body to probe into the critical nature of art language. Cruzvillegas' work involves flux, incompleteness and unpredictability - in other words, the character of his creations is at the same time associated with chance, variability and hope.

The exhibition at Winsing Art Place features an array of Horn’s most significant sculptures and photographs, including several cast-glass works. Horn first began to produce these sculptures in the mid-1990s and they quickly became foundational to her wider practice. To create these works, molten glass is annealed in large moulds over the course of several months. The result, which can be seen in the current series of works, are sculptures that exhibit a dynamic range of hues and luminosity, appearing at once solid and fluid. This is particularly evident in ‘Untitled (‘At night her head, heavy with unappeased cravings, sat on her shoulders, like a coconut with its mat of monkeylike hair growing freakishly inside the shell..’)’, which draws its title from a novel by Robert Musil. Another piece, ‘Black Yes’, one of her black cast-glass sculptures, is a counterpoint to some of the more colorful works. Like much of Horn’s oeuvre, the glass sculptures probe the ever-evolving nature of identity and the experience of transience through the transformation of nature and form.

The piece on display, AS YOU GO, consists of three videos, “Ravel, Ravel,” “Take Over” and “If and only if.” “Ravel, Ravel” is composed through a re-arranged performance by Sala, a new interpretation of Maurice Ravel's Left Hand Concerto for Piano and Orchestra, which resonates in the space between the two performances due to the time gap between them; “Take Over,” revolving around the politically and historically entangled Marseillaise and The Internationale, played by a pianist and a player piano, deals with their musical lineage and the ever evolving political symbolism; “If and only if” is a reinterpretation of the composer Igor Stravinsky's Elegy, in which a crawling snail and a fiddler interact in a delicately balanced relationship that makes the musical arrangement tangible. "AS YOU GO" is not only an interweaving of three video pieces, it is a projection installation as well as a unique and gigantic kinetic sculpture.

"Instability” is a recurring theme in Baghramian's sculptures, with many seemingly thin and slender bracing structures that are close to collapsing, overhanging, tilting and yet dominating the objects in the exhibition space. The unstable gestures, both in appearance and in nature, are represented in the pieces on display in this exhibition. “Maintainers”, a multi-media composition, is presented in an interdependent manner in the exhibition room, with its distinctive raw aluminum casts, colored wax forms and lacquer painted braces propping up and balancing each other in an interdependent relationship, stabilized by the intervention of external forces, and with a wax surface reminiscent of the body. Another piece on show is “Misfits F”, a recent creation inspired by the assembly toys designed for children. The seemingly perfect fit of the structure actually fails to meet the viewer's expectations, resulting in feelings of frustration and disappointment, creating a psychological imbalance; at the same time, the eccentric expression of the girl's portrait alludes to the refusal to play by the rules and the unpredictability.

Hatoum was born in 1952 to a Palestinian family in Beirut. During a visit to London in 1975, The Lebanese Civil War broke out, preventing her from returning and resulting in her living and working for the most part in the UK from that period onwards. Experiencing the cultural shock of a new, foreign country, Hatoum began to feel out of place, and was compelled to re-examine her position as an "outsider".

Between the 1960s and 1970s, Southern California was filled with aerospace and engineering companies, many of which were involved in the first American lunar project, and it was arguably the height of industrial technology after the Second World War. During this period, a special partnership was formed between a group of artists and engineers. As a result of this technological boom, artists have acquired new industrial materials and production techniques, using special materials to create works that expand the possibilities of human perception of objects and space, thus giving rise to the famous Light and Space movement on the West Coast of the United States. The sun, cars, surf, beaches and other elements of the West Coast have facilitated the transformation of lived experiences into physical works by artists in the Light and Space movement, such as Robert Irwin, Dan Flavin, Larry Bell and James Turrell. These artists' use of advanced materials and their focus on audience perception and participation have inspired many of today's artists. The Winsing Arts Foundation exhibits the works of Ann Veronica Janssens, whose pieces are also heavily influenced by the Light and Space movement.

"Painting". Prehistoric rock art, oil paintings, watercolors and ink paintings are commonly known as paintings. The works in these modes are often painted on flat media using various paints. Miriam Cahn, the artist introduced by Winsing Art Place before, is a graphic painter who examines the relationship between the human body and the world. Suki Seokyeong Kang, a Korean artist, breaks away from the established patterns of painting and expands the concept of painting to weaving, sculpture, installation, video, choreography and even an exhibition space. Kang said, "All the works look like installation. I love to say it's a painting. Making a painting it's more to be how to think, how to make, and how to pour your voice inside of the space which is painting. So, I wanted to find out how can be layering the materials together inside of the space as set of paintings." Kang specializes in research-oriented creation. By exploring the relationship between space and one's social status, Kang attempts to create a visual language which is based on Korean traditional painting with abstract, organic and geometric features.

Miriam Cahn, a lifelong fighter for gender equality, was born in 1949 in Basel, Switzerland, to a Jewish immigrant family with a father who was a dealer in art and antiques and a mother who was a music-loving homemaker. Cahn grew up in an artistic family. From her wall murals in the 1970s to her ongoing series of oil paintings, Cahn embarked on an artistic career in 1976 that saw her translate emotion into the language of painting, her aggressive brushwork and intense colors conveying the artist’s uncompromising response to the social reality around her. On display in this exhibition are black-and-white paintings from the early stages of creation, the Atomic Bombs series, the House series, the Refugee issue and, most notably, the Body and Portrait series.

On the occasion of the anniversary of the opening of the Art Place, the Arts and Culture Foundation invited the University of Practice Assistant Professor Chai Chi Kong and the Jr.Gang Architectural Lab team to participate in the selection of books for the annual book exhibition. With more than 300 core books, the exhibition depicts the wave of modern architecture still unfolding around the world, as well as around important out-of-print books that lead readers across borders and minds during the pandemic. The audience gets a glimpse of the origin of the concept of space from three main themes — “The Architect” brings together a collection of architectural works that span the ages of Europe, the United States, and today that have a great impact; “Architectural Thought” is the first book, Survival by Design, published in 1954 by California architect Noita (1892-1970). Covering important exhibitions from MoMA, New York's Museum of Modern Art, CCA Canadian Architecture Centre, and a collection of classic architecture magazines such as Log, Oppositions, testifies to the spirit of thought, and “Artists” by Gough The work of Dan Matta-Clark (1943-1978), Saul Levitt (1928-2007), Ed Ruscha (1937-), and others spanning the fields of art and space, as well as the work of the renowned architectural photographers Beschel and Elaine Binay (1959-), provides another collection that explores the multiple possibilities of architecture. Type of direction.

Being one of the pioneers of relational aesthetics, French artist Philippe Parreno prefers to "curate exhibitions rather than focus on single objects," and he is interested in the exchange of dialogues, ideas, objects, images, situations, and the collectivity of human existence. As a result, Parreno constructs the exhibition as a scripted space through film, performance, light and sound in different ways, creating bizarre scenes and alternative realities. Like an independent organism, his exhibition explores the boundaries of time and space, the possibilities of existence, and gives the viewer the opportunity to dialogue with oneself, or with space.

Spiders, creatures that have existed on Earth for at least 120 million years, communicate with each other and their prey by spinning intricate webs and feeling the smallest vibrations. Tomás suggests that spider silk may be the key to a new understanding of the future for human beings. This exhibition features Tomás' iconic giant installation, which simulates a spider's web, inviting the viewer to connect with space and each other through touching and feeling vibrations. The exhibits also include works on future architecture and aerodynamics to present Tomás’ perspective on environmental sustainability issues.

Housing the Friendship exhibition focuses on the books of the two architectural educators Boyarsky and Heidak, and will look back on the historical “epic” and “fable” depicted by Boyarsky and Headak through the links between architectural design and books. This exhibition is the first of the “Operational Theory Book Fair Series”, featuring 59 core exhibits — many of them out-of-print rare books, such as the classic AA Folios series, as well as more than 200 extended exhibits. Through the “Borrow Event” participants can take a blind eye to this exhibition collection during the event in the Art House bookstore.

Kwade was born in Poland in 1979. She moved to West Germany with her family later and graduated from the Berlin University of the Arts in 2005. Currently, she lives and works in Berlin. Her most famous work is the large-scale sculpture named "WeltenLinie", which was shown in 57th Venice Biennale 2017. Two-way mirrors and pairs of objects intentionally placed were used to compose the installation. When visitors walk through its steel structure, the objects in it will jump out from the framework of reality and move to the framework of the work while being observed in different angles of view, which may be a revolution to the way visitors adopt for reading and understanding the objects contained in the work. In 2019, Kwade's works have also been exhibited at the Roof Garden of the Metropolitan Museum of Art and in Setouchi Triennale 2019. They are now collected by some renowned art museums, including Centre Pompidou, Los Angeles County Museum of Art and Boros Collection / Bunker Berlin.

The artist won the first prize at the 2012 Hugo Boss Award and entered the Venice Biennale on behalf of Denmark in 2015. His works and various art projects are also exhibited in the Solomon R. Guggenheim Museum in New York City, the Pompidou Centre in France, the Kunstmuseum Basel in Switzerland, M+ in Hong Kong, the Berlin Biennale and the Singapore Biennale, among other large art galleries and exhibitions. He explores the inheritance and construction of cultural conflicts, trauma and values, and addresses issues of history, politics, faith and identity in a poetic way.

The Winsing Art Place exhibits Yang's main works created since 2014, her first solo exhibition in Taiwan, showcasing her pieces including Hardware Store Collage, Lacquer Paintings, The Intermediation and Sol LeWitt Upside Down. Hardware Store Collage is an important turning point in the artist's life. When Yang arrived in Germany in 1994, she only spoke basic German. The product catalogue of hardware stores became an important vocabulary source. It also describes her non-verbal communication and language barriers. Lacquer Paintings has been created since 1994. On the theme of time, she used common plant specimens, such as tobacco leaves and decorative plants, and let varnish slowly dry to capture the dirt, dust, raindrops and insects existing in the original materials as the time traces of specific events.

Desire, a work of art by Doug Aitken, features how mirrors segment image of people and their surroundings. Each individual image carries new perspectives, and each individual segment reflects the relations between people and space, intertwining narratives of dialogues between the viewer and the space around them. This giant mirror sculpture acts like a medium. Through its projection, the viewer not only sees the external form of an object, but also the desire deep inside themselves. Aitken stereoscopically translates narratives into a structural form. Viewing his work from different angles is like a three-dimensional reading of space and oneself. The viewer is allowed to thoroughly experience the influence brought by this space. When one enters this art hall of pure white color, due to the special design of the space, it simultaneously induced some change on one's movements. The interaction between people and their surroundings or between one and others is affected by the atmosphere, forming an entirely new social system.

Starting from the book “I.M. Pei : Complete Works”, the lecture invited Gong Shuzang, a professor at the Institute of Architecture, National Yang Ming Chiao Tung University, to discuss how he went from revolving between power and business, to explore the possibilities of “commonality” and how to move towards “culture”.” Exploration. It also leads us to think about how Beiyu Ming responds to his own culture and will through the form of architecture.

After the conclusion of the exhibition “When We Live Together - Residential Design and Ideal Modern Living”, jointly organized by the Taiwan Museum Cultural Foundation and the National Taiwan Museum in 2022, the consortium promoted the publication of a monograph of the same name to preserve and promote the exhibition's research results. The content extends the presentation of the exhibition and includes several surviving gem cases, which at the time were limited to the exhibition space and had to be disposed of, in order to more fully present the results of the curatorial research. The seminar invited authors Shen Mengying, Hung Weiqi and special guest Wu Yiu Ting to share experiences from curation to book publication, selected housing cases in the book, and field visits.

Over time, the frame of gender has been seen as a fluid domain, and the term “woman” has become a concept full of ambiguity and dynamism, giving a variety of forms and reflections to contemporary Taiwanese art. The seminar invited four speakers, Lu Pei-yi, Wu Xiangxiang, Xie Pei-jun and Guo Yu-ping to discuss the position of women artists in contemporary art through their experiences, research and creations in 2024.

Hong Kong book designer Chen Hi-sheng will share the experiences of modern book creators through interviews and visits to different studios, publishing houses, bookstores, etc., in this talk. Through its aesthetic, mature publishing and marketing strategies, it broadens readers to the existing ideology of the book, it hopes to ignite thoughts in the public mind about “the beauty of the book” extending to the “beauty of the city” and spark more discussion.

Hong Kong's iconic landscape is known overseas. From the 1930s to the 1980s, several of Hong Kong's most famous calligraphers: Kian Gong, Xie Hee, Chau Shao Heng and Lai Ying Ning, teamed up to create a unique urban landscape that was unique in the half century in Xiangjiang. The author of “The Inks of Hong Kong - The Calligraphy of Building Hong Kong” Huang Xuanzhu and his team spent more than four years collecting and researching the works of four calligraphers, including thousands of precious pictures, including signboards, cards, Yi-lien and paper works. In this talk, the authors will share their stories and how these signboards shape the landscape of Hong Kong's cities.

The artist Wang Yahui excelled at capturing the surreal sense of space through poetic imagery. Write long diaries and art notes at the same time, documenting his deep thoughts on art and life. After Yahui's death in 2023, Mr. Liu Hung Yi and his friends gathered the results of editing her works and writings, revealing her creative path and unique insights in the words. This talk was the first sharing session after the book's publication. It invited Xiao Ari-zhi as the host, Niu Junqiang, Wang De-yu, and Wang Hanfang to discuss Wang Yahui's artistic spirit starting with the book's “Notes”.

At the end of 2022, the Winsing Arts Foundation held the solo exhibition AS YOU GO by artist Anri Sala at Winsing Art Place. Centered on an immersive video experience, the exhibition showcased the Foundation’s collection piece AS YOU GO, which comprises three video works—Ravel, Ravel, Take Over, and If and only if. Based on the fluidity of music and imagery, the entire exhibition resembled a large-scale kinetic sculpture, offering visitors an experience akin to a “parade.” Beyond video, Anri Sala also works across various media—such as installations, paintings, prints, and more recently, frescoes—to explore themes of identity, history, memory, and the interrelationship between past, present, and future.

The form of traditional architecture has different interpretations and interpretations in the eyes of Western missionaries, architects, and architects under the influence of modern nationalism. Through the exploration of different perspectives, one can reflect on the construction and modern direction of traditional culture. The Cultural Arts Foundation invites Jiang Yajun, Associate Professor of the Department of Architecture at Chung Yuan University, to explore the cases of the National Museum of History and Nankai Science Park, the National Palace Museum, and the National Father Memorial Museum, and the National Father's Memorial Museum, etc. In the process of the Xing movement, issues such as history and origin, Ming Tong ancient principles and customs, government and cultural traditions, and the deep cultural space of the nation have been created.

For this Art Studio workshop, the Winsing Arts Foundation specially invited artist Chu-Li Chen. Building on Orozco’s works, participants will use the repeated motion of scissors to create their own collage materials. Chu-Li Chen is skilled in collage, printmaking, and hand-drawing techniques, creating images full of tactile warmth. This workshop will focus on geometric shapes, encouraging participants to listen to their inner voice and explore, through personal intuition and preference, the relationship and playfulness between “movement” and “stillness.”

「我不喜歡為了所謂創作而離家太遠。我討厭這種方式帶來的異國情調。我希望我的藝術能夠靠近我，我也希望能親近我周圍的一切。 」墨西哥藝術家加布里埃爾．奧羅斯科曾說道，自己沒有一個永久、固定的工作室，讓作品面對街道、面對現實，以及當下所發生的事，是他發展藝術的方式。奧羅斯科經常旅行，游牧的生活深深影響著他的創作，無論是現成物、攝影、繪畫、雕塑及裝置，他的作品蘊含童年，以及日常生活的影子。奧羅斯科擅長以新的方式看待熟悉的事物，創造具有洞察力的作品，探討人與物體、空間的關係。

Launched jointly by the Wen Shin Art Foundation and Curator, Professor Wang Jun-Hung, the exhibition of “Modern Life: Taiwan Architecture 1949—1983” was held at the Taipei City Museum of Art, with the final one inviting sociology professor Huang Chin-yu, architectural scholar Wu Yiu Ting and art creator Guo Yu-ping to share. In addition to sharing more deeply around the Modern Life Exhibition from different directions, it also continues the spirit of the “Chimera Salon” initiated by Mr. Wang Daizhi in the 1950s by inviting literary artists to meet at home, recreating the cross-disciplinary discussion that was freely open in the Wang Dao residence of that year.

Launched jointly by the Wen Shin Art Foundation and Curator, Professor Wang Jun-Hung, we held four lectures on “Modern Life: Taiwan Architecture 1949—1983” at the Taipei City Museum of Art. The third invited Shen Mengying and Xu Changzhi to share. In addition to more in-depth sharing around the Modern Life Exhibition from different directions, it continues the spirit of the Chimera Salon, initiated by Mr. Wang Dao in the 1950s, when he invited literary artists to meet at home, recreating the cross-disciplinary discussion that was freely open in the Wang Dao residence of that year.

With the pavilion as the centerpiece of the Art Gallery's current theme book exhibition, the first event invited the first prize winner of the 11th North American Museum's 2024 Appreciation Studio and Shen Ting Zeng, architect, and Shen Ting Zeng, architect Shen Ting Zeng, will depart from Analogue Forest on the North American Museum Square this summer., and explore the process of the Pavilion moving from a subsidiary building to a complete space of independence across multiple fields of art, installation and architecture through the relevant selection.

Winsing Arts Foundation is proud to host an artist talk on the solo exhibition of the Mexican artist Gabriel Orozco at Winsing Art Place on Saturday, May 11. On the day, Gabriel Orozco was invited to chat online with Jenny Yeh, Executive Director of Winsing Arts Foundation , to discuss the artist's creative experiences and to share the history of the collection.

Launched jointly by the Wen Shin Art Foundation and Curator, Professor Wang Jun-Hung, four lectures were held at the Taipei City Art Museum's “Modern Life: Taiwan Architecture 1949—1983”. The second invited Jiang Ya-chun and Huang Moo-chun to share. In addition to more in-depth sharing around the Modern Life Exhibition from different directions, it continues the spirit of the Chimera Salon, initiated by Mr. Wang Dao in the 1950s, when he invited literary artists to meet at home, recreating the cross-disciplinary discussion that was freely open in the Wang Dao residence of that year.

Launched jointly by the Wen Shin Art Foundation and Curator, Professor Wang Jun-Hung, the exhibition of “Modern Life: Taiwan Architecture 1949—1983” was held at the Taipei City Museum of Fine Arts, each inviting different guests to speak with the exhibition research planning team. The first special guest was the Chairman of the Taiwan Modern Architecture Society Director Wong Chun-ming. In addition to more in-depth sharing around the Modern Life Exhibition from different directions, it continues the spirit of the Chimera Salon, initiated by Mr. Wang Dao in the 1950s, when he invited literary artists to meet at home, recreating the cross-disciplinary discussion that was freely open in the Wang Dao residence of that year.

Zhang Yonghe, an architect and educator, has taught at many architecture schools in the United States and China, and served as the director of the MIT Department of Architecture (2005-2010) and the Pulitzer Prize for Architecture selection (2011-2017). The Wen Sin Art Foundation was honored to invite him to Wen Sin Art Institute to share his thoughts and creations on architecture and to discuss with Nguyen Ching-Yue and Feng Guoan.

In addition to the ongoing Tenmu Shuido Festival in the second art season, Wang Daishi Shuxuan, located in the waterway basin, also participated in a dialogue exchange. The second series of talks was specially invited by Professor Hung Kwang-ji to bring the natural landscape perspective in the special exhibition “Forest Field: The Boundary of Power”. He opened a dialogue with the theme of Yang Ming Shan Art Season “Rishan Limai”, leading the audience to understand the natural forests of Yangming Shan, under the influence of the development of the country, and in different periods of history Period, what kind of transformations the landscape has in its meaning.

The Yangmingshan Art Season serves as a platform for social communication. Through the interference of artistic intervention, local energy blossoms through the interruption of artistic intervention. The team views the movement and communication processes as a creative process. The artwork becomes a carrier of social consensus and carries the rich richness of Yang Ming Shan, such as environmental education, culture, history and life memory. The seminar invited Liu Huifang, Li Yiteng, Chiu Mingcheng and Wong Chia to discuss how the Art Season works as a platform for “social communication”. During the curation and creation process, each other's perspectives are intertwined, find common design vocabulary and integrate environmental issues into artistic creation.

The Winsing Arts Foundation will, at the conclusion of Nan Goldin’s solo exhibition, invite Liang-Pin Tsao, Founder of Lightbox, to hold the final expert lecture of the exhibition period at Winsing Art Place. In this lecture, Tsao will analyze Goldin’s portrait photography from the perspective of photography as a means of obtaining visual agency, exploring the collaborative methods in her portraits and the differences between collaborative portraits and traditional portrait photography. The lecture will also focus on the aesthetic forms of Goldin’s work, examining her image narratives in comparison with pictorial photography, straight photography, fashion photography, and conceptual photography, and how her work challenges conventions and subverts the everyday.

The Wen Sin Art Foundation is proud to invite Jan Knikker, Strategic Director of MVRDV Team, and Director of Taiwan Liao Hui-Xin, to share several design cases recently implemented in Taiwan through the 2024 International Book Fair.

Buildings are created by humans, but the spaces created by buildings change people's lives and dynamics, and even change one's memory of space and the city. Some buildings can even become markers of a city or part of a national history. The seminar invited Hong Kong architecture columnists — architect Lam Yun Hang (Architectural Visitors) to come to Taipei International Book Fair to share with you how buildings change human lives through architectural scenarios from Hong Kong, Beijing, London, Tokyo, Singapore, New York and more.

Winsing Arts Foundation is honored to invite Wen Liu, a social psychologist who lived in the United States for many years, to discuss the history and development of queer culture in America. She will explore the life of the East Village underground subculture in 1970s–1980s New York and examine the queer world through Nan Goldin’s photography. Professor Liu will also share his experiences living in New York, discussing, from both academic and social movement perspectives, the queer culture depicted in Goldin’s work, as well as her focus on gender and marginalized communities behind the vivid colors and striking visuals of her images.

The Winsing Arts Foundation is honored to invite architect and novelist Ching-Yueh Roan, together with artist Wei-Li Yeh, for a dialogue. This lecture, through the professional perspectives of the two speakers, will discuss Goldin’s work in relation to the context and development of contemporary art, as well as the temporal messages her photography seeks to convey. They will take a broad view of Goldin’s creations and explore how, in a chaotic and unstable era, she used photography to capture the desires of people’s lives. Ching-Yueh Roan and artist Wei-Li Yeh will also share with the audience their encounters with Goldin’s works in the 1990s, and the impressions and experiences that arose from those encounters.

The Winsing Arts Foundation is honored to invite writer Pulp Chen, who once lived in New York, to give a lecture exploring the connections between Nan Goldin’s works and the culture of the 1970s and 1980s. In an era when the spirit of freedom was thriving, young people were widely dissatisfied with society and began fighting for their rights. This climate gave rise to numerous cultural movements and music scenes, such as The Velvet Underground, Patti Smith, and Sonic Youth—well-known bands whose music was closely tied to the social and political issues of the time. Professor Chen will take the audience back to New York of that era to see, through Goldin’s work, a world that is raw and unvarnished.

The sharing will be based on the creative relationship between artist Kao Yat-ting and the relationship between the artist's books and inviting the book's art researcher Cai Yin-qin to engage in a conversation, inviting live readers/viewers to develop more insight into the artist's creative process and its material metaphors through Dream Books.

Architect Wang Dao moved the scene of Wilde's classic novel, The Picture of Dorian Gray, from Victorian London to Taipei in the 1970s, with the light of a decade, and translated it as a Duringke of his own era. Through the transformation of time, Wang Daei not only allows us to see a common fable about humanity, but also buried its aesthetic thoughts and observations of Taipei in the plot of the novel. The book's series of lectures is analyzed from the perspective of literary observation, introducing Du Lien Quei to present-day Taiwan and discussing the significance of reading the classics for modern readers. At the same time, the work shows Mr. Wang Dai Yin's thoughts on the time of the place, bringing everyone from a perspective beyond architecture, and again “Get closer to Wang Dai”.”. In the final lecture, we invited Chen Guo-wei (an Honorary Associate Professor of Chinese Studies at National Chung Hsing University) and Lin Xinhui (a new generation of science fiction novelists) to share a conversation. In addition to Du Lien Qui, the science fiction novel “Phantom City” by Mr. Wang Dai will be discussed.

Winsing Arts Foundation opens this Saturday, November 11, with a solo exhibition by influential American contemporary photographer Nan Goldin. The Ballad of Sexual Dependency, a seminal work in Goldin's career, chronicles the true nature of East Village New York from the 1970s to 1980s, from transforming queens, homosexuality in love or struggling relationships, heterosexual couples, drug addiction and sex, and personal life. The video work “Sirens” from the Venice Biennale in 2022 will also be presented at this exhibition.

Winsing Arts Foundation presents a series of sculptures and paintings by Abraham Cruzvillegas. His sculptural works, composed and stacked from collected readymades, reflect the concept of Autoconstrucción (self-construction) that Cruzvillegas has been developing since 2007. The works, appearing unfinished or improvised, resonate with Mexico’s history of development and its cultural landscape. Through the process of constructing these works, the artist interprets life and his surroundings, while also metaphorically exploring his own identity. Most of the works’ titles depict the artist’s state and daily activities at the time of creation. At times, they reference specific political or historical events, contemporary happenings during the creation period, or music.

Guo Xuhuan and Huang Hui-mei took a deep dive into the design methodology of contemporary Taiwanese urban architecture through the exhibition “Space of Time” and refocused the user experience of the building. The exhibition includes their architectural creations from the past 25 years, where the two never found an opportunity to wake up from the delay of everyday life that rotates day after day. Creating the image of tiny but impossibly brilliant spaces in urban gaps revives the infinite possibilities of space over time and makes everyday life better. The end of the exhibition series lecture series: [Architectural Desire for Habitat] Special invitation was given to Mr. Zhan Wai-Hung (Cultural Sociologist) and Wang Jun-Hung (Head of Department of Architectural Design, Practical University). Explore with the audience the meaning of living in a building from a historical perspective, a time perspective, a spatial character, and even a cultural perspective.

Architect Wang Dao moved the scene of Wilde's classic novel, The Picture of Dorian Gray, from Victorian London to Taipei in the 1970s, with the light of a decade, and translated it as a Duringke of his own era. Through the transformation of time, Wang Daei not only allows us to see a common fable about humanity, but also buried its aesthetic thoughts and observations of Taipei in the plot of the novel. The book's series of lectures is analyzed from the perspective of literary observation, introducing Du Lien Quei to present-day Taiwan and discussing the significance of reading the classics for modern readers. At the same time, the work shows Mr. Wang Dai Yin's thoughts on the time of the place, bringing everyone from a perspective beyond architecture, and again “Get closer to Wang Dai”.”. The fourth session of the lecture will invite Chen Ying-yin (assistant professor in the Department of Architecture, National Taipei University of Science and Technology) and Chen Pak Ching (young novelist) to talk about the descriptions of the East and West districts of Taipei in the book Du Lien Qui. Extending to Yang Tak Cheong's films—Terrorist and Chumo Ma Chukah—convey the notion of the Western zone conveyed in Taiwanese gay literature.

Guo Xuhuan and Huang Hui-mei took a deep dive into the design methodology of contemporary Taiwanese urban architecture through the exhibition “Space of Time” and refocused the user experience of the building. The exhibition includes their architectural creations from the past 25 years, where the two never found an opportunity to wake up from the delay of everyday life that rotates day after day. Creating the image of tiny but impossibly brilliant spaces in urban gaps revives the infinite possibilities of space over time and makes everyday life better. Exhibition Series Lecture Series 5th【How to be Modern? What kind of building?] , specially invited two acquaintances of Nguyen Ching-yue (architect, novelist) and Wang Tse Wing (architectural critic). The talk will focus on the relationship between Guo Wong's architecture and modern urban life from a perspective on the evolution of global modernity and its localization.

“Prov. The public. The Decisive Tomorrow World series of lectures extends to a late-night reading session for selected books in the arts of literature. Launched by the Wen Shin Arts Foundation, Liu Huifang, Assistant Professor of the Department of Architecture and Urban Design, Culture University, invited experts in digital architecture to submit their favorite theoretical works in the fields of landscape, cities, architecture, and more. Unlike previous discussions of pure architecture, we look at cities, buildings, and public spaces from a more diverse perspective, discussing concepts such as Urbanism, Commonality, Publicity, and Future Cities in the book. The final event, “Our Common Future: Public Spaces in Multiple Views”, will be provided by Professor Lau Hui-fang with an introduction to “The Future of Public Space” and “Communality: The Production of Behavior”, while inviting architect Chow Shu-yin as a special guest and talk.

Architecture is about the subject's experience of space in time. It is through our bodies that move through space that people are really connected to buildings; and movement is the body in time, and time brings space to life. The exhibition “Space of Time” at the Kuandu Art Museum showcases the architectural creations of Guo Asahuhara and Huang Hui-mei who have been passionately pursuing the “space of time” for twenty-five years. Through four themed exhibitions, two architects awaken from the daily grind of everyday life, creating tiny yet brilliant images of space in urban gaps, reviving the infinite possibilities of space in time. THE SEMINAR WILL INVITE TWO ARCHITECTS AND SEVERAL ARCHITECTURAL PROFESSIONALS TO DISCUSS THE POSSIBILITIES OF ARCHITECTURE+EXHIBITION STARTING FROM THE EXHIBITION DISCUSSION.

“Prov. The public. The Decisive Tomorrow World series of lectures extends to a late-night reading session for selected books in the arts of literature. Launched by the Wen Shin Arts Foundation, Liu Huifang, Assistant Professor of the Department of Architecture and Urban Design, Culture University, invited experts in digital architecture to submit their favorite theoretical works in the fields of landscape, cities, architecture, and more. Unlike previous discussions of pure architecture, we look at cities, buildings, and public spaces from a more diverse perspective, discussing concepts such as Urbanism, Commonality, Publicity, and Future Cities in the book. The third “Memo for the Future of Asia's Big Cities” will feature an introductory reading on Public Space in Urban Asia by Professor Hou Chi Yan, Professor of Landscape Architecture at the University of Washington, USA, as a special guest and talk.

Winsing Arts Foundation will host the opening event of Mexican artist Abraham Cruzvillegas at Winsing Art Place next Sunday 8/13 at 3 p.m. This exhibition presents a series of sculptural installations and paintings by Cruzvillegas, whose creations involve change, incompleteness and unpredictability. The characteristics of this work are also related to chance, variability and hope. On the opening day, Jenny Yeh, executive director of Winsing Arts Foundation, and Rudy Tseng, an art collector, will share their collection opportunities and how they feel about the work, and look forward to seeing the show together.

“Prov. The public. The Decisive Tomorrow World series of lectures extends to a late-night reading session for selected books in the arts of literature. Launched by the Wen Shin Arts Foundation, Liu Huifang, Assistant Professor of the Department of Architecture and Urban Design, Culture University, invited experts in digital architecture to submit their favorite theoretical works in the fields of landscape, cities, architecture, and more. Unlike previous discussions of pure architecture, we look at cities, buildings, and public spaces from a more diverse perspective, discussing concepts such as Urbanism, Commonality, Publicity, and Future Cities in the book. The second book, “The Death and Life of American Buildings,” will be a prequel to How Buildings Learn: What Happens After They're Built by Mr. Lott.

“Prov. The public. The Decisive Tomorrow World series of lectures extends to a late-night reading session for selected books in the arts of literature. Launched by the Wen Shin Arts Foundation, Liu Huifang, Assistant Professor of the Department of Architecture and Urban Design, Culture University, invited experts in digital architecture to submit their favorite theoretical works in the fields of landscape, cities, architecture, and more. Unlike previous discussions of pure architecture, we look at cities, buildings, and public spaces from a more diverse perspective, discussing concepts such as Urbanism, Commonality, Publicity, and Future Cities in the book. The first episode was brought by Professor Su Mengzong in Wild and the City: Landscape Architecture Towards Dark Green Urbanism. An introduction to Landscape Architecture for Lush Urbanism).

Architect Wang Dao moved the scene of Wilde's classic novel, The Picture of Dorian Gray, from Victorian London to Taipei in the 1970s, with the light of a decade, and translated it as a Duringke of his own era. Through the transformation of time, Wang Daei not only allows us to see a common fable about humanity, but also buried its aesthetic thoughts and observations of Taipei in the plot of the novel. The book's series of lectures is analyzed from the perspective of literary observation, introducing Du Lien Quei to present-day Taiwan and discussing the significance of reading the classics for modern readers. At the same time, the work shows Mr. Wang Dai Yin's thoughts on the time of the place, bringing everyone from a perspective beyond architecture, and again “Get closer to Wang Dai”.”. The third session invited Mr Lung (Associate Professor, Department of Chinese, National Tsing Hua University) and Chen Shu-wen (Assistant Professor, Department of Chinese, National Chengchi University) to discuss exotic mediation and cultural translation in Du Lien Kui's book.

In the solo exhibition of Roni Horn curated by the Winsing Arts Foundation, a series of important sculptures and photographs are presented at the Winsing Art Place, including glass and columnar sculptures from the foundation’s collection. The Foundation is honored to invite Chia-En Jao, full-time lecturer at the Department of Fine Arts, Taipei National University of the Arts, as the keynote speaker for this expert lecture.

The talk aims to comprehensively analyze the relationship between American artist Roni Horn's artists' books and their creation, exploring how artists form a series of post-minimalist forms through the material conditions of the books and their generation, to form a series of post-minimalist forms of perceptual engagement: incorporating weather, literature, poetry Within the textual writing and visual scheduling of the booklet, topics such as humans and nature invite the audience/reader into the personal emotions and psychological aspects of the artist's layout through dynamic affability and the linguistic characteristics of the reading.

In Southern Chinese Mandarin, “mema” means the alternation of night and night after evening, and is also the darkest moment in the visual sense. 4/29 (6) Wong Wei-Jie and the Sanyao Band will come to Wang Dai Shuxuan for the first performance of their new album “Meema” tour concert. More than five years in the making, “Meema” is a direct look at the dark side, depicting people going inside and walking back into their own work, leading the listener to explore the dark side at night, recounting their feelings and stories, waiting for a glimmer of light to fall into the darkness. The show will begin at nightfall and invite everyone to feel the changes in the sky with music in a spacious glass-enclosed space.

Architect Wang Dao moved the scene of Wilde's classic novel, The Picture of Dorian Gray, from Victorian London to Taipei in the 1970s, with the light of a decade, and translated it as a Duringke of his own era. Through the transformation of time, Wang Daei not only allows us to see a common fable about humanity, but also buried its aesthetic thoughts and observations of Taipei in the plot of the novel. The book's series of lectures is analyzed from the perspective of literary observation, introducing Du Lien Quei to present-day Taiwan and discussing the significance of reading the classics for modern readers. At the same time, the work shows Mr. Wang Dai Yin's thoughts on the time of the place, bringing everyone from a perspective beyond architecture, and again “Get closer to Wang Dai”.”. THE SECOND LECTURE INVITED LIU WAITONG (POET) AND CHAN PA-YAN (YOUNG NOVELIST) TO SHARE THEIR THOUGHTS ON THE STREETS AND CITIES OF TAIPEI FROM THEIR WRITING EXPERIENCES AND READING DU LIEN QUAI TO SHARE THEIR INSIGHTS INTO THE STREETS AND CITIES OF TAIPEI THROUGH TEXT.

The Winsing Arts Foundation is proud to host the opening of the Roni Horn exhibition by American artist Roni Horn next Saturday, April 15. This exhibition, which is Horn's first solo exhibition in Taiwan, will feature important representative works, and famous glass sculptures from Winsing Arts collection will also be on public display. On the opening day, the artist himself spoke with Jenny Yeh, Executive Director of the Winsing Arts Foundation, to share the selection and presentation of the works at the Winsing Art Place, and looked forward to learning more about Horn's work and poetry through the discussion.

Launched in 2009, the Architectural Exhibition is held every two years in different cities in Taiwan to promote dialogue on architectural design and architecture, and promote architectural culture and art to the public through exhibitions and forums. Entering its eighth year, the exhibition is titled “Architecture and Narrative”, co-curated by Wang Zeng Rong and Wu Yiu Ting. Continuing the spirit of past exhibitions, architecture is treated as a “text” that leads the audience to read the consciousness and desire of the architect in his work from a narrative point of view. The Wen Sin Art Foundation specially invited two curators to come to Wang Daishi Shuxuan to share.

文心藝術基金會在此次的專家導覽，邀請到藝術工作者葉杏柔，以安利．沙拉的作品《AS YOU GO》為出發，從聲音的議題切入，梳理作品與音樂背後的文化及歷史意義，並分享亞洲及台灣的錄像藝術家，又是如何透過影像、音樂作為故事的媒介？

For this talk, the Foundation invited Amy Cheng, founder of TheCube Project Space, to delve into Anri Sala’s work AS YOU GO, currently on view at Winsing Art Place. Amy examined Sala’s past and recent works, exploring how the artist guides viewers into layered realms of reality and possibility. Replacing language with music, Sala’s videos emphasize embodied, immersive experience. The event concluded with a guided walk through of the exhibition, inviting the audience to feel the fluid interplay of time and space.

Architect Wang Dao moved the scene of Wilde's classic novel, The Picture of Dorian Gray, from Victorian London to Taipei in the 1970s, with the light of a decade, and translated it as a Duringke of his own era. Through the transformation of time, Wang Daei not only allows us to see a common fable about humanity, but also buried its aesthetic thoughts and observations of Taipei in the plot of the novel. The book's series of lectures is analyzed from the perspective of literary observation, introducing Du Lien Quei to present-day Taiwan and discussing the significance of reading the classics for modern readers. At the same time, the work shows Mr. Wang Dai Yin's thoughts on the time of the place, bringing everyone from a perspective beyond architecture, and again “Get closer to Wang Dai”.”. The lecture series opens with a conversation between Yang Jia-han (Associate Professor/Writer, Department of Chinese Literature, National Tsinghua University) and Zhan Wai-Hung (Cultural Sociologist). Analyzed from the point of view of literary observation by Teacher Yang Jia-han, introduces Du Lianqui to current Taiwan, and discusses the meaning of reading classic works for modern readers. Yi; at the same time, through the work of Mr. Wang Daei's thoughts on the place, and Mr. Zhan Wai Hung's personal experience with his interviews in the 1990s, brought everyone “closer to Wang Dai Yin” from a non-architectural perspective.

In 2006, the Taiwan Museum opened a collection of materials for the collection of classic drawings of post-World War II buildings in Taiwan. The collection of architectural drawings from the 1950s to the 1990s was collected by various architects and organizations. Later, with the support of the Ministry of Culture, the Taiwan Museum and the Taiwan Museum Cultural Foundation jointly promoted a program to promote knowledge about the history of Taiwan and prepare for the establishment of the Taiwan Architecture Museum. This lecture invited Shen Mengying, Executive Secretary of the Taiwan Museum Foundation for Cultural Studies, and Jiang Yajun, Assistant Professor of the Department of Architecture at Chung Yuan University, and Zhang Bo-yun, who is currently studying a master's degree at Mendrisio School of Architecture in Switzerland, to share their experiences with domestic and foreign cases to discuss the preparation of a building in Taiwan Ideas for museums.

The Foundation will host an opening event for artist Anri Sala. Sala will speak online at the event with Jenny Yeh, Executive Director of Winsing Arts Foundation, and Amy Cheng, the co-founder of TheCube Project Space. This exhibition, AS YOU GO, suggests a dynamic concept, based on the flow of music and images, giving the audience a feeling of participation in it, like a “parade”. This exhibition, AS YOU GO, contains three recordings of Ravel, Ravel, Take Over and If and Only If. It is not only an interweaving of three works, it is a projection device, but also a unique and huge dynamic sculpture.

This lecture series focuses on exploring artists' books with a focus on artists' books from the 1970s to artists who are considered media/media artists who are still publishing as art practices today. Reviewing and content seminars, parsing the structure of books and their logic of generation, how they act as a complement or node to a creative plan; in other words, why do artists make books? And how his ideas flow, Sui has become the best medium for what art theorist/curator Lucy Lippard calls the best medium for the public. This topic focuses on the discussion of the Dutch book designer Irma Boom (1960-).

Following the enthusiastic response to the first movement and figure drawing session, Winsing Arts Foundation once again collaborated with SAALab this past Sunday, inviting professional dancer Chi Jan Farn from Legend Lin Dance Theatre to lead a second immersive workshop at Winsing Art Place.

Winsing Arts Foundation is collaborating with SAALab to host Weekend Afternoon: Life Drawing Session at Winsing Art Place. Performer Chi Jan Farn will present a movement piece in the exhibition space inspired by Yvonne Rainer’s choreographic language, treating the body as part of the artwork and triggering ripples of interaction with the surrounding sculptures. Unlike conventional life drawing classes, there is no timer or fixed structure—drawing becomes a form of collective creation. Participants are invited to observe and sketch, capturing the interplay between sculpture, performer, and space.

This lecture series focuses on exploring artists' books with a focus on artists' books from the 1970s to artists who are considered media/media artists who are still publishing as art practices today. Reviewing and content seminars, parsing the structure of books and their logic of generation, how they act as a complement or node to a creative plan; in other words, why do artists make books? And how his ideas flow, Sui has become the best medium for what art theorist/curator Lucy Lippard calls the best medium for the public. The focus is on the American artist Ed Ruscha (1937-).

Mona Hatoum became widely recognized in the mid-1980s for her early video and performance works, in which she used her body as a medium to address issues of surveillance and social control. During Taipei Dangdai Art Fair, Winsing Art Place will present a screening of Hatoum’s 1985 performance Roadworks, staged on the streets of Brixton in South London.

In collaboration with STEAMLab, this session titled “Color Shadow Puppetry — A Workshop of Light and Shadow for Children” draws inspiration from the beloved children’s book “Little Blue and Little Yellow.” Through the story, children will enter a vibrant world of color: blue mixed with yellow becomes green, and white paint makes colors lighter—what other magical transformations will happen? Following the adventures of Little Blue and Little Yellow, participants will engage in hands-on color mixing experiments and shadow play, gaining a deeper understanding of Ann Veronica Janssens’ artistic practice and the fascinating interplay between light and color.

For this occasion, the Foundation specially invited Escher Tsai, Director of Dimension Plus, to guide audiences through Janssens' fog installation. Tsai will analyze the evolution of immersive and tech-based art practices, examining how the artist’s work detaches us from ordinary reality and transforms perception. The lecture will also explore the Light and Space movement that emerged after World War II, delving into how key artists of the period reinterpreted space and new materials, and how their legacy resonates with Janssens’ artistic practice.

This lecture series focuses on exploring artists' books with a focus on artists' books from the 1970s to artists who are considered media/media artists who are still publishing as art practices today. Reviewing and content seminars, parsing the structure of books and their logic of generation, how they act as a complement or node to a creative plan; in other words, why do artists make books? And how his ideas flow, Sui has become the best medium for what art theorist/curator Lucy Lippard calls the best medium for the public. The first focus was on American artist Sol LeWitt (1928 - 2007).

Chimera Reading Salon: New Perspectives of the City continues the spirit of The Chimera Group, a transdisciplinary arts society founded in the 1950s by Mr. Wang Dao, who often invited artists to meet in his home. The Chimera Group started from “architecture” and gradually expanded to performing arts, art, literature, photography, and commentary. Years of free and open cross-domain communication at Wang Daishi's home. With “City” at its core, the first series will invite Professor Wang Zhihong, Institute of Architecture and Urbanism, National Taiwan University, and special guests to explore new perspectives on urban space culture through six of his translated urban space books. The final lecture, City and Food, will be based on the book “Diners: Democracy and District in the Gourmet Landscape,” which will lead students to an in-depth discussion through an introductory reading by Professor Wang Zhihong and sharing by special guest Chen Ching Yi.

Chimera Reading Salon: New Perspectives of the City continues the spirit of The Chimera Group, a transdisciplinary arts society founded in the 1950s by Mr. Wang Dao, who often invited artists to meet in his home. The Chimera Group started from “architecture” and gradually expanded to performing arts, art, literature, photography, and commentary. Years of free and open cross-domain communication at Wang Daishi's home. With “City” at its core, the first series will invite Professor Wang Zhihong, Institute of Architecture and Urbanism, National Taiwan University, and special guests to explore new perspectives on urban space culture through six of his translated urban space books. The fifth lecture, City and Nature, will be based on the book “Cities and Nature” and will lead students to an in-depth discussion through an introductory reading by Professor Wang Zhihong and by special guest Professor Yuan-yu Shi.

The fourth edition of the Tin Chuo Collection New Book Sharing Session, held at Wang Daishu Xuan, invited Ma Xuan, Wang Jun-Hung, Huang Sengyuan and Zhan Wai-hung to discuss Tin Chuo Studio and its unique style. A group of architects who have chosen to live and work in Yilan for a long time, both residents and professionals, have proliferated for more than twenty years from a large cluster of open public buildings, from small walkways to grand bridges, offering more space opportunities for the future. Starting with the first person — architect Huang Sengyuan, Tin Chuo has grown into a large group — made up of more than a hundred historical partners who continue to explore the connected and true nature of life in this land of Taiwan through architecture.

Chimera Reading Salon: New Perspectives of the City continues the spirit of The Chimera Group, a transdisciplinary arts society founded in the 1950s by Mr. Wang Dao, who often invited artists to meet in his home. The Chimera Group started from “architecture” and gradually expanded to performing arts, art, literature, photography, and commentary. Years of free and open cross-domain communication at Wang Daishi's home. With “City” at its core, the first series will invite Professor Wang Zhihong, Institute of Architecture and Urbanism, National Taiwan University, and special guests to explore new perspectives on urban space culture through six of his translated urban space books. The fourth lecture, Cities and Verticals, will be based on the book “The World is Vertical” and will lead students to an in-depth discussion through an introductory reading by Professor Wang Zhihong and by special guest Dr. Yu-ting Kao.

Curated and organized by the Winsing Arts Foundation, the program invites families to embark on a journey through the world of contemporary art. This series of discovery-based courses begins with parent-child reading, offering a fun and inspiring entry point for children. In the upcoming workshop, we will explore the book Square See Triangle, where children will follow the adventures of Chami the cat, using soft yarn, fabrics, and colorful materials to create their own unique musical scores. Through playful interaction with structure, color, texture, and sound, participants will gain a deeper understanding of Suki’s works and the imaginative ways she reinterprets space through art.

Chimera Reading Salon: New Perspectives of the City continues the spirit of The Chimera Group, a transdisciplinary arts society founded in the 1950s by Mr. Wang Dao, who often invited artists to meet in his home. The Chimera Group started from “architecture” and gradually expanded to performing arts, art, literature, photography, and commentary. Years of free and open cross-domain communication at Wang Daishi's home. With “City” at its core, the first series will invite Professor Wang Zhihong, Institute of Architecture and Urbanism, National Taiwan University, and special guests to explore new perspectives on urban space culture through six of his translated urban space books. The third lecture, City and Culture, will be based on the book Naked City: The Life and Death of a Pure Urban Place and will lead students to an in-depth discussion through an introductory reading by Professor Wang Zhihong and by special guest Professor Yin Baoning.

Chimera Reading Salon: New Perspectives of the City continues the spirit of The Chimera Group, a transdisciplinary arts society founded in the 1950s by Mr. Wang Dao, who often invited artists to meet in his home. The Chimera Group started from “architecture” and gradually expanded to performing arts, art, literature, photography, and commentary. Years of free and open cross-domain communication at Wang Daishi's home. With “City” at its core, the first series will invite Professor Wang Zhihong, Institute of Architecture and Urbanism, National Taiwan University, and special guests to explore new perspectives on urban space culture through six of his translated urban space books. The second lecture, Cities and Mobility, will be based on the book “Mobile” and will lead students to an in-depth discussion through an introductory reading by Professor Wang Zhihong and sharing by a special guest, Lin Sijun.

For this occasion, the Foundation has invited Guo Jau-Lan, Adjunct Professor at MFA Program in Taipei University of the Arts, to offer insights into Suki’s practice through the broader lens of contemporary discussions around choreography and musical notation in visual art. Through this expert-led tour, participants are encouraged to consider how the artist reinterprets elements of traditional Korean musical scores through contemporary media, and how her works engage with the body, the viewer, and the surrounding space.

Chimera Reading Salon: New Perspectives of the City continues the spirit of The Chimera Group, a transdisciplinary arts society founded in the 1950s by Mr. Wang Dao, who often invited artists to meet in his home. The Chimera Group started from “architecture” and gradually expanded to performing arts, art, literature, photography, and commentary. Years of free and open cross-domain communication at Wang Daishi's home. With “City” at its core, the first series will invite Professor Wang Zhihong, Institute of Architecture and Urbanism, National Taiwan University, and special guests to explore new perspectives on urban space culture through six of his translated urban space books. The first lecture, City and Design, will be based on the book “City and Design” and will lead students to an in-depth discussion through an introductory reading by Professor Wang Zhihong and by special guest Professor Sun Qianyan.

Xie Ying Chun, who has been committed to the development and construction of ecological farmhouses for many years, adheres to the principles of “third building” and “sustainable building” for community residents, combining scientific methods to deeply integrate social, cultural and economic conditions to obtain materials, low cost, applicable technologies, and open construction systems. Residents and farmers can also participate in the construction of green, modern homes. Based on this, explore modern living and “architect-free architecture” as well as reconstruct “autonomous, three-dimensional cities”. The appearance and actions of Hsieh Ying-chun not only made people rethink what the social significance of architecture is, but also whether it can save the world.

Xie Ying Chun, who has been committed to the development and construction of ecological farmhouses for many years, adheres to the principles of “third building” and “sustainable building” for community residents, combining scientific methods to deeply integrate social, cultural and economic conditions to obtain materials, low cost, applicable technologies, and open construction systems. Residents and farmers can also participate in the construction of green, modern homes. Based on this, explore modern living and “architect-free architecture” as well as reconstruct “autonomous, three-dimensional cities”. The appearance and actions of Hsieh Ying-chun not only made people rethink what the social significance of architecture is, but also whether it can save the world.

Xie Ying Chun, who has been committed to the development and construction of ecological farmhouses for many years, adheres to the principles of “third building” and “sustainable building” for community residents, combining scientific methods to deeply integrate social, cultural and economic conditions to obtain materials, low cost, applicable technologies, and open construction systems. Residents and farmers can also participate in the construction of green, modern homes. Based on this, explore modern living and “architect-free architecture” as well as reconstruct “autonomous, three-dimensional cities”. The appearance and actions of Hsieh Ying-chun not only made people rethink what the social significance of architecture is, but also whether it can save the world.

The Book of the Year 2019-2020 is the second edition of the exhibition following the opening of the book collection program for the Art Institute's bookstores, selecting nearly 300 books from the new collections throughout the year. The exhibition spans the 1950s and the present, inviting visitors to glimpse the origins of the concept behind the fascinating architectural spaces of the present. On July 3, the Salon will invite two speakers: Chiu Hao Xiu and Wei Zijun to talk about the creative ideas and works of the studio of Pezo von Ellrichshausen and explore the link between books and the transmission of ideas through the medium of “book”.

3/6下午文心藝術基金會將舉辦米里亞姆．卡恩(Miriam Cahn)個展的開幕活動，邀請大家來共襄盛舉！當天特別邀請基金會創辦人葉曉甄(Jenny Yeh)和資深藏家曾文泉(Rudy Tseng)帶領觀眾進入米里亞姆．卡恩的創作世界，並藉由兩位專家的導覽，了解卡恩如何將自身的情感轉化為繪畫語言，以濃烈的色彩與筆觸傳達出她對周遭社會的回應。


Xie Ying Chun, who has been committed to the development and construction of ecological farmhouses for many years, adheres to the principles of “third building” and “sustainable building” for community residents, combining scientific methods to deeply integrate social, cultural and economic conditions to obtain materials, low cost, applicable technologies, and open construction systems. Residents and farmers can also participate in the construction of green, modern homes. Based on this, explore modern living and “architect-free architecture” as well as reconstruct “autonomous, three-dimensional cities”. The appearance and actions of Hsieh Ying-chun not only made people rethink what the social significance of architecture is, but also whether it can save the world.

The Book of the Year 2019-2020 is the second edition of the exhibition following the opening of the book collection program for the Art Institute's bookstores, selecting nearly 300 books from the new collections throughout the year. The exhibition spans the 1950s and the present, inviting visitors to glimpse the origins of the concept behind the fascinating architectural spaces of the present. The 2/20 Salon will invite two speakers: Yingshu Plateau and Zhao Biyu to come and talk to us about the creative ideas and works of the architect Kazuo Shinohara (1925-2006) and discuss the link between books and the transmission of ideas through the medium of “book”.

To further explore the creative trajectories and key works of the “Double P” duo—Philippe Parreno and Pierre Huyghe—the Winsing Arts Foundation has invited Hsieh Feng-Rong, senior manager at ALIEN Art Centre and former project coordinator for Parreno’s 2017 solo exhibition Synchronicity at Rockbund Art Museum in Shanghai, along with Muchi Shaw, Asia representative of the German gallery Esther Schipper, which represents both Parreno and Huyghe. This conversation invites participants to reflect on the journey from Winsing Art Place to the Taipei Biennial, considering the relational dynamics between people, space, objects, and one another through expert insight, audience dialogue, and the interaction between artworks and their environments.

The Book of the Year 2019-2020 is the second edition of the exhibition following the opening of the book collection program for the Art Institute's bookstores, selecting nearly 300 books from the new collections throughout the year. The exhibition spans the 1950s and the present, inviting visitors to glimpse the origins of the concept behind the fascinating architectural spaces of the present. The 1/23 Salon will invite three speakers: Cheng Hao-Chung, Wu Chengxuan and Chiu Yuanfu to talk about the creative ideas and works of the architect Valerio Olgiati and explore the link between books and the transmission of ideas through the medium of “book”.

The current solo exhibition of Philippe Parreno at Winsing Art Place, organized by the Winsing Arts Foundation, explores the diverse forms of contemporary artistic expression through the lens of relational aesthetics. Featuring six of Parreno’s representative works, the exhibition delves into themes of temporal and spatial dislocation, as well as the blurred boundaries between reality and fiction. In parallel, the Foundation has loaned Pierre Huyghe’s Exomind (Deep Water) to the Taipei Biennial. Both Parreno and Huyghe are key figures in the development of relational aesthetics in the 1990s and have previously collaborated on several works.

The Book of the Year 2019-2020 is the second edition of the exhibition following the opening of the book collection program for the Art Institute's bookstores, selecting nearly 300 books from the new collections throughout the year. The exhibition spans the 1950s and the present, inviting visitors to glimpse the origins of the concept behind the fascinating architectural spaces of the present. The Opening Salon invited eight speakers from the architectural and artistic circles to each bring a selection of books to share their stories and imaginations. THE CONTEMPORARY SALON SERIES WILL RECORD THE PANDEMIC ERA FOR ARCHITECTURAL BOOKS, DESIGNERS WHO LOVE BOOKS AND TAIPEI READERS.

In addition to sensing the frequency of the Earth observation galaxy PSZ2 G099.86+58.45 (z = 0.616), the giant spider web structure on display here invites the viewer through the vibrations of touch. Through this exhibition, the Foundation specially invites choreographer Wang Yeu-Kwn and dancer Lee Yin-Ying to create a collaborative work that uses dance touches to communicate deeply with you in vibration and oscillation and a new chapter of the story.

Hélène Binet is a renowned architectural photographer who has been invited to photograph representative works of many important architects such as Peter Zumthor, Daniel Libeskind, Zaha Hadid, and has been at the Shanghai Power Station of Art) Organizes solo exhibitions. In this talk, Elena Binay will be invited from an early age by Alvin Boyarsky, giving her the opportunity to photograph the works of John Hejduk and the work of the Greek architect Dimitri Pikionis “The Road” Speaking of Path, through her camera: How did such a shooting experience have a profound impact on her creative career? How did the emotional impact of that time become the starting point for the creation that burns and continues to be pursued today?

In addition to sensing the frequency of the Earth observation galaxy PSZ2 G099.86+58.45 (z = 0.616), the giant spider web structure on display here invites the viewer through the vibrations of touch. Through this exhibition, the Foundation specially invites choreographer Wang Yeu-Kwn and dancer Lee Yin-Ying to create a collaborative work that uses dance touches to communicate deeply with you in vibration and oscillation and a new chapter of the story.

“Drawing Ambience (s)” is a special invitation to Professor Zeng and Nicholas Boyarsky, who is also the son of former AA Dean Alvin Boyarsjy, presented at the exhibition “Housing the Friendship Architecture and the Friendship of Books”, review this creation story together and discuss its feedback from today.

Wen Shin Arts and Television worked together to organize “Art is very important - the premiere and talk of “Tse Ying Chun, a People's Building Born from a Tribe”. In addition to the screening of the documentary “The People's Building Born from the Tribe, Hsieh Ying Chun,” the film's owner, Gong Ying Chun, and the documentary's key workers, was invited to speak and interact with the audience.

“About Lightness — Calvino and the Medusa of Dark Dark” is hidden in ritual, history, life, seemingly intangible, visible in text and architecture. From the novelist Calvino's The Invisible City to the architect John Hejduk's Mask of Medusa, how they remain light and hidden, keep details in reality, leave fragmentary memories in their hearts, wander between idleness and wisdom, joy and sacrifice. Map the narrative layer by layer and find the other side. 7/26 The Arts Foundation invites Professor Gong Shu-Chang to talk about “Lightness — Calvino and the Medusa of Blackdeck”, to talk to us about the story of Black Duck architecture, and to the curator of “The Friendship of Architecture and Books”, Zhi Chang-gang, and young generation architecture creators Lin Ying Nien, Chen Yi-chun, Chiu Yuan Talk about it.

6/7 The Winsing Art Place will feature an expert tour of the second series by Curator/Art Critic Emerson Wang, exploring the context of art history, culture and a passionate love for Alicja Kwade, and her background as an artist, and the creation of her work.

On May 24, Winsing Art Place invited Mr. Sung-Chih Chen, an artist who also specializes in mixed-media space devices, to lead the audience to observe the work visually from space and to guide viewers to rediscover the work from the perspective of the creator.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The final scene is “Theme 3: Chimera and Bauhaus - Post-War American Bauhaus+Memory Chimera”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. This scene is “Theme 3: Chimera and Bauhaus - Bauhaus in Berlin”.

Doug Aitken is a contemporary art creator from the United States, known for installation art, photography, sculpture, and performance. He explores a variety of mediums, from film to installation to architecture, regardless of genre definition. In 2017, Doug Aitken became the first winner of the Frontier Art Prize, a new contemporary art award designed to encourage artists to engage in bold works and challenge the boundaries of knowledge and experience to reimagine the humanity of the future.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. This scene is “Theme 3: Chimera and Bauhaus - Bauhaus in Dessau”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. This scene is “Theme 3: Chimera and Bauhaus - Bauhaus in Weyma”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 2: Taiwan Architecture and Bauhaus - Zhang Zhaokang's “The Road to Chinese Architecture” and Bauhaus.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 2: Taiwan Architecture and the Wide Space of Bauhaus-Chen Chi”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 2: Taiwan Architecture and Baohs-Wang Dai Yin Exploring Tradition in the Forbidden Desire of Mies”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 2: Taiwan Architecture and the Development of Architecture in the Early Post-War Bao Haus - Taiwan from Beauty Aid to Big Hat”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 1: Rude and Poetic Post-War Architecture in Taiwan - Modern Chinese Architecture”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 1: Rude and Poetic Post-War Architecture in Taiwan - Rugged Architecture in Taiwan”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 1: Rude and Poetic Post-War Architecture in Taiwan - The Church of Christ and Modern Architecture in Taiwan”.

Co-curated by the Wang Dai Chun Institute for Architectural Research and Preservation and the Cultural Arts Foundation: Boahouse Centennial and First Anniversary of the Death of Mr. Wang Dai-shun Series. Topics include: May｜Rude and Poetic Post-War Architecture in Taiwan, June｜Taiwan Architecture and Bauhaus, July｜Chimera and Bauhaus, Synchronous Impact [The Compromise and Dream of Wang Daei - Documentary Exhibition on the National Father Memorial Museum and Landing on the Moon Monument Project], curated by the National Father Memorial Museum. The theme is “Theme 1: Rude and Poetic Post-War Taiwan Architecture - Modern Architecture in Post-World War II Taiwan”.

Hiroshi Sugimoto currently lives and works between New York and Tokyo. His retrospective exhibitions have been presented at prominent institutions worldwide, including the Hayward Gallery in London, the Ullens Center for Contemporary Art in Beijing, and the Museum of Contemporary Art Australia. He has also held solo exhibitions at leading international museums such as the Metropolitan Museum of Art, MoMA, the Guggenheim Museum, Palais de Tokyo, and the Centre Pompidou—all of which house his works in their collections. Sugimoto’s artistic achievements have been recognized with numerous prestigious awards, including the Royal Photographic Society’s Centenary Medal, the Isamu Noguchi Award, Japan’s Medal with Purple Ribbon, the Praemium Imperiale, the Hasselblad Award, and the Mainichi Art Prize.

Born in 1962 in Paris, France, Pierre Huyghe creates art that spans diverse media, including film, site-specific works, sculpture, and situations. His works are conceived as speculative fiction and often present themselves as continuity between a wide range of intelligent forms, biological, technological, tangible inert matter that learn, modify and evolve. Huyghe has held solo exhibitions at major international art institutions, such as the Punta della Dogana in Venice, the Serpentine Gallery in London, the Metropolitan Museum of Art in New York, the Los Angeles County Museum of Art, the Centre Pompidou in Paris, and Tate Modern in London. He is the recipient of numerous awards and accolades, including the Hugo Boss Prize in 2002 and the Nasher Prize for sculptures in 2017.

The artist won the first prize at the 2012 Hugo Boss Award and entered the Venice Biennale on behalf of Denmark in 2015. His works and various art projects are also exhibited in the Solomon R. Guggenheim Museum in New York City, the Pompidou Centre in France, the Kunstmuseum Basel in Switzerland, M+ in Hong Kong, the Berlin Biennale and the Singapore Biennale, among other large art galleries and exhibitions. He explores the inheritance and construction of cultural conflicts, trauma and values, and addresses issues of history, politics, faith and identity in a poetic way.

Doug Aitken is renowned for his innovative art installations, which employ a wide range of artistic approaches to lead us into a world where time, space, and memory are fluid concepts. In Aitken’s artistic practice, he continuously investigates 21st-century cities and the globalized communication of contemporary life, developing and exploring new understandings of imagery and narrative. Through large-scale billboards, site-specific environments, sound works, photography, sculpture, and immersive video installations, Aitken examines the dislocation of images in time and space, as well as the vulnerability of the individual within the context of large-scale industrial and environmental change.

Nan Goldin has had solo exhibitions at the Stedelijk Museum Amsterdam, the Art Institute of Chicago, Tate Modern in London, and the Museum of Modern Art in New York City. Her work has been featured in major retrospective exhibitions at the Whitney Museum of American Art in New York City in 1996, and the Centre Pompidou in 2001, as well as in major biennials such as the Berlinale, the São Paulo Art Biennial, and the Venice Biennale. Goldin has received numerous awards such as the ArtReview Power 100, Time Magazine's 100 Most Influential People, the Käthe Kollwitz Prize, the Hasselblad Award, the French Order of Arts and Letters, and the Teddy Award at the Berlinale. In 2022, the biographical documentary film “All the Beauty and the Bloodshed”, directed by Laura Poitras, chronicles Goldin's life and work and follows her activist group P.A.I.N. in their fight against the Sackler family, demonstrating the power of art to make a difference in the world.

Ann Veronica Janssens' pieces have been exhibited at the prestigious galleries such as the Musée de l'Orangerie, Paris; South London Gallery; Centre Pompidou Metz; Nasher Sculpture Center, US; Louisiana Museum of Modern Art; Kunsthalle Bern, Switzerland; Neue Nationale Gallery, Berlin; and De Pont Museum in the Netherlands as well as in the Manifesta Biennial in St. Petersburg; the Biennale of Sydney, the Istanbul Biennial and the Sao Paulo Art Biennial. She represented Belgium at the 48th Venice Biennale in 1999 and her works of art have been housed by several internationally renowned galleries.

Hatoum was born in 1952 to a Palestinian family in Beirut. During a visit to London in 1975, The Lebanese Civil War broke out, preventing her from returning and resulting in her living and working for the most part in the UK from that period onwards. Experiencing the cultural shock of a new, foreign country, Hatoum began to feel out of place, and was compelled to re-examine her position as an "outsider". Hatoum's works often draw on her personal experience, while alluding to broader issues of rootlessness, alienation and social unrest. Hatoum's artworks are currently housed in several internationally renowned institutions and have been on display at many major museums and galleries including the Museum of Modern Art, New York; the Hiroshima City Museum of Contemporary Art; the Joan Miró Foundation, and the Ullens Center for Contemporary Art, Beijing. In 2015, her solo exhibition at the Centre Pompidou toured to Tate Modern, London and the Kiasma Museum of Contemporary Art, Helsinki. Her works have also been showcased at Documenta Kassel, the Moscow Biennale of Contemporary Art, the Istanbul Biennial, the Biennale of Sydney, and the Venice Biennale.

Nairy Baghramian was born in Isfahan, Iran, in 1971 and is a member of the Armenian minority. In 1984, she moved with her family to Berlin, Germany, due to political and social circumstances. She once said, "I knew exactly what it means to live in a culture or in a society that culture is almost not existence, my desire was wherever whenever I can be confronted related to art I will take that opportunity." Her upbringing and fluidity of identity is also reflected in her work. For her, sculpture is intimately linked to time, architectural site, body, gender and social context. It is not just an individual entity, but encompasses the experience of the body that is inevitably constrained by its surroundings, a work that speaks of precariousness, aided by external forces to achieve a state of equilibrium, and a metaphor for a relationship of dependence with society.

Miriam Cahn, a lifelong fighter for gender equality, was born in 1949 in Basel, Switzerland, to a Jewish immigrant family with a father who was a dealer in art and antiques and a mother who was a music-loving homemaker. Cahn grew up in an artistic family. From her wall murals in the 1970s to her ongoing series of oil paintings, Cahn embarked on an artistic career in 1976 that saw her translate emotion into the language of painting, her aggressive brushwork and intense colors conveying the artist’s uncompromising response to the social reality around her. Cahn's works are on view in art museums and galleries around the world, including the Centre Pompidou in Paris, the Museo Nacional Centro de Arte Reina Sofía in Spain, the Museum of Modern Art in Warsaw, the Haus der Kunst in Munich and the Sifang Art Museum in Nanjing, among others. Not only did she represent Switzerland at the Venice Biennale in 1984, but her solo exhibition, at the documenta 14 in 2017, have established her reputation as an important figure in contemporary art history.

Born in Tirana, Albania, in 1974, Anri Sala began to make experimental videos during his studies. His work has been collected by many prestigious art institutions and has won numerous awards, including the Hugo Boss Prize nomination in 2002. Sala has had solo exhibitions at major institutions such as the Bourse de Commerce-Pinault Collection, Serpentine Galleries, Centre Pompidou, Centro Botín and Mudam Luxembourg, and has participated in several international film festivals and major biennials such as the Venice Biennale, the São Paulo Biennale, the Berlin Biennale, the Gwangju Biennale, and the Kassel Documenta.

Cruzvillegas has recently held solo exhibitions at the Les Tanneries Contemporary Art Center, France; the Bass Museum of Art, Miami Beach; the Aspen Art Museum; and the Kunsthaus Zürich; and in 2015, commissioned by Tate Modern, London, he showcased "Empty Lot" at the inaugural Hyundai Commission. His artworks have been on display at many major art establishments, including the Musée d'Art Moderne de Paris, the National Museum of 21st Century Art in Rome, the Los Angeles County Museum of Art and the Jewish Museum in New York; he has participated in the Venice Biennale, the São Paulo Biennale, the Kassel Documenta, the Biennale of Sydney, the Sharjah Biennial, the Gwangju Biennale and the Havana Biennial. Cruzvillegas' pieces have been housed by many prestigious art institutions, including the Museum of Modern Art, New York; M+, Hong Kong; Tate Modern, London; the Walker Art Center, etc. He was awarded the 5th South Korean Yanghyun Prize in 2012. He currently lives and works in Paris, France.

Horn's works have been exhibited at an array of institutions, including the Beyeler Foundation, the Museum of Contemporary Art, Los Angeles, the Kunstmuseum Basel, the Dia Center for the Arts, the Pompidou Centre, and the Art Institute of Chicago. Recent exhibitions include ‘Félix González-Torres / Roni Horn’ at the Bourse de Commerce-Pinault Collection, ‘Roni Horn: When You See Your Reflection in Water, Do You Recognize the Water in You?’ at the Pola Museum of Art, and ‘Roni Horn — You are the Weather (Books, Drawings, Photographs)’ at the Kunsthaus Göttingen. In 2009, Tate Modern and the Whitney Museum of American Art hosted ‘Roni Horn aka Roni Horn’, a major retrospective, which later traveled to the Collection Lambert in Avignon. Her work has appeared at the Whitney Biennial, Documenta, the Venice Biennale, and the Biennale of Sydney. She was the recipient of the Joan Miró Prize in 2013 and has received awards from the New York Sculpture Center and the National Endowment for the Arts. Horn currently lives and works in New York.

Born in Algeria, Philippe Parreno studied at the Ecole des Beaux-Arts in Grenoble and at the Institute des hautes études en arts plastiques at the Palais de Tokyo, Paris, and now he lives and works in Paris. His pieces have been collected and exhibited at the Centre Pompidou in Paris, the 21st Century Museum of Contemporary Art in Kanazawa, the Museum of Modern Art in New York, the Musée d'Art Moderne de Paris, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum in New York, Tate Modern, and Serpentine Gallery in London.

Born in Argentina in 1973, he now lives and works in Berlin, Germany. He earned a Master's degree in architecture. In 2001, he went to Germany to study art and in 2009 he joined NASA's International Space Research Program. These interdisciplinary experiences combine creation with aesthetics, architecture, science, and environmental causes in a new balance that no longer separates art and science. Tomás also believes that we should learn and pay attention to the principles of ecology as a system of cohabitation of different cultures and regions, and understand the necessity of the principle of cooperation in the universe in which we live, in order to seek answers for the future survival of the human species.

Born in 1971, South Korean artist Haegue Yang now lives and works in Berlin and Seoul. Yang is adept at using industrial objects such as shutters, heaters and industrial electric fans to create large-scale composite installations. She also adopts traditional straw weaving crafts to connect historical, literary and political issues, creating rich and abstract stories.

Born in 1962 in Jalapa, Mexico, Orozco hails from an artistic lineage that profoundly shaped his upbringing. After completing studies at the Circulo de Bellas Artes in Madrid, Spain, in 1987, he embarked on a nomadic lifestyle, which greatly impacted his artistic practice. Orozco once presided over the Taller de los Viernes (Friday Workshop) from 1987 to 1992, which served as a central hub for artists to discuss art and creativity. He held his first solo exhibition in 1983 and has since showcased his works in prestigious venues such as the Museum of Contemporary Art in Los Angeles, the Serpentine Galleries in London, the Palacio de Bellas Artes in Mexico City, and the Solomon R. Guggenheim Museum in New York. From 2009 to 2011, Orozco was the focal point of major retrospective exhibitions held at prominent institutions such as the Museum of Modern Art in New York, the Kunstmuseum Basel in Basel, the Centre Pompidou in Paris, and the Tate Modern in London. His contributions to the art world have been recognized with numerous awards, and he has been a frequent participant in prestigious international exhibitions such as the Venice Biennale and Documenta in Kassel.

Born in Seoul, Korea in 1977, Kang studied the course of oriental painting at Ewha Womans University, and she graduated from the Painting Department of Royal College of Art in London in 2012. Kang's works have been collected by the Los Angeles County Museum of Art, the Contemporary Art Museum of Luxembourg, the Walker Art Center, and the Leeum, Samsung Museum of Art, and they have been exhibited at the Contemporary Art Museum of Luxembourg, the Institute of Contemporary Art in Philadelphia, the Museum of Contemporary Art Chicago, and the Buk Seoul Museum of Art. She participated in the Venice Biennale, Gwangju Biennale, and Liverpool Biennial. Kang is currently teaching in the Department of Korean Painting at Ewha Womans University.

Kwade was born in Poland in 1979. She moved to West Germany with her family later and graduated from the Berlin University of the Arts in 2005. Currently, she lives and works in Berlin. Her most famous work is the large-scale sculpture named "WeltenLinie", which was shown in 57th Venice Biennale 2017. Two-way mirrors and pairs of objects intentionally placed were used to compose the installation. When visitors walk through its steel structure, the objects in it will jump out from the framework of reality and move to the framework of the work while being observed in different angles of view, which may be a revolution to the way visitors adopt for reading and understanding the objects contained in the work. In 2019, Kwade's works have also been exhibited at the Roof Garden of the Metropolitan Museum of Art and in Setouchi Triennale 2019. They are now collected by some renowned art museums, including Centre Pompidou, Los Angeles County Museum of Art and Boros Collection / Bunker Berlin.

Courtesy of the artist and Galerie Chantal Crousel, Marian Goodman Gallery, Hauser & Wirth, Esther Schipper, Taro Nasu and Anna Lena Films. Photo credit © Pierre Huyghe

Courtesy of the artist; Galerie Chantal Crousel. © PIerre Huyghe. © ANPIS FOTO

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo © Jiayun Deng

Courtesy of the artist and Marian Goodman Gallery. Photo © Gerardo Landa

Courtesy of the artist and White Cube. Photo © Gerardo Landa & Eduardo Lopez - GLR Estudio

Photo © Gabriel Orozco and White Cube (Gerardo Landa Rojano)

© Mona Hatoum. Photo @White Cube (Theo Christelis)

Photo © Nick Ash

Image courtesy of the artist and kurimanzutto, Mexico City / New York. Photo by Gerardo Landa Rojano, 2020.

Photo ©Hiroshi Sugimoto, Courtesy of Lission Gallery

Courtesy the artist and Esther Schipper, Berlin. Photo © Andrea Rossetti

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Courtesy of the artist and Kukje Gallery

© Mona Hatoum. Photo @White Cube (Theo Christelis)

© Mona Hatoum. Photo @White Cube (Theo Christelis)

Photo © Cathy Carver

Exhibition view at Winsing Art Place / Courtesy Winsing Arts Foundation Photo © ANPIS FOTO

Courtesy of the artist

Courtesy of the artist and Marian Goodman Gallery

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo © Florian Kleinefenn

Roni Horn, Courtesy the artist and Hauser & Wirth

Courtesy Winsing Arts Foundation. Photo © ANPIS FOTO

Photo credit: Hiroshi Tanigawa+Takashi Uemura

Courtesy the artist and Esther Schipper, Berlin. Photo © Andrea Rossetti

Vistas de instalación de Jardín con palomas al vuelo, Estancia FEMSA – Casa Luis Barragán, 10 denoviembre, 2018 – 13 de enero, 2019.

Photo: Chunho An. Image provided by Kukje Gallery

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Courtesy of the artist and Kukje Gallery

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Sebastiano Pellion di Persano

Courtesy of the artist and kurimanzutto, Mexico City / New York. Photo © Gerardo Landa Rojano

Courtesy of the artist and Marian Goodman Gallery. Photo © Cathy Carver

Courtesy the artist and Esther Schipper, Berlin. Photo © Andrea Rossetti

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Florian Kleinefenn

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Florian Kleinefenn

Courtesy of the artist and Marian Goodman Gallery. Photo © Alex Yudzon

Courtesy Winsing Arts Foundation. Photo © OS Studio

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Florian Kleinefenn

Photo © Doug Aitken, courtesy 303 Gallery, New York; Victoria Miro Gallery, London; Galerie Presenhuber, Zürich; Regen Projects, Los Angeles

Photo ©Hiroshi Sugimoto, Courtesy of Lission Gallery

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : James Ewing

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Anders Sune Berg

Photo: Sebastiano Persano di Pellion. Image provided by Kukje Gallery

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Nan Goldin Studio courtesy the artist and Gagosian

Courtesy of the artist and Marian Goodman Gallery

Courtesy the artist and Esther Schipper, Berlin. Photo © Andrea Rossetti

Courtesy of the artist and Marian Goodman Gallery. Photo © Alex Yudzon

Courtesy Winsing Arts Foundation Photo © ANPIS FOTO

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Sebastiano Pellion di Persano

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Sebastiano Pellion di Persano

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Sebastiano Pellion di Persano

Image courtesy of the artist and kurimanzutto, Mexico City. Photo by Alessandro Wang.

Photo © Florian Kleinefenn

Courtesy of the artist and kurimanzutto, Mexico City / New York. Photo © Gerardo Landa Rojano

Courtesy of the artist and kurimanzutto, Mexico City / New York. Photo © Gerardo Landa Rojano

Courtesy of the artist and kurimanzutto, Mexico City / New York. Photo © Gerardo Landa Rojano

Courtesy the artist and Esther Schipper, Berlin. © VG Bild-Kunst, Bonn, 2021. Photo © Andrea Rossetti

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo : Florian Kleinefenn

Roni Horn, Courtesy the artist and Hauser & Wirth

Nan Goldin Studio courtesy the artist and Gagosian

Courtesy of the artist and Galerie Chantal Crousel, Paris

Courtesy of the artist and Galerie Chantal Crousel, Paris. Photo © Jiayun Deng

Photo by Sangtae Kim, courtesy of the artist and Commonwealth and Council, Los Angeles

Courtesy of the artist and Galerie Chantal Crousel, Paris. @Sebastiano Pellion di Persano

Roni Horn, Courtesy the artist and Hauser & Wirth

Courtesy of the artist and Marian Goodman Gallery. Photo © Cathy Carver

Courtesy of the artist and Marian Goodman Gallery. Photo © John Berens

Courtesy of the artist and Marian Goodman Gallery. Photo © Cathy Carver

Courtesy of the artist and Marian Goodman Gallery. Photo © John Berens

Courtesy Winsing Arts Foundation Photo © ANPIS FOTO

Courtesy of the artist and Marian Goodman Gallery

Courtesy of the artist and Marian Goodman Gallery

This book offers an in-depth exploration of AS YOU GO, which is also featured in Winsing Art Place. The work is composed of music and moving image, bringing together several of Sala’s most important recent video works, including Ravel Ravel, Take Over, and If and Only If. Specifically conceived for the Castello di Rivoli, the installation employs complex mechanisms and technologies to project the videos onto the museum’s distinctive walls. The exhibition unfolds like a “parade,” with flowing images and multiple narratives that, over time and through the extension of space, seek to provide viewers with an immersive experience of heightened emotion and synesthetic impact.

At the beginning of 2020, Ann Veronica Janssens held her first large-scale solo exhibition in the Nordic region, Hot Pink Turquoise, at the Louisiana Museum of Modern Art in Denmark. From works of the 1990s to more recent pieces, the exhibition spanned nearly 30 years of the artist’s creative career, and at the same time presented new works made for this exhibition.

Black Mat Oriole showcased many of Kang’s representative works, including the Jeong, Mat, Legs, Heavy Round, and Warm Round series, as well as Moras on the Black Mat. Kang extends the notion of “painting” into multiple forms: these sculptures, installations, and paintings are created in corresponding proportions, enabling them to be stacked and arranged into movable towers, windows, and platforms.

Kazuo Shinohara: 3 Houses analyzes three of the most representative residential works of Shinohara: House in White, 1966, House in Uehara, 1976, and House in Yokohama, 1984, by redrawing floor plans in the same proportion as the original design, never published design manuscripts and valuable photographic records left at the time of construction, along with Discussions and interviews reveal the positioning of these three homes in Shinohara's architectural career and provide a new perspective on their unique design approach. The book was declared out of print shortly after its publication in 2019, proving its value.

Louis Kahn and Venice: The Project for the Palazzo dei Congressi and the Biennale Building, was published in conjunction with an exhibition of the same name held in 2018 at the Mendrisio Institute of Architecture (USI), a collection of architecture from the University of Pennsylvania in Philadelphia Archive, Quilini Stamparia Foundation, Venice ( A never-before-released archive of architectural drawings, manuscripts, and documents from organizations such as the Fondazione Querini Stampalia and the Canadian Centre for Architecture (CCA), leads readers to explore the traces of this lagoon-like city from 1968 to 72, combining Venice's deep architectural tradition with its hopes for the future. Take a new look at the city with a lot of thought.

OFFICE Kersten Geers David Van Severen Vol.1, 2 & 3 is a three-volume collection of works, sequentially collected from the Brussels office co-founded by Kesson Giles (1975-) and David Van Severen (1978-): OFFICE KGGS DVS works spanning 15 years of architectural practice. This volume is the most comprehensive compilation of his work to date, covering architectural models, drawings, and architectural photography and essays by collaborators such as renowned architectural photographer Bas Princen and curator Giovanna Borasi.

Pezo Von Ellrichshausen: Exterior for Chilean-Argentine architect couple Mauricio Pezo (1973-) and Sofia von Ellrichshausen, 1976-, shared studio at Galerie Solo, Paris in 2017 Painting Exhibition Catalogue. “Exterior” is a series of paintings depicting local areas of a building space in an oil larger than the size of the body, evoking a spatial memory that seems to be familiar but incomplete, and even extends the imagination to the space outside the painting.

In 2017, Philippe Parreno transformed the Turbine Hall with the exhibition Anywhen, creating an immersive experience that responds to the architectural space and challenges the audience’s perception of time and space. The exhibition revolves around six key themes—Time, Bioreactor, Space, Sound, Cinema, and Floating Fish—engaging in a ripple of interactions. The Bioreactor is placed in a room adjacent to the Turbine Hall. A weather station on the museum’s roof transmits outdoor data such as wind speed, temperature, and light to the Bioreactor. Each variation in the data affects the fermentation of the yeast inside the Bioreactor, and a computer program uses these changes in fermentation to control activities occurring in the exhibition space. These include the rhythm of the Marquee lights, images projected on screens, sounds reverberating through the space, and the floating fish suspended in the air.

The Difficult Whole: A Reference Book on the Work of Robert Venturi, John Rauch and Denise Scott Brown by Kersten Geers (1975-), Jelena Pančevac, 1984-, and Andrea Sandrigo Zanderig, 1974-) Three young architects have organized and gathered together 28 architectural works designed by 1991 Pulitzer Prize winner, American architect Robert Van Jolly (1925-2018) and his architectural firm partners. The book contains an introduction to works written by three architects, contemporary photographs Architectural images redrawn like records and redrawn by students participating in research programs juxtapose Van Jouly's architectural theory and decades of design practice in a variety of ways.

The 2008 work Answer Me used the acoustic properties of a dome building constructed by the U.S. National Security Agency in West Berlin during the Cold War to stage the breakdown of a romantic relationship. A woman repeatedly says “Answer me,” yet fails to move the man playing drums, suggesting an impossible dialogue while also expressing the deterioration of hostility in the relationship, and the rupture of space and time. The video work Long Sorrow depicts an African American jazz saxophonist improvising outside the window of a high-rise building on the outskirts of Berlin; as the tension of the music builds, the scene concludes with an image of a plane seemingly about to crash into the building, a metaphor for the state of society. For this exhibition, Sala also specially arranged for the saxophonist to perform live in the gallery, intertwining and dislocating time and space between the performance and the work.

Since 2000, Tate Modern Turbine Hall has exhibited many large-scale contemporary art installations and works. Beginning in 2015, the gallery collaborated with Hyundai Motor, opening the first Hyundai Commission. Abraham Cruzvillegas was the first Hyundai Commission artist to create on-site in the Turbine Hall.

Since the late 1990s, Valerio Olgiati has been regarded as one of Switzerland's most independent and outstanding representative architects. His works include the School Building Paspels, 1998, Das Gelbe Haus, 1999, the Visiting Center Swiss National Park, 2008, and proposals to participate in the National Palace Museum Taiwan, 2004. Collected publications about Ogiati include 14 Student Projects with Valerio Olgiati 1998-2000, limited edition books such as Valerio Olgiati: One Percent Drawings (Valerio Olgiati PLAN 1:100), a limited edition of 500 copies.

Published by the Museum of Modern Art in Warsaw, the book Miriam Cahn: I As Human explores Miriam Cahn’s work from multiple perspectives, including those of art historians, critics, and philosophers, while also focusing on the 2019 traveling solo exhibition Miriam Cahn: I As Human held at the Museum of Modern Art in Warsaw.

Vilanova Artigas was written by the architect's daughter, historian Rosa Artigas, and published in 2015. Originally published in Portuguese, the collection has a rarer English version and is now out of print. The book lists 43 extant works by the important Brazilian modernist architect Atigas, including representative works such as the “Santa Paula Yacht Club”, which depicts the silhouette of steel structural contacts on the cover, and varies by individual houses, apartments, schools, commercial spaces, urban plans, etc. Architectural uses, arranged in chronological order, with building drawings, hand drawings, and photographic records left from different eras.

Log 31: New Ancients is an independent journal on architecture and contemporary cities, founded in 2003 by renowned architectural critic and editor Cynthia Davidson (1952-). It is an independent journal on architecture and the contemporary city. It publishes three issues a year, focusing on commentary in the form of text, with the intention of opposing visual media. SEDUCTION WHILE FOCUSING ON THE RELEVANT CORE THINKING OF BUILDING PRODUCTION. The 31st physical book of the collection, published in the spring and summer of 2014, now out of print and very rare, offers the possibility of exploring contemporary contexts as “history,” with particular emphasis on the combination of traditional antecedents with new techniques, and interesting writing by architects, artists and critics. Lead readers to rethink the dialogue between architecture and history.

Drawing Papers 114: Lebbeus Woods, Architect was published in conjunction with a 2014 touring exhibition of the same name at The Drawing Center in New York. American architect Levius Wootz (1940-2012) is widely recognized not only in architectural design, but also in film, design and art. This exhibition explores the political, formal and cultural issues in its spatial thinking through more than 100 architectural drawings, sketches, and models spanning 35 years.。

Junya Ishigami: Hoe kleine? How Vast? How Architecture Grows is a 25.6 x 36 cm large exhibition catalogue with Japanese architect Ishikamai Junya (1974-), published in the Arc en rêve centre d'architecture, France, from 2013 to 14, including Restaurant with distant views), “Residence by the Pool” (Pond) and House) Light, dreamy architectural concepts such as the exhibition site are combined with text from the model photographs of the exhibition site to present ideas of space full of fairy-tale colors and logical constrictions.

Published in 2014, Aires Mateus: Casa em Melides presents a solo design by the important contemporary Portuguese architect, Iris Mateus (1963-), completed in 2013, using pure architectural line drawings and infectious black and white photography The shadow conveys the simple and complete dialogue between the dwelling on the hill and the terrain and the sea view. A limited edition of 1,000 copies, the collection is No. 910, and it is of great collection value.

Haus-Rucker-Co: Architectural Utopia Reloaded was published as part of an exhibition of the same name held between 2014 and 2015 at Berlin's important contemporary art centre — the Haus am Waldsee, Archive and interview review Haus, a pioneering design group based in Vienna -Rucker-Co (HRC) has a decade-long history of creating in response to concerns about environmental pollution and disasters in the 1970s. HRC presented its famous series of works including interactive masks “Mind-Expander” and “pneumatic air-structures” to Thomas Saraceno (Tomi) Contemporary artists such as Saraceno) have made a huge impact.

The City in the City - Berlin: A Green Archipelago is arguably the most mysterious and compelling of the many architectural proclamations of the late 20th century called “the city”, documented in 1977 by Angus, a professor of architecture at Cornell University in the United States. O.M. Ungers, 1926-2007) Led by Rem Koolhaas, 1944 ~) An inside team, in the manner of a summer school camp, proposed an emergency design plan for the city of West Berlin, which was in serious decline due to the Cold War. His work was originally compiled into a German-language booklet, which was restudied and reorganized in 2013. In addition to the earlier manuscripts and documents collected from the Declaration, it also contains many notes and illustrations that were never disclosed at the time.

Dogma: 11 Projects documented the Dogma Studio, led by Pier Vittorio Aureli, 1973~ and Martino Tattara, 1976~, at the London Architectural Union in 2013 An exhibition of the same name, organized by the College (AA), includes 11 works that have been dedicated to creating works by the studio combining architectural painting and text since 2002 Major projects such as “Ramones” were included in the 2011 competition proposals for the Taichung Railway Park, including major projects such as “Ramones”.

San Rocco 6: Collaborations, a subsidiary architecture magazine, San Rocco, was founded during the 2010 Venice Architecture Biennale, originally set to run for five years. It was expected to publish three issues of a magazine with different themes each year, targeting various types of architectural works, drawings, or The ideas represented by the painting were submitted to the competition, including Kersten Geers, Pier Vittorio O'Reilly. Famous architects, critics, and theorists such as Vittorio Aureli and Irénée Scalbert have all published articles in the magazine. The 6th issue is themed “Collaboration”, which describes the characteristics of architecture as a collective knowledge that combines the power of people, and is woven into the field of lateral cooperation and dialogue across the ages. It has also been chosen as “the most beautiful house in the world”, which is widely loved by many creators. The “Casa Malaparte” stands out as a cover symbol.

The Ballad of Sexual Dependency series is a work that evolved from a slideshow format and is also politically engaged, addressing issues of gender politics and violence. Picnic on the Esplanade, Boston (1973) is a photograph of friends Goldin met in Boston having a picnic. This work is regarded as a declaration of Goldin’s future achievements, serving as a prelude to The Ballad of Sexual Dependency series.

Wang Shu: Imagining the House reveals the process of 2012 Pulitzer Prize winner and Chinese architect Wang Qian (1963-) developing a design using hand-drawn architectural drawings to reproduce the original scale manuscript including “Xiangshan Campus of the Chinese Academy of Art” (Xiangshan Campus, China Academy of Art 2004-2007), “Ningbo History Museum” (Ningbo History) The paper design process of six important architectural works, including Museum, 2003-2008), accompanied by photographic records from the base site as a reference for the architect's atmospheric study.

2G No.58/59 Kazuo Shinohara: Houses covers 23 residential buildings designed by Japanese architect Kazuo Shinohara (1925-2006) from the 1960s to the 1980s, in addition to complete architectural drawings, articles written by former employees and colleagues In addition, this edition of 2G, published in 2011, contains photos of life scenes from the past that are rare in Shinobara's collection of works, as well as from the past as an architect. Calm, precise architectural photography released under tight control reveals an unmistakable atmosphere and vitality.

Parliament Entrance Chur - Auditorium Weber Plantahof Landquart consists of two booklets containing two works by Valerio Olgiati: one for the first building he designed in the Grisons, leading to the Council of Cours. The new corridor of the association, which was awarded the Bronze Rabbit Award for “Best Swiss Architecture 2010”. The other is Weber Auditorium at the Plantahof Agricultural School in Landquart. Its support structures present challenges for architects and civil engineers alike. The hardcover booklets were specially coated and electroplated and published in German, Italian and Roman editions for a series of publications by the Glaubinden Building Department.

2G No.54 João Vilanova Artigas is an extremely rare edition of the important Spanish architecture magazine “2G” series, presenting the architectural creations of Brazilian architect João Villanova Artigas (1915-1985) of various functions and dimensions, including residential Home, station and campus design, etc. A paper by renowned architectural critic and historian Kenneth Frampton (1930-) describes the profound influence that Attigas and his participation in the foundational saulism (also known as The School of São Paulo) had on modernist architecture in South America.

In 1993, Gabriel Orozco presented his first solo exhibition at New York’s MoMA, Projects 41: Gabriel Orozco. Among the works shown was Home Run, realized in collaboration with local residents who were asked to place oranges on their windowsills for the duration of the exhibition. In this way, the work extended beyond the walls of the museum—viewers could continue to encounter it even after leaving the galleries—breaking down the boundaries of the “space of viewing.” The exhibition as a whole reflected Orozco’s enduring interest in immediacy, objects, and their relationship to the surrounding environment. Sixteen years later, in 2009, Orozco returned to MoMA with a major retrospective, presenting sculptures, installations, photographs, paintings, and drawings from the 1990s through more recent years. The exhibition subsequently traveled to Kunstmuseum Basel, the Centre Pompidou in Paris, and Tate Modern in London.

Through the Canvas: Architecture Inside Dutch Paintings documents a residential design camp conducted by students from the Department of Architecture at the University of New South Wales (UNSW), an important contemporary Spanish architect group, Flores & Prats Arquitectes. Analyzing the work of the seventeenth-century Dutch painter Pieter de Hooch, 1629-1684, the book combines the spatial composition of parallel walls and wall openings with twentieth-century Dutch architects Gerrit Rietveld and Aldo van Eyck. van Eyck) links to the architectural works of others. The book has not been published since 2008 and is a rather rare collection.

Since the late 1990s, Valerio Olgiati has been regarded as one of Switzerland's most independent and outstanding representative architects. His works include the School Building Paspels, 1998, Das Gelbe Haus, 1999, the Visiting Center Swiss National Park, 2008, and proposals to participate in the National Palace Museum Taiwan, 2004. Collected publications about Ogiati include 14 Student Projects with Valerio Olgiati 1998-2000, limited edition books such as Valerio Olgiati: One Percent Drawings (Valerio Olgiati PLAN 1:100), a limited edition of 500 copies.

Cedric Price: The Square Book is a 2003 reissue of Cedric Price: Works II. The book is the second edition of the AA Architecture School's Works series, originally published in June 1984 for an exhibition organised by the British architect, Sir Alvin Boyarsky, who was invited by Alvin Boyarsky, president of the London Architectural Association (AA), in June 1984. The book includes significant works from the firm's inception in 1960, including conceptual and construction projects such as The Fun Palace, Potteries Thinkbelt, and Zoo Aviary in London, as well as other little-known projects and works. Currently, both 1984 and 2003 versions are out of print.

Herzog & de Meuron: Natural History with the Canadian Centre for Architecture (CCA) from 2002-2003 focused on Jacques Herzog, 1950- and Pierre de Meuron., 1950-) Architectural creation under the leadership and its The accumulated design archive compares, analyses, and collates these materials with art collections from different eras and cultures, revealing the mysterious moments in which their architecture transforms matter into spatial meaning.

The Charged Void: Architecture is the first comprehensive set of seminal works detailing the legendary careers of British architects Alison & Peter Smithson, one of the ten founders of Team X, released in 2001 and 2005. The line's “Architecture” and “Urbanism” are two volumes. The first volume, personally selected by the architect, includes more than 125 significant spatial works in his 50-year design career, including The Golden Lane Residential Landscape (1952), Sheffield University Building (1953), and The Economist Building (1959-1964); and “Urbanism” focuses on projects involving its participation in urban architecture and public space planning throughout the region, showing Detailed observations and insights into large-scale urban movements.

The student's architectural design is the work produced during the practice. Nevertheless, in addition to presenting the rigors of the craft learning process, these works also witness teachers and students pursuing meaningful development in architectural subjects together. 14 Student Projects with Valerio Olgiati: 1998-2000 contains proposals for works directed by Valerio Olgiati when Valerio Olgiati was a visiting professor at the Federal Institute of Technology (ETH) in Zurich between 1998 and 2000. From here you can see the unique teaching philosophy of Ogiati, and the students mentioned in the book include many outstanding architects who have become the next generation.

Kazuo Shinohara, the last collection of works authored by Japanese architect Shinohara (1925-2006) before the death of Japanese architect Shinohara (1925-2006), includes 55 pieces of architecture from private residences to museums, including multiple pages of 1:1 repetition, including a 1:1 scale, from private residences to museums. Architectural hand-drawings show their rarely exposed thought tracks. The four “styles” defined by Shinobara in the book serve as a categorical basis for his architectural career explorations of traditional Japanese architecture, complex modern cities, and mechanical and geometric spaces, and reveal the arguments between his inner thoughts and the external environment through architectural drawings and post-completion photographic records, Conflict and reconciliation.

The Manhattan Transcripts are a series of theoretical drawings created between 1976 and 1981 by the Swiss/French architect and educator Bernard Tschumi, 1944. Through architectural drawings, it transcribes imagined events that take place in a real New York location, exploring three overlapping, conversational, and contradictory levels of architectural space, human movement, and events that form the basis of Notation as a creative method. The collection is part of the 1994 special architectural exhibition “Beginning/Bernard Tschumi: Architecture and Event” at the New York Museum of Modern Art (MoMA), accompanied by a revised edition of the collection at the Architectural Union Academy (AA) in London. An excerpt of the keynote lecture, accompanied by a colored graphic version.

In addition to the 2020 exhibition “Housing the Friendship”, a collection of several related publications by Czech-American architect and educator John Hejduk, 1929-2000, including the first volume Mask of Medusa (1985), is a collection of books from the book store. The series, “Bovisa” (1987) and “Berlin Night, 1993).

Condemned Building: An Architect's Pre-Text is a collection of conceptual architecture published in 1993 by the American architect Douglas Darden (1951-1996), which presents 10 unbuilt theoretical projects incorporating psychodramatic drama Texts, architectural drawings and model photographs create a rhetorical fabled architecture, including” Works such as “Museum of Impostors”, “Clinic for Sleep Disorders”, etc.

The Osaka Follies, published by the London Architectural Union Academy (AA) in conjunction with the 1991 exhibition, reviews The International Garden and Greenery Exposition, organized by Japanese architect Arata Isozaki, 1931-, the year before (1990), which was invited to the conference. Several architects from the Architectural Alliance College System were invited to design the on-site exhibition Courtyard. The book presents architectural drawings, models, and still photographs from teams including Architekturbüro Bolles-Wilson, Zaha Hadid, Gigantes and Zenghelis.

The Artless Word: Mies van der Rohe on the Building Art, author and architectural theorist Fritz Neumeyer, 1946-, has taught at the Technical University of Berlin, Princeton University, and others through his work on Smith To examine the manuscripts, notes and collections that have been left behind to try to recreate their spiritual world and creative vision, Understand the key information behind the creative thinking behind building. The book impressed many reviewers of Miss' work. The original German edition was published in 1986 and the collection was published in 1991 by the Massachusetts Institute of Technology (MIT), which is now out of print and a difficult book, but the simplified Chinese version is still in circulation.

Western Objects Eastern Fields: Recent Projects by the Architekturbüro Bolles Wilson was published in 1989 as a solo exhibition organized by the Architekturbüro Bolles Wilson, London Architectural Union College (AA), covering architectural drawings, modeling, A wealth of materials such as type and spatial photography, exhibited at Peter Wilson ( Led by Peter L. Wilson, 1950- and Julia Bolles, 1948-, they covered architectural practices and proposals across Europe and the East West of Japan, and recorded an introduction written by Japanese architect Toyo Ito, 1941. The book is also the 12th installment in the Building Alliance College's Mega series.

In addition to the 2020 exhibition “Housing the Friendship”, a collection of several related publications by Czech-American architect and educator John Hejduk, 1929-2000, including the first volume Mask of Medusa (1985), is a collection of books from the book store. The series, “Bovisa” (1987) and “Berlin Night, 1993) is a valuable non-fiction book, one of the three volumes mentioned in Vladivostok.

In addition to the 2020 exhibition “Housing the Friendship”, a collection of several related publications by Czech-American architect and educator John Hejduk, 1929-2000, including the first volume Mask of Medusa (1985), is a collection of works from the book of the book “Mask of Medusa, 1985” Series, Bovisa (1987), Berlin Night, 1993) and valuable non-fiction books such as The Riga Project, 1989. Project Riga is a catalogue of exhibitions held by Black Duck from November 20 to December 22, 1987 at The University of the Arts, Philadelphia's Rosenwald-Wolf Gallery and Hall. It documents the construction process of Black Duck's design manuscript and two special structures.

Housing the Airship is a 1989 book by the London Building Alliance College (AA) that provides an overview of the location and construction process of the European Ship Shelter, and was given to the Cooper Union of New York before the death of the then AA President Alvin Boyarsky, 1928-1990 John Hejduk, Dean of the School of Architecture (1929-2000), was the last relic in the tradition of books that had been giving each other for many years. Roughly half a century after the ships went down in the late 1930s, the book leads readers to revisit the history of the ship fleet and describe in detail the extremely creative spaces and structures built to fulfill the enormous functions of aircraft docking, takeoff, landing, and more.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the thirteenth series of “The Blue Box” (Blaubox), created by Blue Sky Group (Coop Himmelb (l) au).

In addition to the 2020 exhibition “Housing the Friendship”, a collection of several related publications by Czech-American architect and educator John Hejduk, 1929-2000, including the first volume Mask of Medusa (1985), is a collection of works from the book of the book “Mask of Medusa, 1985” Series, Bovisa (1987), Berlin Night, 1993) and valuable out-of-print books such as Riga (Riga, 1988). BLACKDOCK BELIEVES IN THE POWER OF ARCHITECTURE TO INFLUENCE THE SPIRITUAL WORLD — NOT JUST THE BUILDING ITSELF, BUT ARCHITECTURE-RELATED DRAWINGS, PHOTOGRAPHS, AND PAINTINGS CAN BE CONSIDERED INDEPENDENTLY AS ARCHITECTURE. Since the 1980s, Black Duck's work has been frequently exhibited in universities and art galleries around the world, with many installation types being actually built in different countries and generating dialogue with society. The collection of the Book of Arts and Sciences is not only the book itself, but a complete collection of the Dark Arts building.

Bovisa is a district in the city of Milan, where Black Doc designed an angel's “sanctuary” with various elaborate facilities, such as crosses, stone throwers, buildings full of spikes, and more. Simple drawings with a white background and black lines create an eerie atmosphere, magical and charming in strokes. Believing in the power of architecture to influence the spiritual world, John Hardack uses painting to convey the deep connection between architecture and human spiritual pursuits to advance the creative frontier of architecture.

Louis I. Kahn: Complete Work 1935-1974 began with a catalogue of architectural exhibitions held at the Federal Polytechnic Institute in Zurich in 1969 by the Estonian-American architect Louis Kahn (1901-1974). The first edition of the book was officially published in 1977 and a second edition was added a decade later. The collection was republished in 1994. Printed second edition. The book selects 1,700 architectural drawings from Kang's collection of approximately 24,000 paintings in Philadelphia. It creates a chronological list of architectural lives and works that strives to fully represent the multiple meanings of his work, from manuscript to construction.

The Collapse of Time And Other Constructions, chronicled in the autumn of 1986 at Bedford Square, London's Union College of Architecture, along with the exhibition “The Harder”, was co-built by the school student, a temporary memorial building designed by Black Duck — The Collapse of Time The process is also the second edition of the AA Architecture Institute's “Text” series of publications. The collection was presented to the bookstore by Nicholas Boyarsky, son of former AA Dean Alvin Boyarsky, who led the exhibition “Friendship of Architecture and Books” in 2020, with a commemorative title.

Victims, along with publications from the 1986 London Union Institute of Architecture (AA) exhibition, included John Hejduk's artwork at the 1984 German International Architecture Exhibition (IBA), redesigning plans to redesign King Albert, who served as a security base for the World War II era for the World War II era. In the Prinz-Albert-Palais, Black Duck has planted 67 “character” buildings that combine gardens and transport to transform them into a narrative space that plays out over time. The book is aimed at the AA School of Architecture for “crossing the gap between physical and conceptual architecture.” The first series of publications in the Concept Text series.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the eighth series of La Case Vide — La Villette by Bernard Tschumi.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the sixth volume of 21 Years-21 Ideas by Peter Cook.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the fifth volume of Understanding the House (FIN D'OU T HOU S) by Peter Eisenman.

In addition to the 2020 exhibition “Housing the Friendship”, a collection of several related publications by Czech-American architect and educator John Hejduk, 1929-2000, including the first volume Mask of Medusa (1985), is a collection of books from the bookstore. The series, “Bovisa” (1987) and “Berlin Night, 1993) and other valuable out-of-print books. Mask of Medusa was a collection of works by Black Duck from 1947 to 1983.

Lebbeus Woods: Origins is a 1985 invitation by the American architect Libius Woods (1940-2012) by Zaha Hadid, who was then Dean of the London Alliance College of Architecture (AA) under Alvin Boyarsky. Publications at the time of the exhibition, in a large format frame of 35.5 x 27.8 cm, become an important exhibition publication series of the 80's Building Alliance College” Series 2 in Mega. The book contains nearly 50 architectural drawings and drafts created by Wootz, and unfolds around his five paper architectural proposals, showing a creative stance that views images on paper as a concept in itself, rather than just architectural illustrations or reproductions of ideas.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the fourth volume of Bridgebuildings+The Shipshape by Peter L. Wilson.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the third volume of Around the Shadow Line - Beyond Urban Architecture by Franco Purini.

In addition to the 2020 exhibition “Housing the Friendship”, a collection of several related publications by Czech-American architect and educator John Hejduk, 1929-2000, including the first volume Mask of Medusa (1985), is a collection of works from the book of the book “Mask of Medusa, 1985” Series, Bovisa (1987), Berlin Night, 1993) and valuable nonfiction books such as John Hejduk: Vier Entwürfe, 1983. BLACKDOCK BELIEVES IN THE POWER OF ARCHITECTURE TO INFLUENCE THE SPIRITUAL WORLD — NOT JUST THE BUILDING ITSELF, BUT ARCHITECTURE-RELATED DRAWINGS, PHOTOGRAPHS, AND PAINTINGS CAN BE VIEWED INDEPENDENTLY AS ARCHITECTURE. Since the 1980s, Black Duck's work has been frequently exhibited in universities and art galleries around the world, with many installation types being actually built in different countries and generating dialogue with society. The collection of the Book of Arts and Sciences is not only the book itself, but a complete collection of the Dark Arts building.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals. The book is the second series of “Planetary Architecture Two” by Zaha Hatti.

The Folio is an important and representative series of publications from the London Architectural Union College (AA) in the 1980s, such as the 1983 first volume, Chamber Works: Architectural Meditations on Themes from Heraclitus, not only of Polish origin Daniel Libeskind, American architect 1946-) For the first time in a major gallery, the record shows of its extremely abstract drawings also influenced the architectural circle's conception of spatial cartography. The “Collection” series prioritizes the next generation of creators such as Ribeskin, Zaha Hadid, 1950-2016, and an attitude of drawing experimentation continues throughout the series that accompanies the exhibition. Each series is limited edition, packed in black paper boxes and printed on the pages In a special 32 cm wide material, the drawings are kept in bulk as a portable exhibition, in addition to reading and introductory text manuals.

The Blue Book — My Project 1981 (Il libro azzurro - I miei progetti 1981) was co-published by the 1990 Pulitzer Prize for Architecture, Italian architect Aldo Rossi (1931-1997) in 1983 and the gallery manager who exhibited his paintings — Jamileh Weber, framed in a 16 x 27 cm notebook, divided into two books. The booklet completely replicates 48 drawings from Rossi's book, covering drafts of many important works such as The Venetian Theater, San Cataldo Cemetery, and The Monument to the Resistance in Cuneo; the booklet is surrounded by original drawings. Handwritten text is compiled and translated into German, English, French, etc.

AA Files 1 is a series of on-campus journals published in 1983 by Alvin Boyarsky, the former Dean of the London Building Alliance College (AA), and featuring events such as architectural news, tours, and painting exhibitions around the College. Help us to become an event that gathers and promotes the success of the College and connects important players in the world. Divided into lectures, reviews, and exhibitions, the first issue of the collection also reveals the past “Archives of the Architectural Alliance College” series, as well as the pivotal and contemporaneous significance of the development of the school as a whole.

John Hejduk: 7 Houses records an exhibition organized by the Institute for Architecture and Urban Studies (IAUS) in 1980 for the architect John Hejduk (1929-2000), which included seven residences conceived during his tenure at the University of Texas at Austin (UT-Austin) Architectural Drawings and Explanations. The book is the 12th volume in the Catalogue series of exhibitions published by the School of Architecture and Urban Studies. It contains the architect's life, reference works and personal exhibitions, reviews of works, and award records.

聚焦索爾．勒維特（Sol LeWitt）這位奠定觀念藝術與極簡藝術領域的美國重量級藝術家，文心藝所藏書包含了1972年於瑞士伯恩藝術館（Kunsthalle Bern）舉辦個展時的展覽圖錄《索爾．勒維特：伯恩美術館 10月7日–11月19日，1972》（Sol LeWitt: Kunsthalle Bern 7. Oktober - 19. November, 1972）、《攝影網格》（PhotoGrids, 1978）以及《索爾．勒維特：6種幾何圖形的所有4部分組合》（Sol LeWitt: All Four Part Combinations of Six Geometric Figures, 1980）三本珍貴的典藏品，其內容涵蓋了繪畫、攝影與線稿手繪等媒介，勒維特的理念：「書籍自身即是作品，而不是其他作品的複製品。」更憑藉這些充滿魅力的典藏表露無遺。

The 20th issue of Architectural Design Profile 20: Roma Interrotta was published in 1979 as a 3/4-month issue, documenting the architectural exhibition Roma Interrotta, 1978, held in Rome. The exhibition invites 12 architects to redraw and interpret from their own independent perspectives a complete plan of the city of Rome made in 1748 by the Italian architect and cartographer Giovanni Battista Nolli, 1701-1756, and composed of 12 copperplate paintings. James Stirling, 1926-1992, Robert Venturi, 1925-2018, and Colin Rowe (1920-1999) participated in this important space-time dialogue in the history of urban design.

Delirious New York: A Retroactive Manifesto for Manhattan, published in 1978 by the 2000 Pulitzer Prize winner and Dutch architect Rem Koolhaas (1944-), is also a retroactive manifesto on Manhattan's “culture of congestion.” It's a Debatable Historical Study: It's Documented The mutated urban society and the coexistence of the unique architecture it produces illustrates the theories, strategies, and disguises that architects use the grid as a backdrop, to translate their aspirations into reality. An appendix to the book shows a series of design projects by Koujas and his collaborators on the theme of “Manhattan's Second Coming.”

聚焦索爾．勒維特（Sol LeWitt）這位奠定觀念藝術與極簡藝術領域的美國重量級藝術家，文心藝所藏書包含了1972年於瑞士伯恩藝術館（Kunsthalle Bern）舉辦個展時的展覽圖錄《索爾．勒維特：伯恩美術館 10月7日–11月19日，1972》（Sol LeWitt: Kunsthalle Bern 7. Oktober - 19. November, 1972）、《攝影網格》（PhotoGrids, 1978）以及《索爾．勒維特：6種幾何圖形的所有4部分組合》（Sol LeWitt: All Four Part Combinations of Six Geometric Figures, 1980）三本珍貴的典藏品，其內容涵蓋了繪畫、攝影與線稿手繪等媒介，勒維特的理念：「書籍自身即是作品，而不是其他作品的複製品。」更憑藉這些充滿魅力的典藏表露無遺。

Architecture: Seven Architects, published in 1977, Houses for Sale in 1980, and Follies: Architecture for the Late-Twentieth Century Landscape, 1983, are respectively the richest in New York. One of the most influential galleries — three exhibitions of paintings by architects held at the Rio Castries Gallery on Broadway. Successive exhibitions include Austrian architect Raimund Abraham (1933-2010) and Argentine-American architect Emilio Ambasz, 1943-2010, Austrian sculptor and architect Walter Pichler (1936-2012), etc., and Arata, which continues to exhibit Manuscripts of architectural drawings by architects and others, Isozaki, 1931~), Paul Rudolf (1918-1997).

OPPOSITIONS 1 AND ITS SERIES OF PUBLICATIONS WERE PUBLISHED BETWEEN 1973 AND 1984, WITH THE NEW YORK-BASED COLLEGE OF ARCHITECTURE AND URBAN STUDIES (IAUS) CONTINUOUSLY PUBLISHING 26 VOLUMES OF ESSAYS AND SPATIAL IMAGINATIONS. The first volume of the collection, Conflict 1, was published in September 1973 and brought together Colin Rowe, professor of architecture at Cornell University, 1920-1999, architect Peter Eisenman, 1932-, and Columbia University professor Kenneth Frampton, 1930- 5 articles written by important architectural scholars and critics covering architectural design Methodology, architectural commentary, architectural history, utopia and symbolism, etc. As a prized first edition of a classic architectural journal, the book has long been out of circulation and is considered one of the most legendary architecture books.

Focusing on Sol LeWitt, an American heavyweight in the fields of conceptual art and minimalism, the collection includes a catalogue of the 1972 exhibition at the Kunsthalle Bern, Switzerland: Museum of Fine Arts, October 7 — November 19，1972》（Sol LeWitt: Kunsthalle Bern 7. October - 19. November, 1972), PhotoGrids, 1977, and Sol LeWitt: All Four Part Combinations of Six Geometric Figures, 1980, and Sol LeWitt: All Four Part Combinations of Six Geometric Figures, 1980, covering media such as painting, photography and hand-drawing, LeWitt's philosophy: “A book is a work in itself, not the work of others Replica.” And with these charming collections, you will be able to reveal your heritage.

Los Angeles: The Architecture of Four Ecologies by the British critic and author Reyner Banham (1922-1988) was published in 1971 as a pioneer of architectural research on the theme of a single “city” in the 1970s. The original cover of the book was highly representative. Paintings by David Hockney, a famous artist who moved to Los Angeles: “A Bigger Splash” reveals the freewheeling nature of this changing American West Coast city. By placing the work of local architects in a setting such as mountains, plains, beaches, and highways, Bann demonstrates the complex ecologically complex interaction between architectural space and social culture.

Earth Art, published in 1970 and documented in 1969 at Cornell University's Andrew Dickson White Museum of Art, curated by American artist and independent curator Willoughby Sharp, 1936-2008, shows concepts including Dutch Orchins. Artist Jan Dibbets Nine artists from around the world, such as Robert Morris, 1931-2018 and Robert Smithson, 1938-1973, from the United States, used earth as a medium for creating works by artists from all over the world. Distributed around the campus, these works represent a meeting point between 1960s art and life, transforming into activism.

Mies van der Rohe: Drawings in the Collection of the Museum of Modern Art is a large collection of works with a total page width of 120 cm after opening, selected from the 1969 edition of the New York Museum of Modern Art. Ludwig Mies Archive van der Rohe Archive), which mainly records drawings and drawings of unbuilt plans by German architect Mies (1886-1969), such as the proposal for Berlin's first skyscraper — Friedrichstrasse Office Building, 1921, Concrete Office Building, 1922, etc. Most of the drawings are printed from the originals provided by the architect, classified by painting technique, including pen sketches, charcoal strokes, and collage images, and some of the contents are 1:1 restored to the scale of the actual manuscript.

The New Brutalism: Ethical or Aesthetic? published in 1966 by the British architectural critic and writer Reyner Banham, 1922-1988, as a continuation of his 1955 article The New Brutalism in The Architectural Review. A genre of architecture that developed around the world in the 1960s, it defined the architectural work of Le Corbusier, Ludwig Mies van der Rohe, and Alison and Peter Smithson in the 1940s.

《論壇報大樓競圖：1922年芝加哥論壇報新行政大樓國際競圖》（Tribune Tower Competition: The International Competition for a New Administration Building for the Chicago Tribune MCMXXII）紀錄了1922年由芝加哥論壇報發起的成立75週年新大樓國際競圖，以「全世界最美的辦公樓」為號招，在當時吸引了來自23個國家、超過260組建築師團隊參與競逐，眾多知名建築師包含包浩斯校長華特．葛羅培斯（Walter Gropius）、阿道夫．路斯（Adolf Loos）、伊利爾．沙利南（Eliel Saarinen）等皆參與了這場盛會，競圖當時留下了總計135幅，原始尺寸高162公分、寬88公分的建築透視圖，亦收錄於本書中，成為「摩登時代」（Modern Age）的經典建築切面。